有宝石的

Over one shoulder Khadgar could see the hilt of a huge sword,the crosspiece huge and jeweled.

从他一边的肩部那卡德加可以看见一把巨剑的剑柄，前端的横挡上镶有宝石。

Over one shoulderKhadgar could see the hilt of a huge sword,the crosspiece huge and jeweled.

从他一边的肩部那卡德加可以看见一把巨剑的剑柄，前端的横挡上镶有宝石。

COLOR=redOver [SIZE=2]one shoulder Khadgar could see the hilt of a huge sword,the crosspiece huge and jeweled.

从他一边的肩部那卡德加可以看见一把巨剑的剑柄，前端的横挡上镶有宝石。

Jade is a fascinating gem, not only in its traditional guise, but also in more modern designs.

翡翠是一种很有魅力的宝石，不仅仅是因为它传统的外观，而且也因为它有着现代的设计。

If you have an interest in the history and lore of gems, this is your book.

如果你有兴趣的历史和传说的宝石，这是你的书。

E=Puzzle 简介: Explore the ancient ruins of Mayan civilization while discovering hidden treasures and priceless artifacts.

游戏中你将来到玛雅遗迹寻找隐藏的宝藏和有价值的古器。你必须重新组合宝石来消除遗迹上的砂石。

However, menace is present in the form of the evil Captain Mavros, an island fisherman intent on killing Nereid and getting his claws on her priceless jewel-encrusted tail.

然而塞雷纳明白威胁总是无处不在，邪恶的船长Mavros，这个岛上的渔夫正准备计划杀了Nereid以得到她那条镶有贵重宝石的尾巴

This is the way I picked my gear, gems and enchants and I am fully aware of that many other priests might raise their eyebrows when reading this.

这篇指南主要是我装备宝石和附魔的一些选择，我也很自信各位牧师朋友在看了我的这篇指南以后会有耳目一新的感觉。

You were in Eden, the garden of God. Every precious stone was your covering, sardius, topaz, diamond, chrysolite, onyx, jasper, sapphire, carbuncle, and emerald, with gold. The workmanship of your tambourines and your pipes was prepared with you on the day that you were created.

28：13 你曾在伊甸神的园中，佩戴各样宝石，就是红宝石、黄玉、金钢石、黄璧玺、红玛瑙、碧玉、蓝宝石、红玉和绿宝石，带着黄金；又有精巧的鼓和笛在你那里，都是在你受造之日豫备齐全的。

Thou hast been in Eden the garden of God; every precious stone was thy cove***ng, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created.

28：13 你曾在伊甸神的园中，佩戴各样宝石，就是红宝石，红璧玺，金钢石，水苍玉，红玛瑙，碧玉，蓝宝石，绿宝石，红玉，和黄金。又有精美的鼓笛在你那里，都是在你受造之日预备齐全的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。