最后作品

I thank the gods for giving me such a brother, who was able by his moral character to rouse me to vigilance over myself, and who, at the same time, pleased me by his respect and affection; that my children have not been stupid nor deformed in body; that I did not make more proficiency in rhetoric, poetry, and the other studies, in which I should perhaps have been completely engaged, if I had seen that I was making progress in them; that I made haste to place those who brought me up in the station of honour, which they seemed to desire, without putting them off with hope of my doing it some time after, because they were then still young; that I knew Apollonius, Rusticus, Maximus; that I received clear and frequent impressions about living according to nature, and what kind of a life that is, so that, so far as depended on the gods, and their gifts, and help, and inspirations, nothing hindered me from forthwith living according to nature, though I still fall short of it through my own fault, and through not observing the admonitions of the gods, and, I may almost say, their direct instructions; that my body has held out so long in such a kind of life; that I never touched either Benedicta or Theodotus, and that, after having fallen into amatory passions, I was cured; and, though I was often out of humour with Rusticus, I never did anything of which I had occasion to repent; that, though it was my mother's fate to die young, she spent the last years of her life with me; that, whenever I wished to help any man in his need, or on any other occasion, I was never told that I had not the means of doing it; and that to myself the same necessity never happened, to receive anything from another; that I have such a wife, so obedient, and so affectionate, and so simple; that I had abundance of good masters for my children; and that remedies have been shown to me by dreams, both others, and against bloodspitting and giddiness...; and that, when I had an inclination to philosophy, I did not fall into the hands of any sophist, and that I did not waste my time on writers of histories, or in the resolution of syllogisms, or occupy myself about the investigation of appearances in the heavens; for all these things require the help of the gods and fortune.

我感谢神明给了我这样一个兄弟，他能以他的道德品格使我警醒，同时又以他的尊重和柔情使我愉悦；感谢神明使我的孩子既不愚笨又不残废，使我并不熟谙修辞、诗歌和别的学问，假如我看到自己在这些方面取得进展的话，本来有可能完全沉醉于其中的；我感谢神明使我迅速地给予了那些培养我的人以他们看来愿意有的荣誉，而没有延宕他们曾对我寄予的愿我以后这样做的期望（因为他们那时还是年轻的）；我感谢神明使我认识了阿珀洛尼厄斯、拉斯蒂克斯、马克西默斯，这使我对按照自然生活，对那种依赖神灵及他们的恩赐、帮助和灵感而过的生活得到了清晰而巩固的印象，没有什么东西阻止我立即按照自然生活，然而我还是因为自己的过错，因为没有注意到神灵的劝告（我几乎还可以说是他们的直接指示）而没有达到它；我的身体置于这样一种生活之外如此之久，我从未达到本尼迪克特或西奥多图斯的高度，但在陷入情欲之后，我还是被治愈了；虽然我常常达不到拉斯蒂克斯的那种气质，但还是没有做过使我悔恨的事情；虽然我母亲不能尽其天年而终，但她最后的年月是与我在一起的；在我希望帮助任何需要帮助的人的时候，或在任何别的场合，我都不感到我缺乏这样做的手段；而对我自己来说却不会有同样的需要：即需要从别人那里得到的东西；我有一个十分温顺、深情和朴实的妻子；我有许多优秀的教师来教育我的孩子；通过梦和其他办法，我发现各种药物来治疗咯血和头昏……当我有一种对哲学的爱好时，我没有落入任何诡辩家之手，没有在历史作品上，或者在三段论法的解决上浪费时间，也没有专注于探究天国的现象；而上面所有这些事情都要求有神灵和命运的帮助。

But if any of Francisco Suárez's works may be called classical it is the last-named, which discusses in four volumes the whole subject "De religione" Within the whole range of "religio", including its notion and relative position, its various acts and practices, as prayers, vows, oaths, etc., the sins against it, there can hardly be found a dogmatic or casuistic question that has not been either solved or whose solution has not at least been attempted.

