晦涩

A Kid for Two Farthings (1955) is indigestible whimsy with a sentimentalised East End setting.

信心的奇迹》(1955)是个设定在被过分美化的东区的晦涩难懂的奇怪故事。

We reach the same conclusion from a consideration of the concomitant circumstances, taking into account both the hearers and the Institutor, Those who heard the words of Institution were not learned Rationalists, possessed of the critical equipment that would enable them, as philologists and logicians, to analyze an obscure and mysterious phraseology; they were simple, uneducated fishermen, from the ordinary ranks of the people, who with childlike naveté hung upon the words of their Master and with deep faith accepted whatever He proposed to them, This childlike disposition had to be reckoned with by Christ, particularly on the eve of His Passion and Death, when He made His last will and testament and spoke as a dying father to His deeply afflicted children.

我们得出同样的结论，从审议该并存的情况下，考虑到既hearers和institutor ，那些听到的话院校均没有学会理性，具备了最关键的设备，这将使它们，因为语文学家和logicians ，分析一个晦涩和神秘的说法，他们被简单的，没有受过教育的渔民，从普通级别的人，与一个小孩子naveté后，洪的话来说自己的主人，并与笃信接受的，无论他建议对他们来说，这一个小孩子处置不得不不可忽视的，由基督的，尤其是对即将到来的，他的激情和死亡，当他取得了他的最后遗嘱，并作了发言，作为一个垂死的父亲，他深感困扰的儿童。

As both these much controverted questions will receive special treatment elsewhere in this work, it will suffice for our present purpose to note that the Inquisition was in operation in 1198, or seven years before the saint took part in the apostolate in Languedoc, and while he was still an obscure canon regular at Osma.

由於这两得多controverted问题都将得到特殊的待遇，在其他地方对这项工作，这就够了，我们现在的目的，值得注意的是，这份调查是在行动中，第1198 ，或七年之前，圣参加了使徒在朗格多，而在他仍是一个晦涩的佳能定期在

Describing legalese as "a form of religious language", he argued that convoluted language has an undesirable effect.

伊格里森把法律术语说成是一种"宗教语言"，而且认为晦涩的语言会产生不良的效果。

These images that need no word expression and logical reasoning, even need no brain-racking search for the archetypes, are a kind of self-cultural sediment. They may have multiple and cultural relations or collisions with a declining national spirit at present, but the paintings themselves not only act as a representation of dominant cultural traits of our nation, but are also my attempts to continue stone inscriptions and brick engravings by those ancient people through knife scraping and line engraving in cold and gray tone, not only a visual sediment of my own obscure emotion, but also a kind of exterior exposition of my personal art spirit.

这些无须用言词、逻辑去表达、推理、甚至去挖空心思搜寻的形象，是自我的某种文化的积淀，或许与时下民族气性衰微与潦落的状况有着多层面的文化上的关联与冲突，但画面本身不仅成为民族强势文化特质的某种形式上的渲染，同时也希籍冷灰色调下的刀刮、线刻能够成为古人碑帖、砖刻痕迹的某种延续，既是自我内心晦涩情绪的视觉沉淀，也是个人艺术精神的某种外化的诠释。

In paintings, Baroque gestures are broader than Mannerist gestures: less ambiguous, less arcane and mysterious, more like the stage gestures of opera, a major Baroque artform.

在绘画上，巴洛克的构图比起矫饰主义的构图更明显易懂，较少含混不清、晦涩难解和神秘的表达，而更像是巴洛克的主要艺术型态：歌剧所使用的舞台动作。

I hear your voice saying:" Geranium, marigold and verbena." And I feel those three words are all I recall of some forgotten, heavenly language

heavenly有神圣的和天上的两种意思，我觉得在这里三种植物的名称不能说是华丽的，根据上下文应该是晦涩的。

While post-modernism and post-modern theory are complicated and obscurity, which leads to misconceive, even neglect its worthiness parts.

但是，由于后现代主义和后现代理论本身的晦涩难懂，使得人们往往对其产生误解，从而忽略了它的有价值的一面。

These government forms are full of such mumbo-jumbo, I can't understand them at all.

政府的这些表格中净是些晦涩的词，我一点都看不懂。

In my humble opinion, some personal development stuff is mindless, mumbo-jumbo, wishy-washy, feel-good bullshit. It's not practical, it's not realistic and it doesn't change lives over the long term.

依我之陋见，一些有关个人发展的作品是言之无物、晦涩难懂、空话连篇、但感觉良好的大话，是不实用的，不真实的，不能长期改变人们的生活。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。