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My hands have lingered upon the living marble of roman sculpture as well as that of later generations.I have passed my hands over a plaster cast of Michelangelo's inspiring and heroic Moses;I have sensed the power of Rodin;I have been awed by the devoted spirit of Gothic wood carving.

我的手曾逗留在罗马时代以及更晚期的那些栩栩如生的大理石雕塑上,我的手曾经抚摸过米开朗基罗那激动人心的石膏像英雄摩西,我也能感知到罗丹的才能,对哥特式木刻的奉献精神深感敬佩。

But at the late Dong Han Period, Yongwu Fu also show some new characters such as commonness of object, variety of theme and earthliness of describion.

但在东汉中晚期的一些睹物兴情之作和托物言志之作中抒情的成分明显增多,对物象本身的审美观照也已初现征兆,因此呈现出物象的生活化、题材的多样化和描写的通俗化等特点。

Based on A.Greif's study of the relation between cultural tradition and institutional changes, this paper, utilizing game theory and historical evidences, discussed the different cultural tradition of Genoa and Maghribi traders in late Middle Ages and its effects on the selection of economic institution, political system and social structural changes, and gave a new explanation for the source of the ramifications in the institution changes of the East and the West.

本文以格瑞夫关于文化传统与制度变迁关系问题的研究为基础,运用了博弈论与历史经验的归纳性分析相结合的研究方法,以中世纪晚期的热那亚和马格里布为典型案例,对不同文化传统对经济制度、政治体制和社会结构变迁所产生的影响,进行了深入具体的历史比较制度分析,并进一步对东西方国家长期制度变迁出现轨迹分叉的根源,提出了全新的说明与阐释。

In subliminal affective priming task, there were no significant differences of correct rates and latencies between alexithymic and nonalexithymic,while on the both two SOA levels (200ms and 300ms) of supraliminal priming task, the mean response latencies of alexithymic were longer than those of nonalexithymic.(4) In both subliminal and supraliminal affective priming tasks, P2 and P3 were elicited by both alexithymic and nonalexithymic during performing the affective priming task.

情绪启动效应早期的ERPs特征表现为启动条件和非启动条件的P2潜伏期均显著短于控制条件的P2潜伏期,而P2波幅则显著大于控制条件的P2波幅,这种效应在顶区表现得尤其明显;情绪启动效应晚期的ERPs特征表现为启动条件P3潜伏期显著短于非启动条件的P3潜伏期,而P3波幅显著小于非启动条件和控制条件的P3波幅,这种差异也主要见于顶区。

Every period has different themes. The theme at the early period is the inquiring of Being, at the middle period is the unconcealing of truth, and at the later period is the listening to language.

早期的主题是存在的追问,中期的主题是真理的显现,晚期的主题是语言的倾听。

Eduard Hanslick was a major late nineteenth century musical formalist; the Russian Formalists in the early years of the revolution, and the French Structuralists later, promoted the same interest in Literature.

爱德华·汉斯立克是19世纪晚期的一位重要的音乐上的形式主义者;革命前的俄国形式主义者、后来的法国结构主义者,在文学里倡导的是同样的事情。

Capital market manias regularly occur on a grand scale: Japanese stocks in the late 1980s, Internet and technology stocks in 1999 and 2000, subprime mortgage lending in 2006 and 2007, and alternative investments currently.

资本市场的狂热症经常大范围的发生:80年代晚期的日本股市,1999和2000年的互联网和科技股,2006和2007年的次级债券,以及近期的另类投资。

Through the analysis and contrast between HM core and Dh core, combined with the data of AMS14C, six pollen assemblages were ploted Out. At the mean time, six stages about the vegetation change and climate fluctuation were rebuild. In addition, there were three sub-assemblages ploted out in the Atlantic period, Sub-Boreal period and Sub-Atlantic period, which reflected the less vibration of the large-scale climatic change. Pollen assemblage dominated by Concentricystes in the hard and green clay of late Pleistocene can make it sure that the hard green clay layer was formed by water.

通过对上海地区鹤鸣孔和东海1井两个钻孔进行孢粉分析鉴定和对比,结合AMS14C测年等资料,划分出了6个孢粉组合带,恢复了本区的植被演化和气候波动的6个阶段,对鹤鸣孔的大西洋期、亚北方期和亚大西洋期各划分出了两个孢粉组合亚带,反应了大气候环境下气候的次一级波动,在晚更新世晚期的硬绿色粘土中还发现了以环纹藻为主的孢粉组合,从孢粉学角度上证实了这一硬绿色粘土层&水成沉积&的观点。

Add to this the timidity with which unschooled artisans – originally trained as stonemasons, carpenters, or cabinetmakers – attacked the medium from which they were to make their images, and one understands more fully the development of sculpture made in the United States in the late eighteenth century..

由于未受学校教育的艺术家们的胆却,他们通常被训练成石匠、木匠或家具师,抨击了在媒体中他们以前造就的自我形象和一个理解,这个理解就是雕塑的发展在十八世纪晚期的美国更加完全的发生了。, K8 v9 f/ b:~6 W

Add to this the timidity with which unschooled artisans – originally trained as stonemasons, carpenters, or cabinetmakers – attacked the medium from which they were to make their images, and one understands more fully the development of sculpture made in the United States in the late eighteenth century.

由于未受学校教育的艺术家们的胆却,他们通常被训练成石匠、木匠或家具师,抨击了在媒体中他们以前造就的自我形象和一个理解,这个理解就是雕塑的发展在十八世纪晚期的美国更加完全的发生了。E学论坛9M2F6I#I

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