有环的

Leaf blade margin serrate or crenate-serrate; achene without colored ring on both surfaces.

叶片边缘有锯齿或具圆齿有锯齿；没有彩色的环在两面的瘦果。

However the reachability matrix is difficult to get. It is proved that there is no need to calculate the reachability matrix fur a Directed Acyclic Graph.

证明了对于一类特殊的有向图即有向无环图，应用解释结构建模法无须求解可达矩阵亦可保证建模结构化的实现。

The above results were interpreted by the calucation of CNDO/2 method of quantum chemistry. The effection of a collector-accelerating-agent mixed with a just main-collector was better than that of two collectors mixed. The structure of collector-accelerating-agent is described:① a carbonic chain or ring compound with a polar-radical,② a larger positive electric centre in this polar-radical〓 was the compound with many coordination atomics.

量子化学CNDO/2方法计算验证了上述结果，并且得到如下结论：选择有效的捕收促进剂与适当捕收剂混用，比用两种捕收剂混用更有效；并总结出捕收促进剂的结构特点为：①带一个极性基团，有足够疏水性的碳链、环化合物；②极性基因中有一个较大的正电荷中心；③极性基因中最好有多个能参与配位的极性原子。

Thus, patients who are intolerant of penicillin may also be intolerant of cephalosporins, and further, cephalosporins may induce anaphylaxis in patients with a history of penicillin anaphylaxis.

内酰胺类产品是一类具有β内酰胺环化学结构的产品，具有潜在过敏性可导致人过敏，由于对β内酰胺类的不耐受性，超敏性在此类产品性也可能存在而引起过敏，有例子表明在青霉素和头孢类之间存在交叉污染，因此，不能耐受青霉素的病人也可有耐受头孢产品，而且，头孢也可诱发有青霉素过敏史的人过敏。

The pommel horse is a padded block standing chest high, with two handles for grip that allow the gymnasts to perform flares,spins and handstands.

鞍马是齐胸高的内有填充物的体育器械，上面有两个环可握，运动员在上面表演摆腿、翻转和倒立。

The problem for computing diameters of directed loop networks with outdegree of 3 has been solved.

对研究具有任意出度的有向环网的直径计算问题有一定参考作用。

There are two types of sistrum, an iba, was shaped in a simple loop, like a closed horse-shoe with loose cross bars of metal above a hathor head and a long handle.

有两种类型的sistrum，一根伊拜被弄成简单的环圈，像一闭合的马鞋，在哈索尔头上有松散交*的金属棒，有一长的手柄。

This contributes to the rigidity of the bearing and a precise radial guidance of the shaft. For special applications, full-complement cylindrical roller bearings are employed. The cylindrical roller bearing designs are shown in Figures 1.20 and 1.21.The designs of cylindrical roller bearings are distinguished by the arrangement of the lips. Design NU (Figure 1.21b) has two lips on the outer ring, the inner ring being lipless. In design N (Figure 1.21a), the inner ring has two lips, the outer ring has none. Cylindrical roller bearings of designs NU and N are applied as floating bearings because the rollers can freely shift on the lipless ring in the axial direction. Cylindrical roller bearings NJ (Figure 1.20) have two lips on the outer ring and one on the inner ring; they can take up axial forces in one direction. Design NUP (Figure 1.21d) is installed as a locating bearing to sustain frequently reversing axial forces.

这可以提高轴承的刚度，和主轴精密的径向引导，对于特别的运用，密排的圆柱滚子轴承被运用，圆柱轴承的图样在图。20和1.21展示圆柱滚子轴承图样由挡边的不知来区分，图样NU(图1.21b)在外圈有两个挡边，内圈无挡边，在图样N中内圈有两个挡边，外圈无挡边，图样NU和U所示的圆柱滚子轴承可制作浮动轴承因为滚子能够在轴向无挡边环上自由的移动，圆柱滚子轴承NG在外圈上有两个挡边，内圈上有一个，它们能够在某个方向上承受轴向力，图样NUP（图1.21d）被用来安装在一个保持经常扭转轴向力的固定轴承上。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Kinds of major consumer of agricultural products, price increases in pericyclic than 29 species, accounting for 50.9%; flat there are seven kinds, accounting for 12.3%; decline in 21 species, accounting for 36.8%.

57种主要食用农产品中，价格周环比上涨的有29种，占50.9%；持平的有7种，占12.3%；下降的有21种，占36.8%。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。