有符号的

A member of the genus Homo, family Hominidae, order Primates, class Mammalia, characterized by erect posture and an opposable thumb, especially a member of the only extant species, Homo sapiens, distinguished by a highly developed brain, the capacity for abstract reasoning, and the ability to communicate by means of organized speech and record information in a variety of symbolic systems.

人种哺乳纲，灵长目，人科人属的成员，其特点是直立和具有可相对的拇指，尤指仅存的智人种的成员，其显著特点为高度发达的大脑、抽象思维的能力、以及可以通过有组织的语言和由一系列象征符号体系记录下来的信息进行交流的能力

Zoology A member of the genusHomo, family Hominidae, order Primates, class Mammalia, characterized by erect posture and an opposable thumb, especially a member of the only extant species, Homo sapiens, distinguished by a highly developed brain, the capacity for abstract reasoning, and the ability to communicate by means of organized speech and record information in a variety of symbolic systems.

人种：哺乳纲，灵长目，人科人属的成员，其特点是直立和具有可相对的拇指，尤指仅存的智人种的成员，其显著特点为高度发达的大脑、抽象思维的能力、以及可以通过有组织的语言和由一系列象征符号体系记录下来的信息进行交流的能力

Zoology A member of the genus Homo, family Hominidae, order Primates, class Mammalia, characterized by erect posture and an opposable thumb, especially a member of the only extant species, Homo sapiens, distinguished by a highly developed brain, the capacity for abstract reasoning, and the ability to communicate by means of organized speech and record information in a variety of symbolic systems.

人种：哺乳纲，灵长目，人科人属的成员，其特点是直立和具有可相对的拇指，尤指仅存的智人种的成员，其显著特点为高度发达的大脑、抽象思维的能力、以及可以通过有组织的语言和由一系列象征符号体系记录下来的信息进行交流的能力

When Semiotics meets Journalism, Semiotics tells us that symbols can screen the event, and what to say does not equals to what to be said Truth, objectivity, neutralism,are always the basic principles of news, while every news is expressed with symbols In the visual angle of Semiotics,how we reveal the relationship between truth and the words?

当符号学与新闻学相遇的时候，符号学告诉我们符号是有遮蔽性的，所言不等于被言之物。新闻又始终把真实、客观、中立作为自己的基本原则，任何一则新闻都寄居于某种符号之中。

That which is displayed in these works is a symbol of the special spirit of Xinjiang, China's people, and a symbol of bustling economic development of the modern city. I have sought to etch these symbols directly into my shots, to bring direct perceptibility and dimension to these contradictions, which need no further explaining.

在这些作品中所展现的即有西域地区人文精神特征的符号，也有现代都市经济发展忙碌的符号，出现当下的这些符号我都尽可能地印在胶片上，把这个不需要解释的矛盾直观化、平面化、立体化。

In those well-formed geometric structures, not only does the scripture express its mystery and the beauty of cutting, but it stands for the symbol of Buddhism. There are numerous works demonstrate this statement, such as "Ark of Dream,""Scriptures,""Pilgrimage of Buddhist Scriptures,""Spiral Scriptures,""Floating,""Pipal,""Big Spiral Scriptures,""Golden Mandala." Besides from placing scripture and leather into fine spatial arrangement, Huang Gang fills the golden background with dark brown dripping technique or paints a large red star. The red star series, which is combined and abstracted from China's interpretation for red, has a particular meaning.

在有规律的几何形式构成画面之中，除了倾心展现经版的刀笔之美、经文的神秘意味，经版始终是菩提灵性的表征符号，而不仅仅是一种简洁的对象，例如《梦之舟》、《佛经》、《朝经之路》、《转经》、《行云流水》、《菩提树》、《大转经》、《金色的曼陀罗》等，进一步地，在空间表现上，在经版或皮革构成的实体空间之外，其非实体空间恰当地运用了书写性和涂绘性的表现主义语言风格，在经版的金黄色域背景上涂绘、滴沥黑褐色，有的则间以大漆涂刷那些红星。

This word, aivarya, is important for three reasons: first, it attests the complete self-mastery, independence and freedom of the Self - it is not subject to the tyranny of unwanted internal or external forces (unlike the mundane ego comprised of the unstable, conditioned and labile skandhas); second, it hints at a controlling, regulating intelligence: a knowing and utterly free mind (the "transcendental knowing" which the Buddha elsewhere in the sūtra links to the Self); and thirdly, it is of course linguistically related to the Sanskrit noun, Isvara, which in the Brahmanical environment in which Buddhism had its roots denoted God (more particularly the god, Shiva).

第二，它暗示了一个控制，调节，通常的智慧；一个知道和完全自由的心理（这个先验的知道佛在佛经之中的另外地方与自我联系，而第三，它当然是与梵语的名词相关的，自在，在婆罗门的环境之中佛教有它的根符号的神。

To briefly conclude Huang Gang's artistic innovation, there are threefold: a. succinct inner meaning of post-minimalism. b. the momentum of abstract expressionism, speed, and sentimental limning. c. the mystery and buildup of Tibetan cultural signs.

黄钢的绘画艺术语言创新性，概括而言有三种相互辩证、相互融合的意向，其一是后极简主义的简约和内敛；其二是抽象表现主义的气韵、线条运动速度、情感化的涂绘和灵动多变；其三是西藏雪域历史文化符号的神秘与厚重。

In the case that the oscillation factor isn't sign reversal and neutral factor is p, by discussing the sign of the neutral term's first derivative and using Holder inequality the oscillation conditions of the all solutions of this kind of equation are studied, three sufficient theories that all solutions of the equation oscillate are obtained.

在振动因子q保号、中立型因子p的情况下，通过对中立型项一阶导数符号的讨论，根据Holder不等式，研究了该类方程的解振动的条件，得到了所研究方程所有解振动的三个充分性定理，所得结论是对该类问题已有结论的进一步完善和推广。

As a consequence of an important theorem of algebraic topology, the invariants constructed by those diversity ways can be considered as identified via their unique isomorphisms. This concludes that the procedure of invariant construction gains a virtue of the model presented in this paper as being unrelated to whether there exists a symbolic represantation of images.

根据代数拓扑的重要定理，这些不同的构造方法所得的不变量在同构意义下是等价的，因此我们推论这种不变量的构造过程与图象是否有符号表示无关。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。