有...音节的

A haiku usually has a particular structure, with only three unrhymed lines of 5, 7, 5 syllables.

俳句通常有一定的结构，一般仅三句，不压韵，且每句分别为5， 7， 5个音节。

Although the voice-length of the neutral tone syllable is very short, the tone pattern can be perceived. The neutral tone pitch has two types; I .the neutral tone words can be read in brief, low-drop tone when they appear behind the ~ tone, the 2nd tone and the 4~ tone, the tone pitch is 31; the neutral tone words can be read in brief, half rd high-smooth tone.

关于轻声的调值，目前学术界有两个比较有代表性的观点：1、认为轻声在四个声调之后的音高各不相同。2、认为轻声音节尽管音长短，但它的调型仍然可以感知，调值可归纳为两种情况：（1）轻声在第一声、第二声、第四声后读短促的低降调，调值拟为31。

Of all these lines the most splendid is clearly the hendecasyllable, both for its measured movement and for the scope it offers for subject matter, constructions, and vocabulary; and the beauty of all these features is most greatly magnified by this metre, as will be readily apparent: for whenever things of value are magnified, their value itself is magnified also.

在所有这些诗行中最华美的无疑是11音节诗，既是因为它有节律的动感，也是因为它为主题材料、结构和词汇提供的空间；所有这些要素的美被这一格律以最华美的方式呈现出来，正如我们已经证明了的：无论何时只要有价值的事物被赋予了荣光，那赋予荣光的事物本身也拥有了华美。

Of or relating to or containing a metrical foot of two unstressed syllables.

属于、关于或含有一种有节奏的步伐，上有两个无重音的音节。

Verse metrically complete; especially having the full number of syllables in the final metrical foot.

韵律上完整的；特别是在最后一个韵脚有完整的音节数。

Each of Fuwa has a rhyming two-syllable name--a traditional way of expressing affection for children in China.

每一个福娃有两个有韵律音节的名字-一种传统的方式来表达感情。

A metrical foot having two short or unaccented syllable s.

二短音步一种有节奏的步伐，上有两个短或无重音的音节

A Japanese lyric verse form having three unrhymed lines of five, seven, and five syllables, traditionally invoking an aspect of nature or the seasons.

俳句一种日本抒情诗，由三句分别有五，七，五个音节的不压韵诗行构成，通常吟诵自然或四季风光

Each syllable has a certain tone. Difference in tone can signal a difference in meaning, e.g.

每个音节都有一定的声调，声调不同意义也不同。

General three-syllable words have secondary stress it?

一般三个音节的单词有次重音吗？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。