有头脑

Hobbyists, part-timers, and dabblers suddenly have a market for their efforts, as smart companies in industries as disparate as pharmaceuticals and television discover ways to tap the latent talent of the crowd.

不管是兴趣爱好者也好，还是业余工作者也好，甚至是那些不求甚解的玩家们，突然之间有了一个可以让自己的付出获得回报的市场。而在各行各业中，那些头脑灵活的公司们找到了从大众中发觉潜藏天才的各种途径。

Parfums Ottomans is an intoxicating journey back in time: it is easy to visualise the sultans reclining on their divans smoking water pipes as they listen (much as Mr Weiss, clad in oriental pyjamas, does on the pink velour floor cushions of his Istanbul home).

听着里面的音乐，人们的头脑中会迅速出现这种场景：苏丹惬意的倚靠在床椅上，一边抽水烟，一边欣赏音乐（这场景酷似韦斯在家时那样，身着有东方特色的睡衣，倚靠在粉红色天鹅绒衬垫上）。

But it was not to be; either their Fate or mine, or both, forbid it; for till the last Year of my being on this Island, I never knew whether any were saved out of that Ship or no; and had only the Affliction some Days after, to see the Corps of a drownded Boy come on Shore, at the End of the Island which was next the Shipwreck: He had on no Cloaths, but a Seaman's Wastcoat, a pair of open knee'd Linnen Drawers, and a blew Linnen Shirt; but nothing to direct me so much as to guess what Nation he was of: He had nothing in his Pocket, but two Pieces of Eight, and a Tobacco Pipe; the last was to me of ten times more value than the first.

在人类的感情里，往往有一种隐秘的原动力，这种原动才一旦被某种目标所吸引，就会以一种狂热和冲动驱使我们的灵魂向那目标扑去，不管是看得见的目标，还是自己头脑想象中的看不见的目标；不达目标，我们就会痛苦不堪。

Early one morning, when the waters had subsided, we set out across the open country, which was flat almost up to the foot of the mountains.

只有在充沛的精力下，在所有的矛盾、向不同方向拉扯的欲望都停止的注意中才会有安静的头脑。

They form the very sinews of the profession - generous-hearted men, with well-balanced, cool heads, not scientific always, but learned in the wisdom not of the laboratories, but of the sick-room.

他们是这个行业的根本原动力—－他们必须要有慈悲心、稳定冷静的头脑，并且不拘泥於科学化，他们不是从实验室；而是由病房所体悟到的知识中学习的。

The young ladies of highbury might have walked again in safety before their panic began, and the whole history dwindled soon into a matter of little importance but to emma and her nephews:- in her imagination it maintained its ground, and henry and john were still asking every day for the story of harriet and the gipsies, and still tenaciously setting her right if she varied in the slightest particular from the original recital.

海伯 利的姑娘们差不多还没来得及担心，便又有了一个安全的环境了。这个事件立即就不被注意了，只是爱玛和她的外甥的看法不同。她仍在头脑中留有它的位置，亨利和约翰仍旧天天缠着她讲哈丽埃特和吉普赛人的事情。如果她在某个细微的环节出现了差异，他们会认真地给她纠错的。

This incarnation of evil called Satan or Ur-devil (Diabolos protos, Iblis Kadim, in Arabic sources), a monster half fish, half bird, yet with four feet and lion-headed, threw himself upward toward the confines of light.

这邪恶的化身称为撒旦或乌尔魔鬼（ Diabolos protos ， Iblis领袖，阿拉伯文来源），一半魔鬼鱼，鸟的一半，但有四个脚和狮子的头脑，把自己向上的局限轻。

When you first start just write/type whatever comes into your head, no matter how silly it might seem.

当你首先开始写/打出头脑中出现的任何东西，不论可能它们有多么的愚蠢。

There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as:"honey-colored skin,""think arms,""brown bobbed hair,""long lashes,""big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark inner side of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors.

有二种视觉记忆：一当你熟练地再创造一个图像在你的头脑实验室，与你的眼睛打开(和我然后看见Annabel 用如此将军术语象：&蜂蜜被上色的皮肤，&&认为胳膊，&&变褐浮动的头发，&&长鞭子，&&大明亮嘴&)；并且其他当你立即召唤，与闭上的，在你的眼皮的黑暗的内在边，这个宗旨，绝对光学复制品一张心爱的面孔，一个小鬼魂在自然颜色(和这是怎么我看见 Lolita)。

London is certainly a prestigious address for any international-minded business.

伦敦是个有国际声望的地址头脑业务。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。