有音乐才能的

On the contrary, the practice of music education would be beneficial to the research of acoustics too.

研究结果显示，音乐教育的各个层面都深受声学的影响，只有对声学有正确的认识，音乐教育才能得到良好的效果。

Bekker brought his musical skills to London, England, where he, along with producer Emil Zoghby, arranged, conducted and produced albums for such notable artists as Freddie Cole, Magna Carta and Stanley Black.

贝克把他的音乐才能带到了伦敦，在那里他和出品人伊美尔·周格伯一起为知名的音乐艺术家安排、组织和出版专辑。这些音乐家里有弗里德黛·科里、美格娜·卡塔、斯坦利·布莱克。

Classically trained, Bell joined the group in 1972, after a distinguished career as a harpist with the Northern Ireland BBC Orchestra, and as a professor of harp and Irish harps at the Belfast Academy of Music.

他的音乐才能受到皇家音乐学院 Manns奖的表彰，并在双簧管、英国号、英国管、提欧潘和键盘上都有相当杰出的成就。

He has an innate talent for music.

他有一种天赋的音乐才能。

The children mirthfully dance on, to an overture woven of the brightness of hope.

有了电，音乐才能播送到全校，孩子们开心的跳舞，这是希望交织而成的幸福乐章。

With more than a dozen performance and nonperformance majors, a diverse and talented student body representing more than 70 countries, and a music industry "who's who" of alumni, Berklee is the world's premier learning lab for the music of today—and tomorrow.

与十多个性能和nonperformance专业，多样化和有才能的学生代表70多个国家和地区，以及音乐产业"谁的谁"的校友，伯克利是全球首屈一指的学习实验室的音乐今天和明天。

In the system of symbols, it could not demonstrate color and tendency. Each parts of polyphone should compose and flow which make stability and tendency of center tone. So it is no meaning of aesthetics for just researching the singled acoustics triad, for it does not make a sense of beauty and harmony.

但作为符号体系而言，独立的、脱离调性的单一的和弦音响，既不可能表现出它的倾向性，也无法显示它的色彩性，此外，由于音乐中必须有各个声部的各种组合运动才能显示出中心的稳定性和流动偏离的向心作用，因而孤立地研究和弦音响对心理的影响作用毫无审美意义，它不能给予听众以和谐与否的美感。

Described by the Fort Worth Star Telegram as a pianist of "artistic instinct and natural charisma," Stephen Beus is recognized as one of the most promising pianists of his generation. In the space of four months, Mr. Beus won first prize in the 2003 Gina Bachauer International Piano Competition, first place in the Vendome Prize International Competition and he was awarded the Max I. Allen Fellowship of the American Pianists Association.

史帝芬·贝尤斯被美国著名音乐评论报纸《沃思堡明星电讯报》描写为"天生有才华和神赋予才能的艺术家"称号的史帝芬·贝尤斯，被美国音乐界公认为是美国最有希望的年轻一代钢琴家。2003年，当他在24岁的时候，在4个月的时间里，先后获得了3个金奖：在美国盐湖城举办的吉娜·巴考厄国际艺术家钢琴比赛金奖，在葡萄牙首都里斯本旺多姆国际钢琴比赛金奖，和美国钢琴协会最高奖麦克斯·艾伦奖。

The maid Adele was one of the classical images in the Western operettas, the research and grasp of the characteristics of the musical image of Adele naturally are necessary, the acquaintance and practice with her skill of duet singing and aria singing, processing of language, image performing on stage, analyzing of classical versions are also indispensable. Meanwhile, with deeper understanding of the temporal social situation, we can fully understand the careful use of musical elements on the character Adele by Strauss.

女仆阿黛莉是西方轻歌剧中经典的形象之一，我们对阿黛莉音乐形象特征的研究与把握自然是十分必要的，对其重唱、咏叹调的演唱技巧，以及语言的处理，舞台形体表演、经典版本的分析等方面的认识与实践也是十分必要的，同时我们也只有对当时的社会现状有更深刻的了解，才能充分理解斯特劳斯对阿黛莉这个人物的音乐元素的精心使用。

Described by the Fort Worth Star Telegram as a pianist of "artistic instinct and natural charisma," Stephen Beus is recognized as one of the most promising pianists of his generation. In the space of four months, Mr. Beus won first prize in the 2003 Gina Bachauer International Piano Competition, first place in the Vendome Prize International Competition and he was awarded the Max I. Allen Fellowship of the American Pianists Association.

史帝芬·贝尤斯被美国著名音乐评论报纸《沃思堡明星电讯报》描写为&天生有才华和神赋予才能的艺术家&称号的史帝芬·贝尤斯，被美国音乐界公认为是美国最有希望的年轻一代钢琴家。2003年，当他在24岁的时候，在4个月的时间里，先后获得了3个金奖：在美国盐湖城举办的吉娜·巴考厄国际艺术家钢琴比赛金奖，在葡萄牙首都里斯本旺多姆国际钢琴比赛金奖，和美国钢琴协会最高奖麦克斯·艾伦奖。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。