有压力的

Holographic laser positioning anodized to bronzing temperature, pressure and speed of blocking control, or even a stamping press-has a lot to do.

全息镭射定位电化铝对烫金温度、烫金压力和车速的控制，甚至烫金机型都有很大的关系。

However, the use of hard-seal butterfly valve pressure and operating GATE VALVES temperature range, has greatly improved.

但硬密封蝶阀的使用压力和工作温度范围，都有了很大的提高。

What this clear, it is that the better thing in order that an equipment has confidence they are the victories and if we win the Celt us it will come very well for what comes ', he concluded.

因为， 对一只球队来说很重要的是自信，而自信只能从胜利来，所以如果我们赢过CELTA，以后的比赛就不会有那么大压力了

One study showed that patients with CFS tend to have a characteristic set of changes in 12 genes that help the body respond to stress.

一项研究表明：在 12 种帮助身体对压力做出反应的基因中，CFS 患者一般会有一组特征性的变化。

After compared with the experiment results, computational results have some error to theexperiment results, but it is same with the variation tendency of the experimental values.

随后对有小翼风力机和无小翼风力机的压力特性、速度特性进行了比较，得到了风力机叶尖加上小翼后，风力机叶端流场的变化。

Participate in the construction of company's culture and the development of training products.

有较强的团队意识和沟通能力，能承受工作的压力，善于自我激励

This is a contemplative game: there are no time limits or high score tables or other forms of pressure.

这是一个沉思的游戏：有没有时间限制或高评分表或其他形式的压力。

Along with that, they are more likely to have lower levels of stress and anxiety in their day-to-day lives.

随着，他们更可能有较低水平的压力和焦虑，在他们日常的生活。

Demos is one of the UK's most influential think tanks.

有这么多的压力和刺激，这么多的诱惑。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。