有精神地

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Depending on this, we concluded the difference of Zeitgeist between mid ages and pre-modern literature on merchant spirit: either the dominant idea of the mid ages poetry is "powerful commerce leads to underdeveloped farming", or the idea that focuses on "mutual benefits" based on court and local policy; but the beginning of pre-modern literature----- the agreement between scholar-bureaucrats and merchants comes from lightheartedness, joy, sentimental expression and lyrical description expressed by middle period of Ming merchant poetry that deeply reflected the citizenly cultural spirits. Contrast to the poetry on merchant of middle literature, this is the ultimate transformation, showed the mostly characteristic of pre-modern literature priorly .

以此为界说，可以归纳出中世、近世涉及商贾诗歌的不同的时代精神：中世时期的诗歌或以"贾雄则农伤"为其主导思想，或主要着眼于朝廷与地方政策的层面张扬"农商兼利"的思想；而近世文学的起点———明中叶涉及商贾的诗歌往往在自由自在、安享快乐及张扬情欲、舒展性灵等方面有士商心灵的契合，在深层次上反映了市民文化精神，相对于中世涉及商贾的诗歌有根本性的转变，较早地显示出近世文学的主要特征。

Depending on this, we concluded the difference of Zeitgeist between mid ages and pre-modern literature on merchant spirit: either the dominant idea of the mid ages poetry is "powerful commerce leads to underdeveloped farming", or the idea that focuses on "mutual benefits" based on court and local policy; but the beginning of pre-modern literature----- the agreement between scholar-bureaucrats and merchants comes from lightheartedness, joy, sentimental expression and lyrical description expressed by middle period of Ming merchant poetry that deeply reflected the citizenly cultural spirits. Contrast to the poetry on merchant of middle literature, this is the ultimate transformation, showed the mostly characteristic of pre-modern literature priorly .

以此为界说，可以归纳出中世、近世涉及商贾诗歌的不同的时代精神：中世时期的诗歌或以&贾雄则农伤&为其主导思想，或主要着眼于朝廷与地方政策的层面张扬&农商兼利&的思想；而近世文学的起点———明中叶涉及商贾的诗歌往往在自由自在、安享快乐及张扬情欲、舒展性灵等方面有士商心灵的契合，在深层次上反映了市民文化精神，相对于中世涉及商贾的诗歌有根本性的转变，较早地显示出近世文学的主要特征。

Do you still remember,how we used to be Feeling together, believe in whatever My love has said to me Both of us were dreamers Young love in the sun Felt like my Saviour, my spirit I gave you We'd only just begun Hasta, my young girl Always be mine Viva forever, I'll be waiting Everlasting, like the sun Live Forever, for the moment Ever searching for the word Yes I still remember, every whispered word The touch of your skin, giving life from within Like a love song that I'd heard Slipping through your fingers, like the sands of time Promises made, every memory saved Has reflections in my mind Hasta, my young girl Always be mine Viva forever,I'll be waiting Everlasting, like the sun Live Forever, for the moment Ever searching for the word But we're alone now, was it just a dream Feelings untold, they will never be sold And the secret's safe with me Hasta my young girl, Always be mine Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word Viva forever, I'll be waiting Everlasting, like the sun Live Forever,for the moment Ever searching for the word

你仍然记得吗，我们过去一直是的方式一起感觉，相信任何的我的爱已经对我说我们两个都是做梦的人年轻的爱在太阳下感觉像我的救星，我的精神我给予了你我们才开始 Hasta，我的年轻女孩总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字是的我仍然记得，每一耳语字你的皮肤的触觉，提供生活从在喜欢情歌我有听到滑倒过你的手指，像时间的沙子承诺制造，解救的每记忆有我的思想的反映 Hasta，我的年轻女孩总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字但是我们现在很孤独，它只是一个梦感觉不告诉，他们将会无法被卖而且秘密的保险箱由于我 Hasta 我的年轻女孩，总是我的万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字万岁的欢呼永远地，我将等候永恒的，像太阳永远地住，对于片刻曾经搜索对于字

