有...音节的

One male speech database was built which contains monosyllable digits and connected digits recorded in various speech rates.

对论文内容有几个问题： 1。作者在采集数据的时候是怎么控制单音节数字的语速的？

This theory of a tonic and not a syllabic metre has this, too, in its favour that accent is the determining principle in ancient Egyptian, Babylonian, and Assyrian poetry.

这一理论的一个补品而不是一个音节米有这个，太，在其赞成的口音是确定的原则，在古代埃及，巴比伦，亚述和诗歌。

Of any such formal technicality the verses of ohelet bear no trace in their existing form; yet there are places where the introduction of words would be more intelligible if the author had a fixed number of syllables to make up eg, xii.

任何此类正式的技术性该诗的ohelet承担任何痕迹，在其现有的形式，但有些地方引进的话会更理解如果作者有一个固定数量的音节，以弥补

And I define as 'combed' those words that, having three syllables, and neither aspiration, nor acute or circumflex accent, nor doubled z or x, nor twinned liquid consonants, nor such consonants placed immediately after a mute, instead seem, as it were, polished, and leave a certain sweetness in the mouths of those who utter them: such as amore , donna , disio , virtute , donare , letitia , salute , securtate and defesa .

我所谓&柔顺的&词是指有三个音节，没有带气音、重音或者声调，也没有双写的z或者x，没有双清辅音，也没有紧跟在哑音后面的类似的清辅音，相反，它应该是光滑的，让说出这个词的口唇留下甜蜜的味道：比如amore、donna、disio、virtute、donare、letitia、salute、securate和defesa。

Collateralized mortgage obligations' is an intimidating 11-syllable mouthful that sounds like something a debt-collection agency might try extracting from you while an ex-wrestler named Bruno dislocates your thumbs.

&抵押贷款担保证券&是个让人生畏的由11个音节组成的拗口名字，听起来像是一边有追债公司在向你催账，而另一边，一个名叫布鲁诺的前摔跤手让你的拇指脱了位。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句仅有17个音节，三个句子和一个季语，季语指的就是一年中的某个季节。

This article discusses the tone sandhi pattern of AA""and ABB in Datong dialect ,argues that there exist in the two sandhi patterns the underlying representations which adjust during the transformations to the surface representations according to the tone of the first syllable.

通过分析大同方言单音节形容词AA儿式和ABB式的连调式，提出两种连调式都在底层有一个统一的模式，在生成过程中以首字的单字调为条件进行调整，这种调整可以用强制非恒原则来解释。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。