有头脑

There were conflicting rumours on the subjects; but the prevalent opinion was that she was a phantom of Mrs Gamp's brain - as Messrs. Doe and Roe are fictions of the law .

关于这个问题有种种互相矛盾的摇言；但是最流行的一种说法认为她只是甘普夫人头脑中的一个幻影罢了——正像多伊和罗伊先生是法律上假想的人物一样。

For all your energy and brains, you are gloriously obtuse about new realities.

尽管你有精力和头脑，但你对新现实的反应迟钝的可怕。

One of the passengers is grievously injured and is certain to die soon, but is fully alert and aware of everything that is going on.

其中有一名乘客伤势很重，不久一定会死去，但是他/她头脑很清楚，明白发生的一切。

Big return, to hackle your hair can relax you head, make you feel clear and make you be more energetic to work.

大回报：梳理头皮可清除你头部的紧张感，让头脑有清醒感，更好地投入工作。

Moreover, for all his hardheadedness he has a soft spot for Goldman, having befriended its one-time boss, Sidney Weinberg, as a young man and stayed close to the firm ever since.

而且，以他的头脑才对高盛动心，同时也以较友好的方式对待了他曾经的老板西德尼。温伯格，在巴菲特年轻的时候，就曾经与高盛有过密切的关系。

He has a good head for business.

他有好的商业头脑。

Read Homer and your mind includes a piece of Homer's mind.

阅读荷马的作品，那么你的头脑里就有了荷马的思想。

We are now more hot-headed, impatient, selfish, and we always want more!

我们现在更热的头脑，耐心，自私，我们总是希望有更多！

But there was a reason why romance and passion were so suited to fiction; and to learn this lesson was a function of maturity, Reema thought, a growth away from the hotheadedness of youth.

但是有浪漫和激情，为何如此适合小说的原因，并了解这一教训是成熟的功能，Reema思想，增长远离青年头脑发热。

So also with meters -- particularly in our language where there are virtually but two, strict iambic and loose iambic.

我们头脑里也许有，可是，如果我们不拿出来实践的话，想法就会在脑子里僵死。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。