All those whom God has predestinated to life, and those only, he is pleased, in his appointed and accepted time, effectually to call, Ro 8:30 11:7 Eph 1:10,11 by his word and Spirit, 2Th 2:13,14 2Co 3:3,6 out of that state of sin and death in which they are by nature, to grace and salvation by Jesus Christ; Ro 8:2 Eph 2:1-5 2Ti 1:9,10 enlightening their minds spiritually and savingly to understand the things of God; Ac 26:18 1Co 2:10,12 Eph 1:17,18 taking away their heart of stone, and giving to them an heart of flesh; Eze 36:26 renewing their wills, and by his almighty power determining them to that which is good; Eze 11:19 Php 2:13 De 30:6 Eze 36:27 and effectually drawing them to Jesus Christ; Eph 1:19 Joh 6:44,45 yet so as they come most freely, being made willing by his grace. So 1:4 Ps 110:3 Joh 6:37 Ro 6:16-18 2 This effectual call is of God's free and special grace alone, not from any thing at all foreseen in man; 2Ti 1:9 Tit 3:4,5 Eph 2:4,5,8,9 Ro 9:11 who is altogether passive in it, until, being made alive and renewed by the Holy Spirit, 1Co 2:14 Ro 8:7 Eph 2:5 he is enabled by it to answer this call, and to embrace the grace offered and conveyed in it.

2Jo 1：9-11 1Co 16：22 Ga 1：6-8 1 ）所有的人对上帝有predestinated人生观，以及那些只，他很高兴，在他的任命，并接受了时间，有效地打电话，滚装8：30 11时07分弗1：10，11由他的文字和精神， 2th 2：13，14 2co 3：3，6出该国的罪恶和死亡的来信，他们都是本质上说，以恩典和救赎，由耶稣基督；滚装8：2弗2：1-5 2ti 1：9，10启发他们的头脑，在精神上和savingly了解事情的上帝；交流电26：18 1co 2：10，12弗1：17，18拿走他们铁石心肠，并给他们一个心脏的果肉；新教徒协会36：26自强不息他们的遗嘱，以自己的全能的能力决定他们说，这是个好；新教徒协会11时19分的PHP 2时13德30：6新教徒协会36：27 ，并有效地借鉴他们耶稣基督；弗1：19 joh 6：44，45然而，让他们来最自由，正在取得愿意由他的恩典，所以1：4的PS 110：3 joh 6时37滚装6：16-18 2 ）本显效呼吁是上帝的自由和特别恩典单，而不是由任何事情在所有能预见在男子； 2ti 1时09山雀3：4，5厄2：4，5，8，9滚装9时11分，他们是完全处于被动，直到，正活着，并再次由圣灵1co 2时14滚装8时07弗2时05分，他是启用的，它要回答这个号召，并接受恩典提供，并转达了此事。

The manner faithful, sincere, good, is honest* Has accepts the new thing and adapts the new environment ability, the aspect of knowledge is broad, also can bear hardships and stand hard work, has the very big potential to be possible to dig* Dares to meet the challenge, facing reality; Works, is quickly rigorous* Is professional practical and the good team cooperation spirit, rich affinityIn four years, the system study chemistry aspect basic theory and the correlation project technical knowledge, has studied the economic The management study and the accounting and so on the management class theory knowledge, has studied independently the homepage manufacture and the network maintenance and the management knowledge, also has obtained the computer and English aspect national level certificate, obtained the applied chemistry and business management double bachelor the degree, has enriched own aspect of knowledge, simultaneously also obtains the basic research aspect thought and the experimental training, has the good scientific accomplishment, the chemical elementary operation eo skill and in the economical management and so on the various skill Studies for the purpose of application, through university's study, I may be engaged in the light industry, the medicine, the light industry product production profession and the design research department, the management foreign trade department, and other management control sections Certainly, university's education aims at the education for all-around development, so long as the company need, I firmly obey the company the arrangement, because I believe the company "person its material" servant environment In the company leaders and under the colleagues concern instruction, I can do one's best and splendidly complete the task which the company arranges "The honest code of honor" is my motto;"Strives constantly for self-improvement" is my struggle power;"Does a line, loves a line, drills line, a fine line" is my life manner If Mongolia hires, settledly assiduously works, not let people downsStill is perhaps immature but actually longs for the superego scholar, sincere hope your reply Prosperously wishes your firm to be developed, progresses day by day!

