显而易见的

There was clear evidence of a strong bias against the black in the media.

媒体显而易见对黑人存有强烈的偏见。

Examples include digital photography (the sharp decline in consumer demand for common 35mm print film has had a deleterious effect on free-riders such as slide and infrared film stocks, which are now more expensive to produce) and IP/Internet telephony, where the replacement technology does not, and sometimes cannot practically replace all of the non-obvious attributes of the older system (sustained operation through municipal power outages, national security priority access, the higher degree of obviousness that the service may be life-safety critical or deserving of higher restoration priority in catastrophes, etc).

例子 包括：数码摄影（急剧减少，消费需求的共同35毫米胶片打印了有害的影响免费搭车者，如幻灯片和红外电影股票，而现在更昂贵的生产）和IP /互联网电话，那里的更换技术不会，有时实际上无法取代的所有非显而易见属性老的系统（持续运作通过市政停电，国家安全的优先使用，在更高程度的显而易见，这项服务可生命安全的关键或值得更高的优先灾难恢复等）。

The musical sensibility is apparent in the recurrence of certain locations, sounds, and camera setups; in the lightning-quick shot of the collapse of a tent, effected by Norbu's accomplice in the first horse theft that we see; in a remarkable sequence devoted to Norbu's extended praying and prostrations, which hypnotically combines camera movements and superimpositions with a use of other human figures that ambiguously alters our sense of his isolation; in the slow drip of water from melting snow that Norbu catches in a jug to bring to his ailing child; in the intricately structured sequence showing the clan's westward migration, as fine a piece of epic poetry as some of the grander collective movements in Ford; and above all, in the depictions of the Buddhist ceremonies and rituals, which are themselves patterned like musical structures.

在再现某些地点、声音和摄影机设置时，音乐感是显而易见的。快如闪电地拍摄一个帐篷的倒塌，这是我们所见 Norbu 参与到第一次盗马时所弄倒的； Norbu 长时间的祈祷和不断俯卧拜倒成就了一个标志性的场景，用了其他几个人物形象恍如催眠式地将摄影机运动和叠印一起使用，就这样含糊地改变了我们对他孤立的感受；Norbu用水壶接住融化的雪缓慢滴落下来的水，这是要带回去给他生病的小孩；复杂结构的场景展现了宗族的西迁，总之，佛教庆典和仪式的描写，其本身形式就很像音乐结构。

Harry averts his eyes, refusing to allow himself to stare at the pink nipples or the sharp hipbone that angles just above the waist of Malfoy's pajama bottoms, and instead attempts to remind himself of the significance of the dark, ugly scar that mars the left side of Malfoy's chest.

光笼着他的身体，他苍白的皮肤，瘦瘦的胸口。Harry挪开了眼，不允许自己看着那粉红色的乳头，或者睡裤下那鲜明的轮廓。他开始提醒自己Malfoy左胸前的那道显而易见的，丑陋的，颜色很深的伤疤。

So in order for your prospects to be presold and to follow the link you recommend, you have to: a. Earn their trust b. Give an effective presentation OK, that is obvious, but the purpose of this article is to give you a clear blueprint of an excellent internet marketing strategy that will tell you exactly how do you earn their trust to be able to give an effective presentation...

因此，为了你的前途将presold并跟随连接，你的推荐，你要：甲赢得他们的信任乙给予有效的颁奖ok，这是显而易见的，但是本文的主要目的是给大家一个明确的蓝图，一个良好的网上营销战略，将告诉你，正是你如何赢得他们的信任能够给予有效的颁奖。。。

One may insist that specifically theistic beliefs must be brought to bear on educational arguments like the above, e.g., in connection with premisses,, or, but this is not obvious and it is not logically necessary; in fact, one can agree to this only if one already shares such theistic beliefs.

有人可能坚持，特定的有神信仰必须依赖如上面提到的教育的观点，如，与前提、或相联系的，但这不是显而易见的并且在逻辑上也不是必然的，事实上，一个人之所以能同意这一观点，只有当他已经分享了这样的神学的信仰。

That English law should never have drawn such obvious conclusions from the general principle as formally to recognize the principle nulla poena sine lege, or to give to the citizen an effective remedy against wrongs done him by the state (as distinguished from its individual agents),or that English constitutional development should not have led to the provision of any built-in safeguards against the infringement of the Rule of Law by routine legislation, seemed curious anomalies to the Continental lawyers who wished to imitate the British model.

英国法律从来没有从一般性原则中得出&法无禁止不为罪&这样的显而易见的法则，或者对受到国家侵害的公民以有效赔偿的规定，或者英国宪法的演化没有发展出任何预先设定的防止常规性立法损害法治的条款，这些在那些希望模仿英国模式的欧洲大陆律师看来是奇怪的现象。

Naturally, the primary factor of Deng Jianjin's works is "what he painted", in which the activities of the figures about the sexual desire are obvious. These activities are direct. For example, the activities of stretching tongue in A Piece of Afterglow, Breathing, Evanescent Landscape in A Flash, The Love Song of Dream , the activities of closing eyes, opening mouth and slightly vibrating nose in Taste , the activity similar to masturbation in Adolescent No.2, etc.

自然，邓箭今作品话语的首要因素是他&画什么&，男女性欲望中的人物动态是显而易见的，这些动态都很直接，如《一抹晚霞》、《呼吸》、《闪逝的风景》、《梦幻的情歌》中的伸舌头的动态，《味道》中的闭眼张嘴和煽着鼻翼的动态，《青春期NO.2》中近似手淫的动态等等。

It is this demand for housing is driven by domestic industries, promote the development of civilized living, urban living space also has its full right to choose; Third, the urban residents in improving their own quality of life, living environment is also vital to experience life and space in relationship lending and leasing, which passed from the current real estate mortgage loans and leasing of housing to improve the living status of the self-view is obvious; Fourth, each of the residents will be able to exercise freely their right to living space of the aesthetic, also take up construction of urban living aesthetic responsibility.

正是这种对房屋的需求推动了国内产业，促进发展的文明生活，城市生活空间也有充分的选择权；第三，城镇居民改善自己的生活质量，生活环境也是至关重要的经验生命和空间关系的贷款和租赁，而通过从目前的房地产抵押贷款和租赁的住房，以改善生活状况的自我认为是显而易见的；第四，每个居民将能够自由地行使自己的权利居住空间的审美，还需要建设城市生活美学的责任。

Through acquaintance, while in Italy, with the work of Caravaggio and through contact with the Spaniard Jusepe de Ribera (1588-1656), he learned something of the potentialities of a very limited palette, black and neutrals, as is evident in many of his portraits, which are subtle harmonies of grays and blacks.

通过熟人，而在意大利，与工作卡拉瓦乔，并通过与西班牙的胡塞佩德ribera （ 1588年至1656年），他学到的东西的潜力非常有限的调色板，黑色和中立国的，这是显而易见的，在他的许多画像，这是微妙的和声的格雷斯和黑人。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。