有爱情的

You fall in love with somebody who fits within what I call your "love map," an unconscious list of traits that you build in childhood as you grow up.

我认为，每个人都有所谓的「爱情地图」，而你是透过爱情地图来寻找伴侣。

Catherine and Xi Sike cliff of love is based on their personality and interests entirely satisfied that the same basis, the love between them is mainly the same spirit rather than the appearance of the mutual attraction, is the soul rather than the desire to fit the needs of the , on the last time they met in that storm-like unquenchable passion, nor have the slightest passions mixed composition, which also in the hands of the writers of the ideal, pure love for himself.

凯瑟琳与希思克利夫的爱情是以他们的性格和兴趣完全认为同为基础的，他们之间的爱情主要是精神上一致而非外貌上的相互吸引，是心灵的契合而非欲望上的需要，就在他们最后一次见面中那狂风暴雨般不可遏制的激情，也不夹杂有丝毫的情欲成份，这也寄托了作家对理想的、纯洁的爱情的向往。

Ashby takes May-to-September romance to extremes (this is more January to December) by teaming teenager Bud Cort and lovably wizened crone Ruth Gordon (of Rosemary's Baby) in an unlikely love affair enlivened by fake suicide attempts, stylish hearses, and much sexual weirdness.

Ashby 把五月至九月浪漫爱情发挥到了极至(这部倒更像是一月至十二月)，影片中少年 Bud Cort 和可爱老妇人 Ruth Gordon(有 Rosemary 的孩子)产生匪夷所思的爱情，这爱情因几次假装的自杀未遂，新潮的灵车，和与性有关的离奇状况而生动鲜活。

The thesis sees Annas love, marriage and her behavior from the female doctrine angle first, Anna has power to pursue personal happiness, Anna is requesting happy, pursue the conflict of oneself liberation medium, she once resists and fight shot to lead, but unfortunate of the marriage trampled upon her ocean to overflow angry mind and body, unfortunate of love again make the hope that she lives fall through;Then the reason analyzed Annas tragedy from the female doctrine angle, the morals of the traditional patriciate standard and religion realize a check and supervision Annas life, her life is very narrow, Anna didnt chase oneself oneself of the liberation together social liberation contacts to have no category that break propertied class characters liberation mutually, end still drive crime of ages demolish;Put forward Annas realistic meaning finally, the social women relieve nowadays of road still very difficult, conduct and actions is a female, have to have Anna that kind of to pursue personal happy courage but should also self-renewal independently, have to have higher life ideal, dont regard as the only happy exit of affections.

论文首先分析了安娜的独立意识的觉醒，安娜有权追求个人幸福，安娜在要求幸福，追求自身解放的斗争中，她反抗过、搏击过，但不幸的婚姻摧残了她的生命力，不幸的爱情又使得她生活的希望破灭；然后分析了女性出路问题，传统的贵族社会的道德标准和宗教意识制约着安娜的生活，她的生活非常的狭隘，安娜没有把自己本身的解放同社会的解放相联系没有突破资产阶级个性解放的范畴，同时她在追求爱情的时候迷失了自我，最终还是被罪恶的时代所毁灭。女性要站立1席之地，要有安娜那种追求个人幸福的勇气但也应该独立自强，要有更高的人生理想，不要把感情当作幸福的唯1出路。

This text analyzes anna from the female doctrine angle, this is the textual breakthrough to order to order with innovation.the thesis sees annas love, marriage and her behavior from the female doctrine angle first, anna has power to pursue personal happiness, anna is requesting happy, pursue the conflict of oneself liberation medium, she once resists and fight shot to lead, but unfortunate of the marriage trampled upon her ocean to overflow angry mind and body, unfortunate of love again make the hope that she lives fall through;then the reason analyzed annas tragedy from the female doctrine angle, the morals of the traditional patriciate standard and religion realize a check and supervision annas life, her life is very narrow, anna didnt chase oneself oneself of the liberation together social liberation contacts to have no category that break propertied class characters liberation mutually, end still drive crime of ages demolish;put forward annas realistic meaning finally, the social women relieve nowadays of road still very difficult, conduct and actions is a female, have to have anna that kind of to pursue personal happy courage but should also self-renewal independently, have to have higher life ideal, dont regard as the only happy exit of affections.