但如果其中任何弗朗西斯科苏亚雷斯的作品，可称为经典，这是最后的命名，其中讨论了在4卷，整个主题为&德religione &整系列的& religio &，包括它的概念和相对位置，它的各种行为和作法，祈祷，发誓，宣誓等，对捷联惯导系统，有难以发现的教条或诡辩的问题没有得到任何解决，或其解决方案已经不能至少尝试过。

The reason that this Woodcut is called wood-cut Print is the whole woodcut screen can not be copied because the woodcut is worked in the same piece of board and only the final printed empaistic design and lines can be retained after it is carved and painted for several times before finished.

绝版木刻，在同一块板上，进行多次刻作和套色，作品完成时，在木板上只保留有最后一遍印制色彩时的浮雕图案和线条，整幅画面无法再复制，故名&绝板&。

The last category is made up of theological and exegetical works such as Against the Epistle of Manichaeus (397), Diverse Questions (389-96), On the Utility of Believing (391), On Faith and Symbol (393), and some Letters and Sermons.

最后一类是由神学和训诂的作品，如反对书Manichaeus （ 397 ），多元化问题（ 389-96 ），在效用相信（ 391 ），信仰和符号（ 393 ），以及一些信函和布道。

A fearsomely hands-on artist who does everything from scriptwriting to storyboard sketching to correcting many of the final frames of his movies by hand, Miyazaki is Walt Disney, Steven Spielberg and Orson Welles combined, with a dash of Claude Monet in his sumptuous landscapes and more than a smidgen of Roald Dahl in his sly, sophisticated understanding of children.

他是一个&可怕&的手工艺术家，从写剧本到画草图到纠正最后的故事结构，宫崎骏都参与了！而且全是用人手去完成。他简直是沃尔特迪斯尼、史蒂芬-斯皮尔伯格和奥森威尔斯的合体，而他作品中美轮美奂的山水风景又有一点克洛德·莫奈的味道，其调皮的程度与对孩子的无比了解又要比罗尔德·达尔本强一些。

Chapter 2 mainly discusses the commonness of the group, and studies the necessities of their creation commonness and how the assigned sculptures became the main way of the commonness emerging. Chapter 3 is mainly about the creation individuality of the group, and explores the characteristics and the development of their individuality. Chapter 4, from the angle of feminie study, discusses the feminie quality and femenie spirit in the works of the eight sculptresses. Finally, the writer tries to sum up the significance and value of the group study.

论文的第一章介绍了女雕塑家群体的概况，分析了群体形成的原因，并概括了群体的总体特征；第二章主要研究女雕塑家群体的艺术创作共性，分析了影响她们艺术创作共性的必然因素，由此探讨了任务性雕塑如何成为她们艺术创作共性显现的主要途径；第三章主要分析女雕塑家群体的艺术创作个性，探讨了她们艺术创作个性的特征和创作个性发展的多方面途径；第四章是从女性的角度来考察，讨论了她们艺术作品中的女性品质和女性精神；最后，本文总结了女雕塑家群体研究的意义和价值。

Finally, many themes and motives which Die Feen has furthermore characterize Wagner's mature works; they will be grubbed, so that a direct connection between the often ignored first opera of the master, and his middle and late works, can be established.

最后举出在《》中内在固有的、同时也标志著华格纳成熟期作品的主题与动机，以藉此建起这部经常受到忽的少作与中晚期杰作之间的关性。

Taking Neon Genesis Evaneglion for instance, this dissertation expatiates the moderns" soul suffering and craving by construing from symbolism, psychoanalysis and philosophy angles distinctively. Eventually found that japonic manga and animation exhibits " sein and possession existence in deep level.

通过以上两个角度的阐述，最后得出日本动漫深层次体现的是&存在与占有&的生存方式，同时以《新世纪福音》为例展开详尽的论述，从象征、心理以及哲学三个方面分别说明了动漫作品所展现的现代人的彷徨和内心深处的需要。

Finally, in postscript part, I will discuss the relativity of the Franz Kafka's experience and us.

最后，在&余论&部分中，我将论述卡夫卡作品的经验与&我们&自己的相关性。

FILM: Joris Ivens's last film, made with Marceline Loridan, is a testament to Ivens's own life and the changes that have occurred in the world during that time.

影片介绍：这是伊文思的最后一部作品，与妻子罗立丹合作完成，记录了伊文思自己生命的遗嘱也记录了当时世界发生的变化。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！