有边缘的

Trees often deciduous; flowers 4- or 5-merous; fruit with 1 or more pyrenes; leaflets with margin usually serrate; branchlet pith without vascular strands

乔木通常落叶；花瓣4或5；果具1或更多果核；小叶具边缘通常有锯齿；小枝木髓没有血管的股 2

9 Scaffold surfaces shall be kept clean and free from sharp edges, burrs, or other safety hazards.

脚手架的表面必须保持干净，不得有尖利边缘、毛刺或其它安全危险。

Leaf blade papery, oblong to oblanceolate, margin serrate-dentate, teeth callose; inflorescences 1.5-4 cm, paniculate.

纸质的叶片，长圆形到倒披针形，边缘有锯齿配位基，切成齿形；花序1.5-4厘米，圆锥状。

Even at daytime as sharp as Radian to the edges, image below 22 mm Leitz, but contrasty, comfortable with instadjust eyecup, better than 22 mm Panoptic even on 18 f/4.2 Starmaster, minor pincushion despite sharp view, no ghosting, a bit of kidney bean.

甚至在白天观测中边缘和RA一样锐利，成像弱于Leitz22，但对比和舒适性由于可调眼罩作用很好，在18 f/4.2 Starmaster上表现优于PO22。很微小的枕失，成像很锐，没有鬼影，有一点黑边。

Leaves alternate, simple, petiolate, stipulate, venation craspedodromous or camptodromous and merely toothed, margin serrate or lobed, folded or convolute in bud.

叶互生，单，，具托叶，脉序craspedodromous或camptodromous 和仅仅齿，浅裂的边缘有锯齿或，在芽中折叠或旋卷。

Finally we will see later on that there is another way to make edge detection with matrix convolution.

最后我们将看到，稍后有另一种方式，使边缘检测与矩阵的卷积。

Leaves ovate to ovate-lanceolate, base rounded to cuneate-attenuate, margin crenate or serrate except at base.

叶卵形到卵状披针形，渐狭的基部圆形到楔形，边缘具圆齿或有锯齿除在基部之外。

Leaves petiolate, with simple or stellate hairs, margin serrate or crenate.

叶具叶柄，具单的或星状毛，边缘有锯齿或具圆齿。

Leaf blade margin denticulate, dentate, crenate, serrate or nearly undulate.

叶片边缘具小齿，具牙齿，，或者近的有锯齿波动。

Leaf blade broad, margin serrate or crenate, flat; corolla urceolate, shortly lobed.

叶片宽阔的部分，边缘有锯齿或具圆齿，平；花冠瓶形，短浅裂。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。