有艺术地

Kandinsky, the founder of the abstractionist art once claimed more thoroughly that "Color is the form and the theme". Though it is somewhat biased, he is the forerunner of introducing the musical rhythm and melody into abstract symbolic language by point, line and plane in colors.

抽象绘画鼻祖康定斯基更彻底地宣言"色彩就是形状和题材"，尽管有其偏执的一面，但他在用色彩的点线面完成的把音乐节奏、旋律感觉带入抽象化符号语言的探索，开创了抽象绘画艺术的先河。

This paper aims to research the idea historia which is the central conception in the artistic theory of Leon Battista Alberti. To demonstrate the original meaning of historia in different period of time, which ranged from antique Greek to Renaissance, is the first chapter of this paper.

本文以文艺复兴时期伟大的人文主义者里昂·巴蒂斯塔·阿尔贝蒂艺术理论中的historia观念为主要关注点，将该词本体含义、在阿尔贝蒂理论中的应用并结合对已有研究成果的分析比较进行较为客观地考释研究。

It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness. Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex. Because of the southern Americans special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life.

第二章从福克纳创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

I'm the Fireman Fire, Fa, Fireman I got that fire I'm hollering I got that fire come and try me and You can spark it up and I'ma put you out You can spark it up and I'ma put you out [Verse 1] Ain't nobody fuckin with me man, Heatman Ski Mask spending next weeks cash, he fast And I don't even need a G pass I'm pass that I'm passing em out now and you can't have that And my chain Toucan Sam That tropical colors you can't match that Gotta be abstract You catch my gal legs open betta smash that Don't be surprise if she ask where the cash at I see she wearing them jeans that show her butt crack My girls can't wear that why, that's where my stash at I put my mack down that's where you lack at She need her candlelit and I'ma wax that I rekindle the flame She remember the name It's Weezy Baby January December the same Mama gimme that brain Mama gimme that good Cause I'm the fireman You hear the firetruck I'm the Fireman Fire, Fa, Fireman I got that fire I'm hollering I got that fire come and try me and You can spark it up and I'ma put you out You can spark it up and I'ma put you out Fresh on campus it's the Birdman Jr Money too long teachers put away ya rulers Raw tune not a cartoon No shirt, tattoos, and some war wounds I'm hot but the car cool She wet that's a carpool Been in that water since a youngin you just shark food Quick Draw McGraw I went to art school Yeah the lights is bright but I got a short fuse Don't snooze Been handling the game so long my thumb bruise Ya new girlfriend is old news Yeen got enough green and she so blue yeah Cash Money Records where dreams come true Everything is easy baby leave it up to Weezy Baby Put it in the pot let it steam let it brew Now watch it melt don't burn ya self I'm the Fireman Fire, Fa, Fireman I got that fire I'm hollering I got that fire come and try me and You can spark it up and I'ma put you out You can spark it up and I'ma put you out Ridin' by myself well really not really So heavy in the trunk make the car pop-a-wheelie Who?

我是消防员消防，花园，消防员我接到火警我喊叫我接到火警来试试我，它可以激发起来，我是把你出去它可以激发起来，我是把你出去 [诗歌1] 不与我没有fuckin人，Heatman 滑雪面具的现金支出今后几周，他快我甚至不需要一个G通过我传递我现在传递时间内，你不能有链巨嘴鸟和我的山姆这种热带色彩不能匹配肯定在抽象你明白我的加仑双腿粉碎的开放斗鱼不要惊讶，如果她问其中现金我看到他们，她穿着牛仔裤，显示她的屁股裂缝我的女孩不能穿这个原因，这就是我的藏匿在我把我的下这就是你缺乏麦克她需要她的烛光和我是一个蜡余点燃圣火她记得这个名字这是12月1月Weezy婴儿一样妈妈gimme，大脑妈妈gimme，良好原因我是消防员你听到救火车我是消防员消防，花园，消防员我接到火警我喊叫我接到火警来试试我，它可以激发起来，我是把你出去它可以激发起来，我是把你出去新鲜校园它是鸟人Jr 钱太长教师收起亚统治者原料调整不是一个卡通没有衬衫，纹身，和一些战争创伤我觉得又热，但赛车冷却她湿这是一个用车在这水自1 youngin你只鲨鱼的食物快速绘制麦格劳我去艺术学校是的，灯光明亮而我得到脾气暴躁不要打盹被处理的游戏，只要我的拇指挫伤亚新女友是旧闻陈吕令意有足够的绿色和蓝色是啊，她这样现金货币记录下梦想成真一切都留给孩子容易到Weezy婴儿放入锅蒸让它让它酿造现在看它融化不烧亚自我我是消防员消防，花园，消防员我接到火警我喊叫我接到火警来试试我，它可以激发起来，我是把你出去它可以激发起来，我是把你出去我自己也实在没有真正因此，在主干沉重让赛车弹出一，离地平衡特技谁？

