有生命的

It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness. Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex. Because of the southern Americans special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life.

第二章从福克纳创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

To die: to sleep; To sleep: perchance to dream: ay, there's the rub: for in that sleep of death what dreams may come when we have shuffled off this mortal coil, must give us pause: there's the respect that makes calamity of so long life;For who would bear the whips and scorns of time, the oppressor's wrong, the proud man's contumely, the pangs of despis'd love, the law's delay, the insolence of office, and the spurns that patient merit of the unworthy takes, when he himself might his quietus make with a bare bodkin?

谁愿意忍受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的爱情的惨痛、法律的迁延、官吏的横暴和费尽辛勤所换来的小人的鄙视，要是他只用一柄小小的刀子，就能清算他自己的一生？谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘如果不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的折磨，不敢向我们所不清楚的痛苦飞去？

In history and reality, the contradiction between needs and limited resource always exists. From the view point of system-science, it can be concluded that:①The interaction among need-contradiction-ability is the perpetual force for enterprise evolution (and the evolution of other living systems). The improvement of "ability"is the process and result of evolution.②The competition and coordination among systems is the direct power for enterprise evolution. Competition produces various system actions. Coordination makes systems complement their functions with each other. The interactions of competition and coordination push enterprise into the flow of evolution and optimization.③The"stochastic fluctuation"of the system, which is accidental finding, is another force for enterprise evolution. It is a deterministic element in the process of the self-organization of enterprise.

在历史和现实中，需要和满足需要资源稀缺之间的"问题"是恒久存在的，从系统科学的角度可以演绎出：①需要一问题一能力三种异质要素的相互作用是企业进化（其它一切有生命系统进化）的永恒动力，"能力"的提高正是进化的过程和结果；②各系统间的竞争与协同是企业进化的直接动力，竞争产生多样化的系统行为，协同则使各系统间优势互补，竞争与协同交互作用推动企业呈现出进化与优化的趋势：③系统的"随机涨落力"即意料之外的发现与创新是推动企业进化的又一种动力，它是企业自组织过程中带有必然性的力量：④在解决"问题"中创新者的作用不可低估，但更为根本地说创新者只是"需要一问题一能力"这三种要素相互作用的载体，个体的创新是企业自组织过程的必然结果。

Somewhere I have never traveled, gladly beyond. any experience, your eyes have their silence:in your most frail gesture are things which enclose me,or which I cannot touch because they are too near your slightest look easily will unclose me.though I have closed myself as fingers,you open always petal by petal myself as Spring opens.touching skillfully, mysteriously her first rose or if your wish be to close me, I and my life will shut very beautifully, suddenly,as when the heart of this flower imagines the snow carefully everywhere descending;nothing which we are to perceive in this world equals,the powder of your intense frailty: whose texture.compels me with the colour of its countries,rendering death and forever with each breathing.i do not know what it is about you that closes,and opens; only something in me understands.the voice of your eyes is deeper than all roses,nobody, not even the rain, has such small hands

这样的地方我从来没有走过，愉快地超越任何经验，你的眼睛保持沉默：在您最脆弱的姿态，有些事是附上我，或我不能触摸因为他们太靠近你丝毫看我轻松地将揭开虽然我已经关闭自己的手指，始终打开花瓣的花瓣为自己打开春天触摸熟练，她的第一个神秘的玫瑰或者如果你的愿望是要结束我，我和我的生命将关闭很漂亮，突然，因为当这花心想象各地认真的雪降；什么是我们要在这个世界感知等于您的激烈脆弱粉：其质地迫使在其国家的颜色我，渲染死亡和永远与每个呼吸我不知道它是什么对你是关闭并打开，在我只有理解的东西你眼睛的声音的深度超过所有玫瑰没有人，甚至没有下雨，有这样的小手

About the style I study the close intrinsic relationship between his preferring to prose and his philosophy of life and how the changes of his prose style show the ones of his thoughts. Concerning the subject matter of writing I discuss how Zhou" s loving life and "common humanity influenced it. For example, he like to write the fate of unimportant person, the local snacks, the folk arts, the slight changes in nature and so on. As regard to the genre of writing, I set forth that the contradiction of his philosophy of life make his works present the contradictious style which not only is peaceful but also shows his teeth.

