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This covert appreciation of images in dangerous insofar as it accepts not a dialectical relation between political and formal meaning, not their nterpenetration, but a hazier, more reified relation, one in which topicality drops away as epochs fade, and the aesthetic aspect is, if anything, enhanced by the loss of specific reference (although there remains, perhaps, a cushioning backdrop of vague social sentiments limiting the 'mysteriousness' of the image) I would argue against the possibility of a nonidological aesthetic; any response to an image is inevitably rooted in social knowledge- specifically, in social understanding of cultural product.

l s1 o6 A8 l( R$ D7 E)|7 }$}迄今为止，这样的想法已经把对作品的鉴赏力引向了危险的境地，因为它接受的不是政治意义与正式意义之间的辨证关系，不是两者之间互相渗透的关系，而是一种更危险更实在的关系，其中最明显的就是随着几个重要时代的消褪而衰败，就美学角度来说，如果任何事物，因丢失具体的参考文献而被强调出来（尽管这些文献是存在的，可能一股当时社会含糊不请的氛围造成了缓冲力从而限制了作品的神秘性）我一定会反对一种叫非智慧美学的可能性，一幅作品的任何反应都必然植根于社会的知识形态，尤其是社会对文化产物的理解

Not from the meter of water or music But from unnamed rhythm and gloom A voice more tempting than mystery You don't need to know who you are Fantasy won't find you in a crowded bar with that possibility, still it hasn't snowed Nobody knows the love between peach trees Sparrows fly from the courtyard wall After the season of untouched flowers Everyone passing will feel differently How do people love each other? Sometimes they're more distant than trees And still it hasn't snowed Although immersed in the leaden sky Fantasy's front holds passion down Perhaps the low clouds of unfallen snow Never know The feeling of letting go Perhaps you might not say so then But still it hasn't snowed

不是在水或音乐的节拍里有时在一阵无名的节奏和忧郁的情调中有一种声音比诱惑更神秘不一定要知道你是谁幻想在人丛中不会找到你也许因此，雪一直没有飘下来果树对于果树不知是怎么相爱的围墙上的麻雀飞去又回来在开花的季节过后每一个走过园子的人都会有不同的感觉人和人是怎么相爱的有时隔着比树更远的距离雪一直没有飘下来尽管在许多瞬间沉入了铅灰色的天空幻想的风使激情发冷也许那从未降雪的云层很低他无法知道化成水流的感觉也许那时你已不再那么说但，雪一直没有飘下来

The result is an unpersuasive argument, because it simply does not follow that beginning classes at 8:30 a.m. rather than 7:30 a.m. will make students more alert and productive.

结果只能是一篇不能令人信服的论辩，因为它不能说明在8：30而不是在7：30上课将会使学生更精力充沛、学习效率更高。

HOLDING as we do that, while knowledge of any kind is a thing to be honoured and prized, one kind of it may, either by reason of its greater exactness or of a higher dignity and greater wonderfulness in its objects, be more honourable and precious than another, on both accounts we should naturally be led to place in the front rank the study of the soul.

电子书简介：控股，我们这样做，而任何形式的知识是不能兑现和珍视的事，一个是它一种可借其更大的精确性或更高更大的尊严和其宗旨wonderfulness的理由，更体面和珍贵比另一个，两我们自然应导致在前面的地方级灵魂的研究帐户。

Every page of Woodsmith Magazine will make you a better woodworker, because you get more woodworking plans, more woodworking techniques, more woodworking jigs, and more about woodworking tools - and not a single ad.

每一个Woodsmith杂志页面会使你更好的木工，因为你获得更多的木工计划，更多的木工技术，更加木工夹具，木工工具和更多的关注-而不是一个单一的广告。

China Real Estate has been into a "more up more losses, the more up more losses," the vicious circle of the cycle, it can not be extricated.

中国房地产已进入&更多更多的损失，更多更大的损失&的恶性循环周期，就不能摆脱。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Because of the eyes of the spring, our thought is deeper, purer, and more transparent.

因为春天的眼睛，我们的思想更深沉。不，应该是更洁净，更单纯，更透明。

And let us not remember Italy the less regardfully, because, in every fragment of her fallen Temples, and every stone of her deserted palaces and prisons, she helps to inculcate the lesson that the wheel of Time is rolling for an end, and that the worldis, in all great essentials, better, gentler, more forbearing, and more hopeful, as it rolls!

让我们对义大利的回忆，不因此减低半分敬意。因为在每座倒塌神庙的残破之中，在每一块废弃宫室与监狱的石块之上，它都为人类记载了永恒的教训：那就是时间之轮，并非随意漫转，乃是向一个目标滚动。随著它的滚动，人世间那所有最伟大的精华，都不断变为更美好、更温柔、更容忍、更有希望！

However, some experts caution that trying to put a price tag on a placement misses the point of product integration - that it should be a part of a larger plan and a larger effort, and, therefore, the value can't be determined only from the placement itself, but also needs to take into account how well the company capitalizes on it.

然而，一些专家警告，试图把价格标签放在置入中会影响产品整合——价格应该是更大的计划和一个更大范围的努力，因此，价格不能仅仅根据置入本身决定，更重要的是需要考虑公司如何更好的投资产品置入。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。