He himself, when he trained himself stubbornly in his unconventional unmarketable art in a Paris which had other fashions, gave the prime example of such a victory; and if he has sometimes, under the menace of the general panic, seemed on the point of going to pieces as an artist, he has always pulled himself together the next moment.

他自己，当他倔强地训练了自己在他跌荡的不会有销路的艺术在有其它时尚的巴黎，给出了这样胜利光辉的榜样；并且如果他有时有，在一般恐慌的威胁之下，似乎在点去片断作为艺术家，他总合作自己下片刻。

Both dance and drama appeal to spectators' vision, but the movement of dance has the highly recapitulatory and general expressiveness of the subject, being good at emotion-expression and not expert at narration.

舞蹈是活动的雕塑，雕塑是舞蹈的&亮象&；舞蹈和戏剧都诉诸观众的视觉形象，但舞蹈的动作表演具有高度概括、宽泛的主观内在表现性，表现出长于抒情拙于叙事的特点；舞蹈的节奏感与韵律性与音乐有内在的联系，世界上有脱离舞蹈的音乐，却没有脱离音乐的舞蹈，由偏于客观，充满摹仿、再现因素，逐渐发展到借助形式美的程式化语汇，自由地表现主体内在的审美情感，是舞蹈艺术审美理想演化变迁的历史过程。

All the aesthetic cultural activities are interpreted and analyzed from the angle of concealed code of ideology. A kind of cultural phenomenon iii a dominant position compared to other cultures simply comes down to the "supremacy" of ideology. The influence of commerce on art creation is simply equated with standardization and commonplace, which might make the difference between traditional and universal need and specific political need of contemporary capitalism mixed up, and might make the evolution of commercial culture neglected. Consequently, the inwardness of cultural phenomenon was misapprehended.

但意识形态批判理论在具体运用中有可能产生意识形态泛化的倾向，把所有的审美文化活动都从隐藏的意识形态编码角度进行解读和分析，把一种相对於其他文化处於更优势地位的文化现象简单归结为意识形态的&霸权&，把商业对艺术文化生产的影响简单地等同於标准化和平庸化，有可能混淆传统的或普适的需要与当代资本主义特定的政治需要之间的差别，忽视商业文化的演变，从而造成对文化现象内在性质的误解。

In an instant he had cleared every obstacle away, and he saw successively the lock, placed between two padlocks, and the two handles at each end, all carved as things were carved at that epoch, when art rendered the commonest metals precious.

一眨眼的功夫，他就清除了箱子上的杂物，看到在两把挂锁之间，稳稳地扣着一把大锁，箱子的两头各有一只提环，所有这些东西上面都有那个时代的雕刻。那个时代，艺术可以使最平凡的金属品变成宝物。

The concept of equivalent rotationally rigidity is offered and the formula of rotationally rigidity is obtained.

主要做了如下几个方面的工作：对伸臂位于顶部的单层框架—筒体模型进行分析，提出了等效转动约束的概念和转动约束刚度的表达式。

Male cats normally do not need aftercare with the exception of the night after the anesthetic.

男猫通常不需要善后除了晚上的麻醉。