关于文体，着重研究周作人的人生哲学和他对散文的偏爱有什么样的内在联系以及他一生不断创造和尝试不同的散文体式背后的思想变化；关于题材，着重论述周作人对生命的关注热爱与&平凡人道观&在其选材上的体现，如喜欢写小人物的命运故事、不起眼的地方小吃和民间手工艺、大自然的细微变化等等；关于风格，着重阐述周作人人生哲学的矛盾性如何使他的散文也呈现出一种&平淡腴润&与&浮躁凌厉&矛盾统一的复杂艺术风貌。

It is important to recognize, of course, that the Abrahamic covenant had its antecedents, beginning with the post-fall promise of the serpent-crushing Seed in Genesis 3:15, continuing with the Noahic covenant of Genesis 6:18, to the point where these enigmatic promises concerning "the seed" are brought to a more formal covenant enactment in the various covenant-making episodes in Abraham's life and their subsequent renewal with Isaac and Jacob.

当然，很重要的是要认识到，亚伯拉罕之约有它的前身，是在创世记3：15，堕落之后，女人的后裔要打破蛇的头的应许，接着是创世记6：18的挪亚之约，直到这些猜谜式的关于&后裔&的应许，被带到一个更正式的约的制定中，也就是在亚伯拉罕生命中各次的立约事件，以及之后与以撒、雅各的约的更新当中。

It begins with innocent childhood, followed by awkward adolescence trying awkwardly to adapt itself to mature society, with its young passions and follies, its ideals and ambitions; then it reaches a manhood of intense activities, profiting from experience and learning more about society and human nature; at middle age, there is a slight easing of tension, a mellowing of character like the ripening of fruit or the mellowing of good wine, and the gradual acquiring of a more tolerant, more cynical and at the same time a kindlier view of life; then In the sunset of our life, the endocrine glands decrease their activity, and if we have a true philosophy of old age and have ordered our life pattern according to it, it is for us the age of peace and security and leisure and contentment; finally, life flickers out and one goes into eternal sleep, never to wake up again.

它由一个纯真的孩提年代开始，然后是十分费力的去适应成熟社会的笨拙的青春期，有着自己年轻的激情和罪恶，理想和雄心；然后到了激情做事的成年，得益于自己的经历以及对社会和人性的了解；到了中年，压力就有点放松，个性有点软化就像成熟的水果或是醇化的好酒，还能逐渐的获得更多的容忍力和愤世嫉俗，同时对人生会有一个温和的观点；然后到了晚年，内分泌腺阻碍了他们的活动，如果我们对晚年有着正确的哲学观念还能依照它安排好我们生命的图案，对我们来说这是平和，安全，安逸和满意的时候；最后就像火光摇摇曳曳地熄灭然后就会永远的睡着，再也不会醒来。

There remained the generic conditions imposed by natural, as distinct from human law, as integral parts of the human whole: the necessity of destruction to procure alimentary sustenance: the painful character of the ultimate functions of separate existence, the agonies of birth and death: the monotonous menstruation of simian and human females extending from the age of puberty to the menopause: inevitable accidents at sea, in mines and factories: certain very painful maladies and their resultant surgical operations, innate lunacy and congenital criminality, decimating epidemics: catastrophic cataclysms which make terror the basis of human mentality: seismic upheavals the epicentres of which are located in densely populated regions: the fact of vital growth, through convulsions of metamorphosis, from infancy through maturity to decay.

324截然不同于人为的法则，这里依然存在着按照自然的法则作为对维持整个人类的生存不可分割的部分加诸于人的生物学之基本条件。为了获得有营养的食品，就不得不进行破坏性的杀戮。孤立的个人生存中终极机能那充满了苦恼的性质。生与死的痛苦。类人猿和人类女性那单调的月经，自初潮期一直延续到闭经期。海洋上、矿山和工厂里那些不可避免的事故；某些非常痛苦的疾病以及伴随而来的外科手术；生来的疯颠，先天性犯罪癖；导致人口大批死亡的传染病；在人类心灵深处种下恐怖种子的灾难性特大洪水；震中位于人口密集地区的大地震；历经剧烈变形，自幼年经过成熟期进入衰退期的生命成长的事实。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。