本文从女性主义角度分析安娜，这是本文的切入点。论文首先分析了安娜的独立意识的觉醒，安娜有权追求个人幸福，安娜在要求幸福，追求自身解放的斗争中，她反抗过、搏击过，但不幸的婚姻摧残了她的生命力，不幸的爱情又使得她生活的希望破灭；然后分析了女性出路问题，传统的贵族社会的道德标准和宗教意识制约着安娜的生活，她的生活非常的狭隘，安娜没有把自己本身的解放同社会的解放相联系没有突破资产阶级个性解放的范畴，同时她在追求爱情的时候迷失了自我，最终还是被罪恶的时代所毁灭。女性要站立1席之地，要有安娜那种追求个人幸福的勇气但也应该独立自强，要有更高的人生理想，不要把感情当作幸福的唯1出路。

The thesis sees Annas love, marriage and her behavior from the female doctrine angle first, Anna has power to pursue personal happiness, Anna is requesting happy, pursue the conflict of oneself liberation medium, she once resists and fight shot to lead, but unfortunate of the marriage trampled upon her ocean to overflow angry mind and body, unfortunate of love again make the hope that she lives fall through;Then the reason analyzed Annas tragedy from the female doctrine angle, the morals of the traditional patriciate standard and religion realize a check and supervision Annas life, her life is very narrow, Anna didnt chase oneself oneself of the liberation together social liberation contacts to have no category that break propertied class characters liberation mutually, end still drive crime of ages demolish;Put forward Annas realistic meaning finally, the social women relieve nowadays of road still very difficult, conduct and actions is a female, have to have Anna that kind of to pursue personal happy courage but should also self-renewal independently, have to have higher life ideal, dont regard as the only happy exit of affections.

论文首先分析了安娜的独立意识的觉醒，安娜有权追求个人幸福，安娜在要求幸福，追求自身解放的斗争中，她反抗过、搏击过，但不幸的婚姻摧残了她的生命力，不幸的爱情又使得她生活的希望破灭；然后分析了女性出路问题，传统的贵族社会的道德标准和宗教意识制约着安娜的生活，她的生活非常的狭隘，安娜没有把自己本身的解放同社会的解放相联系没有突破资产阶级个性解放的范畴，同时她在追求爱情的时候迷失了自我，最终还是被罪恶的时代所毁灭。女性要站立一席之地，要有安娜那种追求个人幸福的勇气但也应该独立自强，要有更高的人生理想，不要把感情当作幸福的唯一出路。

Many people thought that since is the sing, that this should be sing Li the Yang love poem, is in effect it is not so, looking from the entire poem, really has to Li the Yang love sing, but on the other hand through writes Li Yang's love to come the parable Emperor Xuanzong in Tanh dynasty heavy color light country, so that initiates "Anlushan Rebellion", therefore I thought that this first poem is not only a song chants poetry, simultaneously is also a parable poem.

很多人认为既然是歌咏，那这应该是一首歌咏李杨爱情的诗，其实不然，从全诗看，的确有对李杨爱情的歌咏，但是另一方面通过写李杨的爱情来讽喻唐玄宗重色轻国，以致引发&安史之乱&，所以我认为这首诗不仅仅是一首歌咏诗，同时也是一首讽喻诗。

In fact all the time in real life, are put on the tragedy of love, comedy, farce and drama are, everyone has to love his definition of the next, often touching tragedy, I hope that everyone is starring "is opera ", there is love, there are happy endings

实际上现实生活的时时刻刻，都在上演着爱情的悲剧、喜剧、闹剧和正剧，每个人都在给爱情下着自己的定义，感人的往往是悲剧，但愿人人主演的都是&正剧&，有真爱，有幸福美满的结局

This song folk melody is very classical and elegant, is a description of the love songs of grief, but feels it is the world's favorite aspect is not limited to love, someone will replace it lyrics sung, also somebody will it as Christmas songs, and it was adapted for instrumental music playing version is numerous, essays, and there are chamber orchestra... And that which the beggar opera "the English composer and illiams Vaughan Williams written Fantasia (the sleeves on" Fantasia Greensleeves ) is the most representative

这首民谣的旋律非常古典而优雅，是一首描写对爱情感到忧伤的歌曲，但它受到世人喜爱的层面却不仅仅局限在爱情的领域，有人将它换了歌词演唱、也有人将它作为圣诞歌曲，而它被改编为器乐演奏的版本也是多不胜数，有小品、有室内乐、有管弦乐…，而这其中又以上述的《乞丐歌剧》和英国作曲家佛汉威廉斯所写的《绿袖子幻想曲》(&Fantasia on Greensleeves&)最具代表性。

It is one of the valuable English works in the 14th century and,especially,its "Prologue" both inherits the courtly love poetry tradition and transcends it,turning the "garden of love" into a place of comic conflicts,which is absent in contemporary English literature.

它是14世纪英国文学中为数不多的佳作之一，特别是其&引子&，既继承了宫廷爱情的诗歌传统，又进行了创新，使&爱情之园&成为喜剧性冲突的场所，实为当时英国文学所仅有。同时，诗人在&引子&里还表达了他注重现实的创作思想，这在英国文学史上也有一定意义。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。