最不

And that's when the airlift began when the largest and most unlikely rescue in history brought food and hope to the people of this city.

那就是空运开始的时候--那场历史上最大规模的，也是最不可能的空中救援把食物和希望带给了这个城市的人民。

He's one of the greatest players of all-time but he is also one of the most underappreciated players of all-time.

他是历史上最伟大的球员之一，同时也是历史上最不被赏识的球员之一。

In this respect, Asiatic hair can be observed as being the most regular while African hair is the most irregular.

在这方面，亚洲头发可以观测到的是最普通而非洲的头发是最不整齐。

The most unusual and bewitching part of the new moon, February 13, is that Neptune will create a very glamorous setting.

新月最不寻常也最迷人的部分，在13号的时候，海王星会带来耀眼的事情。

Who else is blameworthy when what should most cherished is not cherished and what should not be lost is lost by themselues ?

最珍贵的没有被珍贵，最不该丢失的，被我们自己丢失了，去问责于谁？

When in disgrace with Fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon my self and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man's art, and that man's scope, With what I most enjoy contented least, Yet in these thoughts my self almost despising, Haply I think on thee, and then my state,(Like to the lark at break of day arising From sullen earth) sings hymns at heaven's gate, For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings.

当我受尽命运和人们的白眼，暗暗地哀悼自己的身世飘零，徒用呼吁去干扰聋瞶的昊天，顾盼着身影，诅咒自己的生辰，愿我和另一个一样富于希望，面貌相似，又和他一样广交游，希求这人的渊博，那人的内行，最赏心的乐事觉得最不对头；可是，当我正要这样看轻自己，忽然想起了你，于是我的精神，便象云雀破晓从阴霾的大地振翮上升，高唱着圣歌在天门：一想起你的爱使我那么富有，和帝王换位我也不屑于屈就。

When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deal heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.

当我受尽命运和人们的白眼，暗暗地哀悼自己的身世飘零，徒用呼吁去干扰聋瞆的昊天，顾盼着身影，诅咒自己的生辰，愿我和另一个一样富于希望，面貌相似，又和他一样广交游，希求这人的渊博，那人的内行，最赏心的乐事觉得最不对头；可是，当我正要这样看轻自己，忽然想起了你，于是我的精神，便像云雀破晓从阴霾的大地振翮上升，高唱着圣歌在天门：一想起你的爱使我那么富有，和帝王换位我也不屑于屈就。

When, in disgrace with fortune and men's eyes,I all alone beweep my outcast stateAnd trouble deal heaven with my bootless criesAnd look upon myself and curse my fate,Wishing me like to one more rich in hope,Featured like him, like him with friends possess'd,Desiring this man's art and that man's scope,With what I most enjoy contented least;Yet in these thoughts myself almost despising,Haply I think on thee, and then my state,Like to the lark at break of day arisingFrom sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.

当我受尽命运和人们的白眼，暗暗地哀悼自己的身世飘零，徒用呼吁去干扰聋瞆的昊天，顾盼着身影，诅咒自己的生辰，愿我和另一个一样富于希望，面貌相似，又和他一样广交游，希求这人的渊博，那人的内行，最赏心的乐事觉得最不对头；可是，当我正要这样看轻自己，忽然想起了你，于是我的精神，便像云雀破晓从阴霾的大地振翮上升，高唱着圣歌在天门：一想起你的爱使我那么富有，和帝王换位我也不屑于屈就。

Some of the coolest Jazz came from the most uncool Jazz artists, Dave Brubeck and his Quartet.

某些最酷的爵士乐，来自于最不酷的音乐家，Dave Brubeck和他的乐队就是最好的例子。

I'm missing you Girl even though you're right here by my side Cause lately it seems The distance between us is growing too wide I'm so afraid that you're saying it's over The last thing that I wanna hear If your heart's not in it for real Please don''t try to fake what you don't feel If love's already gone It's not fair to lead me on Cause I would give the whole world for you Anything you ask of me I'd do But I won't ask you to stay I'd rather walk away If your heart's not in it You say that you love me But baby sometimes, you're just saying the words If you've got something to tell me Don't keep it inside Let it be heard I'm so afraid that you're saying it's over Girl I'll make it easy for you How I wish I could take us in time But it's gone too far now we can't rewind And there's nothing that I can do To stop me loding you I can't make you change your mind If your heart's not in it...

我想念你女孩即使你就在我身旁因为最近我们之间的距离似乎已经越来越远我好害怕你会说我们的爱已经结束这是我最不愿听到的一句话但如果你的心确实已不在请别假装你还感觉得到如果爱已远离我将无以为继因为我愿意为你献上全世界你所说的一切我将言听计从但我不会要求你留下我情愿独自离开如果你的心已经不在你说你爱我但宝贝有时候你并不是真心的如果你有话想对我说别藏在心里请让我听见我好害怕你会说我们的爱已经结束女孩，我们将坏事情变得容易多么希望我俩能及时回顾（而我对挽留你却无能为力）我无法改变你的心意

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。