有...音节的

The measured arrangement of words in poetry, as by accentual rhythm, syllabic quantity, or the number of syllables in a line.

韵律诗歌中字词的有格律的排列，如重音的韵律，音节的数量或一行内音节的总数

The measured arrangement of words in poetry,as by accentual rhythm,syllabic quantity,or the number of syllable s in a line.

韵律诗歌中字词的有格律的排列，如重音的韵律，音节的数量或一行内音节的总数

Meter The measured arrangement of words in poetry, as by accentual rhythm, syllabic quantity, or the number of syllables in a line.

韵律：诗歌中字词的有格律的排列，如重音的韵律，音节的数量或一行内音节的总数

With reference to the marked li words in the Modern Mandarin Dictionary, 2002 edition, this paper tries to gather up the basic features of the li words from their syllable structures, acceptation structures and internal structures. In syllable aspect, the polysyllable words are dominant. For example, the disyllable words are more than 22 times of the monosyllable words. In acceptation aspects, the multivocal words are less than monovocal words. And in internal structure aspect, the compositive words are much more than the single words.

本文以《现代汉语词典(2002年增补本)》中有标注的詈词为考察对象，从音节结构、词义架构、内部构造方面来考察，初步概括出了这类词的基本特征：从音节结构上看，詈词中多音词占绝对优势，仅双音词就是单音词的22倍强；在词义架构上，詈词以单义词为主，而多义词较少；从词的内部构成情况来看，詈词中合成词大大多于单纯词。

To what inconsequent polysyllabic question of his host did the guest return a monosyllabic negative answer?

306对男主人的哪一句有一搭没一搭的多音节的询问，客人做了单音节的否定的答复？

This paper, aided by experiments and data analysis, improves and realizes the pitch target model which regards syllable as a basic linguistical unit.

摘要］ 本文通过一些实验和数据分析，对以音节为单位的基频target模型(认为音节的实际基频是一个有语音学意义的隐藏的目标target和前后环境作用的结果)的实现进行修正，并结合数据挖掘的方法自动得到了一个实用化的target基频模型。

Stress is a relative notion; only words with two or more syllable can be said to have word stress, and monosyllabic words, can not be said to have word stress.

重音是一个相对的概念，只有两个或两个音节以上的单词才可以说有单词重音，单音节的单词，即只有一个音节的单词，是不可能有单词重音的。

Although our experiment dealt with the more suavity imperative sentence, the duration of these sentences is still confidently shorter that of statement sentence and question sentence When comparing the nucleus of all three types of sentences, in each type of sentence, the length of the nucleus is always the longest of the five syllables, making up about 30% of the total length for each sentence When comparing the auxiliary word at the end of the sentences, question auxiliary word"了"has a longer length than"吧/了"in imperative sentence, and"了"in statement sentence From this, we can draw a conclusion in Chinese, the duration of the syllable that appears at the end of sentence, is very much related to the type of sentence it is

从句子全长的对比看，祈使句的全长要比陈述句和疑问句短。虽然我们的实验语句属于口气比较委婉的祈使句，而这种祈使句的时长还是比陈述和疑问句大大缩短。三种句型的调核比较看，祈使句、陈述句和疑问句的调核音长在每个句型的5个音节中最长，占句子全长的大约百分之三十左右。从句末助词对比看，疑问句末助词"了"的音长跟祈使句"吧/了"和陈述句"了"的音长相比明显加长了。由此可见，在汉语中句末音节的时长与句型有密切相关，祈使句句末的语气助词的音长是属于短的。

In every word of two or more syllables, one syllable is stressed.

在有两个或两个以上音节的所有单词中，总会有一个音节是重读的。

By comparing the syllabic features of reduplicated verbs in different genres of writing and by finding and counting the pragmatic reality of different genres of writing,we conclude that reduplicated verbs are applicable to the genre of Baihua.

动词重叠有自己的音节特征，从音节特征入手，通过对不同文体音节特征的对比和对不同文体作品语用实际的调查统计，确定白话体作品是动词重叠的适用范

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。