最年长者

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置，八个区段从哪里内森猛拉被运行，来自欧内斯特海明威打击在鼻子上的最大依斯曼，四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论，当她来了纽约有关内布拉斯加写书的时候，来自街道 Willa Cather 的三十四个区段住在，旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline，来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机，十三个区段从哪里哈利融解射击史丹福白色的，来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段；(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在，他们其中的一些在热又喘不过气来的午后，孤单而私人而充满的他们自己散发感从没有。

My favorite partner was Ric-cardo, and I fast realized I was close to this elder in all skills, even surpassing Albinus, who had held that place until I came, though now he showed me no ill will.

我最喜爱的同伴是利卡多，并且我很快意识到我在各方面的技能都与这位年长者堪称比拟，甚至大有超过阿尔比奈斯之势，要知道，在我来到这儿之前，他的优秀仅次于利卡多。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。