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The author presents for ours this oil painting, color of take the sea - black , deep black, dark blue as the bottom color, has the depth feeling of shadow, by the prominent condensation function, causes the main image bright eye-catching, has one kind of stereoscopic effect; Simultaneously chose the contrast intense white clouds, the snowy peak has come with the sea to face each other across a great distance, the color was bright, has had the striking feeling; Chose the rich vitality green seacoast, the nattierblue hill has made the sea the sideline, has had the gently beautiful feeling; Chose the color variegated light beam to make the sea the central color, the reflection function is intense, the entire picture was bright immediately, the deep color transferred the half tint, has had the lively sprightly feeling; Adds on moon's inverted image, bird's soaring, eagle's convolution, constituted one refinedly to catch fish the chart, also the difficult style which caught fish with the old person has formed the harmonious unification, played the exaggeration role, had achieved the perfect unification, demonstrated the old person just had the suppleness, supple had the just disposition characteristic.

作者呈现给我们的这幅油画,以大海之色――黑魆魆、深黑、深蓝为底色,有深度的阴影之感,以突出聚光作用,使主要形象鲜明夺目,产生一种立体感;同时选择了对比强烈的白云、雪峰来与大海遥遥相对,色彩明亮,产生了醒目感;选择了富有生气的绿色海岸,淡青色的小山做大海的边线,产生了柔美之感;选择了色彩斑斓的光柱做大海的中心色彩,反光作用强烈,整个画面顿时明亮起来,深色转为中间色,产生了活泼明快之感;加上月亮的倒影、鸟儿的飞翔、老鹰的盘旋,构成了一幅脱俗的捕鱼图,也与老人捕鱼的艰难格调形成了和谐的统一,起到了渲染的作用,达到了完美的统一,显示出老人刚中有柔,柔中有刚的性格特征。

In order to spot color business card printing and membership card making to distinguish, common to the natural color of the pattern where digital technology by optical or color separations of restore printing are referred to as the primary color business card printing and membership card production (understandable to restore color business card printing and membership card making), and optical, chromatology of the original color concept is waysthe.

为了与专色制卡和会员卡制作举行区不合,凡是我们把不差板滞色彩的图案堵住光教或数字化技艺举行不合色而举行的还原印花都称为原色制卡和会员卡制作(可以抱怨为还原色彩制卡和会员卡制作),它与光教、色彩教上的原色观点是有不差别的。

Therefore, this research would focus on the conjunction of imageries between music and color.

因此,本研究主要为深入探讨音乐意象空间与色彩意象空间彼此的相关联性,经过数据整理后,藉由相关分析可得知音乐意象与色彩意象有良好的相关性,而音乐意象也与音乐的三属性有相关。

The ambiguity, abstraction, and mysteriousness of the pictures, on the one hand, revealed his state of obscurity and uncertainty, and one the other hand demonstrate his perception of colour, and more specifically, his perception of the abstract nature of colour. This is consistent with his pursuit of the beauty, rarity and harmony of colours.

同走入观念的前卫艺术不一样,他仍在追求"绘画性",其画面的暧昧、抽象、神秘一方面表达出他身处朦胧和不确定的状态,一方面显示出他对纯色彩要素的认识—即对色彩中抽象性质的认识,这和他在写实画中追求色彩的美妙、稀有、合谐,有相通性。

Many people in Taiwan use refillable ink instead of original equipment manufacturer ink to retrench cost as printing document. The main purpose of this study is to understand color representation on refillable ink passing through characterization of Color Management System 3C, and compared with the original equipment manufacturer ink.

在台湾已经有许多人使用填充式墨水代替原厂的墨水夹,节在印文件档案时所要提花费的成本,所以本研究探讨填充墨水在经过色彩特性演绎描述模式化后,其色彩的表现为何,并与原厂墨水色彩的表现作比较。

The experiment result also shows that the realizations of the sense of spatial visual illusion in color for triers in different genders are different. The realizations are also different in shape and color for triers in different education backgrounds.

实验结果也显示,不同性别的受测者对於色彩在视觉错视空间感的认知上是有差异的,不同学习背景的受测者对於造形、色彩在视觉错视空间感之看法也是有差异的。

Tintered with the color of the times, May 4th female writers abandoned the mysteriousness of Godology which goes against Chinese ideology, and created different images of God with strong emotions, personality, even female features. They include the Creator, God as Mother or Woman, audient to the holy words, and the target of spiritual reliance, etc.

在时代影响下,五四女作家舍弃了基督教上帝学说中不合中国观念且不合常理的神秘部分,在创作中表现了更具情感色彩、人格色彩、性别色彩的上帝形象,主要有造物者、母性或女性的上帝、圣言的倾听者、精神寄托的对象等上帝形象。

Dramatically characterized by tongued, visually and emotive, it has special expression in description.

这类词具有鲜明的口语色彩、形象色彩以及感情色彩,因而在写人状物方面有特殊的表现力。

Because, there is difference in cultural habits and color orientations, native speakers of English and those of Chinese will choose different color terms to refer to the same things, thus in translation it is necessary to substitute different color terms in the target language for the ones in the source language.

因为文化习惯和色彩的适应中是有不同的。说英语的当地人和那些中国人在指同一个色彩时,会选择不同的色彩术语。因此,在翻译过程中,用目标语言中的不同的颜色术语来代替源语言是必要的。

Luo Zong Hai on watercolor painting in color means that, at the same time a tendency to emphasize color in writing, it is attention to dark colors simple and honest and transparent, the better to solve the problems of the watercolor easy-to-thin.

罗宗海水彩画在色彩上有油画的意味,在强调书面色彩倾向的同时,很注意暗部色彩的浑厚与透明,较好解决了水彩画易于轻薄的毛病。

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