有生命的

In this way, he achieved the animadvert on the social reality.

流亡香港期间，在太平洋战争的隆隆炮声中他陪伴了萧红生命的最后44天，萧红对于文学艺术的深刻理解和执着的追求，触动了他关于人生的思考，也拓宽了他的创作思路，使骆宾基在创作上有了质的飞跃。1942至1944年，身处大后方的骆宾基在沉闷低迷的政治气氛中陷入深深的寂寞情绪之中，而这种寂寞使他专注于反省自我和人性批判，并从人性的弱点中看到了社会的不合理，从而实现对社会的批判。

The centerpiece of the film will be bringing to life the Smithsonian Institution, which houses the world's largest museum complex with more than 136 million items in its collections, ranging from the plane Amelia Earhart flew on her non-stop solo flight across the Atlantic and Al Capone's rap sheet and mug shot to Dorothy's ruby slippers, Fonzie's jacket from Happy Days, the still from M*A*S*H and Archie Bunker's lounge chair from All in the Family.

影片的核心会带来生命的史密森学会，里面有超过136万件收藏品中从飞机阿米莉亚亚埃尔哈特不等，是世界上最大的博物馆群飞到她不停整个单飞大西洋和Al Capone的饶舌负债表及面部照片的多萝西的红宝石拖鞋，方兹从幸福的日子，奥特曼和阿尔奇邦克的休闲椅仍然夹克从家庭所有。

It is an ever-fixed mark That looks on tempests,and is never shaken; It is the star to every wandering bark, Whose worth's unknown,although his height he taken/ Love's not time's fool,though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom;---- If this be error,and upon me proved, I never write,nor no man ever loved.

它是永固的峰峦直面雷雨风暴，无一丝颤抖；爱是星辰，迷途的航船，依着它高远无价的光寻到港口。爱不受时间的愚弄，尽管如花的容颜总躲不过残酷如刀的岁月；爱不因生命的短暂而变迁，即使濒临死亡，也决不退缩——如果我说错了，不值得信任，就不会有我的诗，也没有爱过的人。

The scroll actually shows more: the gentle swaying of water plants under the water, falling leaves slowly passing by your eyes, occasional rippling making the sky, the building, and the willow trees look as if they were full of power of life, suggestive of poetry and changeability. When the weather is cold and the ground is frozen, the scroll will also throw on an obscure veil, to hide everything. Sometimes however, quite unexpectedly, a light boat will swing out, so that you get surprised as if your observation of the world has been so negligent.

从这画卷中能看到的其实更多：幽幽地水草在水中招摇、漂落的树叶在眼前缓缓滑过，偶尔泛起的阵阵涟漪使得那天、那建筑、那柳树充满了生命的动感，变得奇幻且有诗意；天寒地冻的时候也会披上朦胧白纱，把一切都收藏起来；在你冷不防之际，荡出一叶轻舟，让你惊觉原来对世界的观察是如此的大意。

A glance was sufficient to inform the eye that was Susan Hen Chard's grown-up daughter. While life's middle summer had set its hardening mark on the mother's face, her former spring-like specialities were transferred so dexterously by time to the second figure, her child, that the absence of certain factswithin her mother's knowledge from the girl's mind would have seemed for the moment, to one reflecting on those facts to be a curious imperfection in Nature's power of continuity. Thomas Hardy:"The Mayor of Casterbridge"

只要瞥一眼就能看出这是苏珊·亨·察尔已届豆蔻年华的女儿，当生命的仲夏在母亲的脸庞上留下冷酷的印记，而母亲早年春天般的少女风韵又被&时光&如此巧妙地传递给另一血肉之躯--她的女儿身上，以致母亲所知道的一些家庭隐私，女儿反而茫然，这对知道那些内情的人来说，似乎自然的遗传仍有其奇特的缺陷。

He takes the point that all kinds of laughter are attribute to mechanization because of people's absentmindedness,but the"mechanization" is contrary to "the changing stream of life",which represents the effect of"something mechanical encrusted on the living",that is cosmic effect.

1(p.2)他把一切可笑的滑稽都归结为人类的&心不在焉&而导致事物所走向的机械化。他认为，人类社会是&不断变化的生命之流&，是不应该有机械的东西搀合在里面。所以，一旦心不在焉就会产生&镶嵌在活的东西上面的机械的东西&[1](p.25)的效果。

His first idea is to look for pollution in the atmospheres of promising planets.

他的基本构想是观察那些&可能&的星球（译注：这里的&可能的星球&指的那些可能有条件演化出生命的星球）的大气&污染物&。

Although born in poverty, Rouault lived in Paris and once repaired chromatic glass. He saw the poor and humiliated prostitutes; therefore, he understood bitterness of religious life and salvation deeply. But he never saw the painful land as well as the stubborn life in the land.

尽管出生贫寒，但卢奥生活在大都市巴黎，并且在教堂做过学徒修理过彩色玻璃画，他见过大街上苦难的穷人和屈辱的妓女，对宗教生活中的受难与拯救有深刻的体认，但没见过受难的土地，没有见过从土地中生长出来的倔强的生命。

Unlike Rouault, Jianjun Shi was born in a remote rural area of Hunan during the Cultural Revolution, a period that all religions were considered to be superstition which should be thoroughly discarded. He doesn't have the same life experience and religious experience as Rouault has, but he has natural intuition of land and life, no wonder he takes the barren land and stubborn thorns as bitterness and salvation.

石建军不同，他出生在湖南的一个偏远农村，出生在一切宗教都被视为要彻底破除的迷信的文革之中，他没有卢奥的都市生活经验和宗教体验，但他有农民对大地和生命的天然的直观能力，由此，他用荒芜的原野和倔强的荆棘来隐喻受难和得救就似乎是顺理成章的事情了。

The bold claims of Lamarck, Vernadsky, and Lovelock seem ludicrous at first, but in the calculus of lateral causality make fine sense: that all we can see around us -- the snow-covered Himalayas, the deep oceans east and west, vistas of rolling hills, awesome painted desert canyons, game-filled valleys -- are all as much the product of life as the honeycomb.

拉马克、沃尔纳德斯基还有洛夫洛克之流大胆的主张乍看起来似乎荒谬可笑，但推算其横向因果关系得出的结论颇有道理：我们周围目所能及的一切——白雪皑皑的喜马拉雅山，从东到西的深海，逶迤起伏的群山，色调阴森的荒漠峡谷，充满乐趣的溪谷——与蜂窝一样都是生命的产物。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。