暴发户

European snobbery about money permeates the books. Villains are frequently showy arrivistes. Old money is good.

书中随处可见欧洲人在金钱上所表现出来的势力眼：坏蛋们经常以暴发户的身份粉墨登场；祖上留下的金钱是好钱。

Villains are frequently showy arrivistes.

坏人通常是喜欢炫耀的暴发户。

The 25-year-old, who himself is one of several big names linked with City in recent times, insists he could never be lured to Eastlands.

最近被频繁与暴发户联系到一起的 RP 小马强调，他永远也不会转会曼城。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Morgenes went on to explain, in what Simon thought was perhaps unnecessary detail, about the era of peace between the subjects of the ageless Eri-king and those of the upstart human Imperators.

Morgenes继续解释，Simon觉得他说这些没有必要，关于那些和平年代里，不老的Eri国王和那些人类的暴发户国王们。

"You think that because Lucas is older than I am,old enough even to remember Uncle Buck and Uncle Buddy a little,and is a descendant of the people who lived on this place where we Edmonds are usurpers, yesterday's mushrooms, is not reason enough for him not to want to say mister to me?"

不知道对不对，试着译一下：你如此认为源自卢卡斯比我年长，大到可以记着点布克叔叔和布蒂叔叔，又是当地人的后裔，而我们埃德蒙兹家是篡夺者（usurper这个词我查不到耶），是昨天才成形的暴发户，还不够让他情愿称我为先生，对不对？

They are,so to say,upstarts.

可以说，他们是暴发户。

The upstarts and their wives also point to advantages in their way of life.

暴发户和他们的老婆们也在他们的生活方式方面显出优越感。

In terms of money the upstarts are quite rich

从金钱的角度看，暴发户相当富有

There are no upstarts in America.

在美国，没有暴发户。

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