方式忠实，恳切，好，是诚实的*有接受新事和适应新环境能力，知识的方面是宽广的，能还负担困难并且站立坚苦工作，有非常大潜力是可能开掘*胆敢接受挑战，面对现实；工作，迅速是严谨的*是专业实用和好队合作精神、富有的亲合力在四年，系统研究化学方面基本的理论和交互作用项目技术知识，学习了经济管理研究和会计等等管理类理论知识，独立地学习了主页制造和网络维护和管理知识，并且获得了计算机并且英国方面全国平实证明，被获得应用的化学和业务管理双学士程度，丰富拥有知识的方面，并且同时获得基础研究方面被认为并且实验性训练，有好科学成就，化工基本的操作eo 技巧和在经济管理等等各种各样的技巧研究为应用的目的，通过大学的研究，我也许一定订婚轻工业、医学、轻工业产品生产行业和设计研究部门、管理对外贸易部门，和其它管理控制段，大学的教育瞄准教育为全能发展，只要公司需要，我牢固地服从公司安排，因为我相信公司&人它的物质&仆人环境在公司领导和在同事之下有关指示，我可能做某人最佳和精采地完成公司安排&荣誉诚实的代码&是我的座右铭的任务；&力争self-improvement&经常是我的奋斗力量；&做线，爱线，操练线，一线细线& settledly 勤勉地是我的生活方式如果蒙古聘用，工作，不是让下来仍然是或许发育未全的但实际上渴望superego 学者的人，您的回复兴旺祝愿您的企业被开发的恳切的希望，天天进步！

In the horizon of the Shandong essayists, they have been working to be creative prose, self-development and Qilu culture combines closely together, and thus at large to the nature, society, human, small to life ,concept, human, on the all aspects of subjective judgments, there are those who have rational statement said on historical experience and ethical culture, there are those idealists having watch feelings in the process of looking for the cultural and spiritual roots, there are also those intellectuals call for the moral on the worrying about the ecological environment, the implication of the display is the convergence and recycling with the spirit of Qilu culture in the new era.

在山东散文作家的文学视域里，他们一直努力将散文的创作、自我的发展与齐鲁文化紧密地揉合在一起，因而在对大至自然、社会、人类，小至生命、观念、人性等各个方面的主观判断中，既有反思者在历史遭遇与道德文化面前的理性言说，也有理想主义者在寻根文化和精神过程中的守望情怀，更有忧心忡忡的知识分子在生态关怀中的道德呼吁，这些意蕴的展示正是新的时代洪流下齐鲁文化精神的汇聚与再造。

The fury and cruelty of this battle is quite revealed in the figure's complexion and body, or we say that to create these faces and bodies, Yin retrospected the genealogy from Goya to Francis Bacon, including many expressionists, such as Van Gogh, Munck, Oskar Kokoschka. All these artists painted 'anxious people', their brush touches looked intense and sensitive, their paints gave a horrible sense of solidity. The faces and bodies they painted are distorted and twitched under the burden of mental nightmare, so the organs are deformed, or even blurred; in 'Myth', the mental nightmare is incarnated as a stone, a battle between man and stones. Therefore, the deformed and distorted bodies look more vivid, when man strives to raise up a stone, all his muscles and expression are in an intense condition.

这种搏斗的激烈与残酷也充分表露画中人的表情和肌体之中，不妨说，在对这些面孔和身躯的塑造中，尹朝阳回顾了一个从戈雅到弗朗西斯·培根的谱系，其中应该包括了众多的表现主义者们，例如凡高、蒙克、奥斯卡·科柯施卡，所有这些画家都绘制了&焦虑的人&，他们的笔触显得激烈而敏感，颜料有一种可怕的实体感，他们所绘制的人物面孔和身躯，都具有精神梦魇的重负之下引发出的扭曲和抽搐感，器官因此而变形，甚至模糊不清；在《神话》之中，精神梦魇具化成了石头，具化成了人与石头之间的搏斗，人体的扭曲和变形的理由因此来得更为具体，当人奋力地举起一块石头时，他全身的肌肉和表情都自然地处在极度紧张的状态之中。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。