有义务

Think that as a secondary school students , we have more responsibility and more active duty into environmental action.

我想，作为一名中学生，我们更有责任，也更有义务积极地投入到环保行动中。

On account of the grave moral dangers which lurked in the assertion that outside of unbelief there can be no serious sin destructive of Divine grace in the soul, the Council of Trent was obliged to condemn Sess.

就交代了严重的道德危机是lurked在断言之外的不信者不可能有任何严重的破坏性单神的恩典在灵魂，是立法会的遄达有义务谴责

As one ordinary Chinese citizen, be duty-bound to have also the field goes to be ready for every matter do all at self's command to welcome Olympiad in 2008 right , contribute out a self meagre strength.

作为一名普通的中国公民，有义务也有权利为迎接2008年奥运会而竭尽全力地去做好每一件事，贡献出自己的一份微薄的力量。

And you are confident, you are passionate, you are committed

你是有信心的、你是有激情的、你是有义务的。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Obligating only one of two or more parties, nations, or persons, as a contract or an agreement.

单方有义务的仅由两个或更多政党之一、国家或人员之一承担义务的，如在合同或协议中

IMPORTANT PROCEDUREIN THE EVENT OF LOSS OR DAMAGE FOR WHICH UNDERWRITERS MAY BE LIABLE LIABLITY OF CARRIERS, BAILEES OR OTHER THIRD PARTIES It is the duty of the Assured and their Agents, in all cases, to take such measures as may be reasonable for the purpose of averting or minimizing a loss and to ensure that all rights against Carriers, Bailees or other third parties are properly preserved and exercised.

重要PROCEDUREIN保险商也许是载体、受托者或者其他第三方的有义务的LIABLITY损失或损伤的事件它是确定和他们的代理的义务，在所有的情况下，采取这样措施象可以合理的为避免或使损失减到最小的目的和保证所有权利反对载体、受托者或者其他第三方适当地被保存并且行使。

It is the duty of the Assured and their servants and their servants and agents in respect of loss recoverable hereunder to take such measures as may be reasonable for the purpose of averting or minimizing such loss, and to ensure that all rights against carriers, bailees or other third parties are properly preserved and exercised and the Underwriters will, in addition to any loss recoverable hereunder, reimburse the Assured for any charges properly and reasonably incurred in pursuance of these duties.

这段话的意思是说，对于本保险应予以赔偿的损失，被保险人、其雇佣人和代理人有义务采取合理措施，以避免或减少这种损失。同时确保对承运人、受托人或其他第三者的追偿权利得以适当地保留和行使。保险人除赔偿其承保的任何损失外，还应就被保险人为履行上述义务而适当和合理发生的任何费用，赔偿给被保险人。

"Surgery of this type is associated with risk, and although this risk will never be 100% eliminated, it is our obligation as gynecologic surgeons to evaluate these technologies and see if we can improve on previous or existing surgical approaches," Dr. McCarus said."Using the bladeless trocars, we can basically improve our complication rates associated with trocars...and it would behoove us to adopt and utilize such technology throughout the country."

McCarus医师表示，这一类型的手术还是会有风险，而风险率也不会100%被消除；我们这些内视镜外科医师们的责任，就是去评估这些新的技术，并利用这些技术来改善既有或旧有的手术方法；基本上，使用无刀刃的套针，可以改善套针所引起的并发症，我们有义务使用将这项技术推展到全国。

Kant's focus is on the aspect of obligation, that a person feels obliged to do good, knowing that it will bring about more good and overall more happiness this search for the higher goo is referred to as the Summum Bonum..

康德侧重于义务方面论证，即一个人觉得有义务做善行，知道这能带来更多的好处和幸福。我们把寻求最高理性称为至善。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。