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The first solitude means one lacks of friends who completely comprehend him,which is depicted in poems of Yuefei's without a confidant,who will listen even through I play the chord full of affectionateness and grief ,or Su Dongpo's coming to the poets' mutual understanding,there is rarely a couple like thee and me.

相对意义上的孤独,就是缺乏知音的寂寞,如岳飞的"知音少,弦断有谁听",或者苏东坡的"算诗人相得,如我与君稀",都是此类。

Notwithstanding his Quaker and Swedenborgian upbringing, and his occasional indulgence of a mystical strain in his own mature work, he thought habitually after the fashion of a typical intellectual of the Age of Reason.

尽管他有教友派的和斯韦登伯格派的成长环境以及他在自己趋于完善工作中偶尔放纵的神秘弦踪,但他在典型的理性时代知识分子风尚流行之后,仍然保持习惯性地思考。

Developed from the 15th century "viola da gamba", the instrument originally had 6 strings and was placed upon the knees to play. A leg was later added, and it marked the beginning of the cello.

它的前身是公元十五世纪初的古提琴"viola da gamba",这种乐器源於欧洲,原本有六根弦,最初是放在腿上演奏的,后来为方便演奏,加上了支脚,才演变成今日的大提琴。

From the viewpoint of an instrumentalist, any change of tuning is really crucial for performing.

以演奏者的角度来看,空弦调音方式的改变对於演奏有著关键性的影响。

Structure-wise, there usually is an introductory section, a fugue and a postlude, but this basic scheme is very frequently expanded: both BuxWV 137 and BuxWV 148 include a full-fledged chaconne along with fugal and toccata-like writing in other sections, BuxWV 141 includes two fugues, sections of imitative counterpoint and parts with chordal writing.

结构明智,通常有一个导言部分,一个赋格和postlude,但这一基本计划是非常频繁地扩大了:既BuxWV 137和BuxWV 148包括一个完整的,以及成熟的舞曲真菌和托卡塔,其他部分一样书面BuxWV 141包括两个赋格曲,对位的模仿与弦写作部分章节。

If G is a {2K_1+K_2, C_4}-free graph, we show thatifα>3 then G is a split graph, and ifα=3 then for any independentset S of cardinality 3, G-S is a chordal graph or G-S?

如果图G不含与4-圈和2K_1+K_2同构的导出子图,我们证明了如果α>3,那么G是一个split图;如果α=3,那么对于G的任一个有三个元素的独立集S,G-S是一个弦图或者G-S?

It was nothing more than the guitar settling slightly and the saddle tipping forward, eating up some of the compensation.

它只是吉他和弦的张力关系较稳定及琴桥有一些前倾的结果,吃掉了一些弦长的补偿。

Although his roof was made of thatch and his door of raspberry vines, through which the wind could blow and the rain could seep in, and what he ate was wild vegetables and plain water, and he didn't always have food for a meal, he continued to sit up straight and study.

虽然他住的房子是架茅草为顶,编蓬草为扉,不但风穿得进,雨也渗得透,吃的更是野菜淡水,还常常有一餐没一餐的;但是他照样正襟危坐,弦歌不辍。

Among all this people there were seven hundred chosen men lefthanded; every one could sling stones at an hair breadth, and not miss.

20:16 在众军之中有拣选的七百精兵,都是左手便利的,能用机弦甩石打人,毫发不差。

Among all this people there were seven hundred chosen men lefthanded; every one could sling stones at an hair breadth, and not mi.

20:16 在众军之中有拣选的七百精兵,都是左手便利的,能用机弦甩石打人,毫发不差。

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As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸,那乌黑、忧郁的眼睛,她便会相信,他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失

But because of its youthful corporate culture—most people are hustled out of the door in their mid-40s—it had no one to send.

但是因为该公司年轻的企业文化——大多数员工在40来岁的时候都被请出公司——一时间没有好的人选。