显得自然

This will look more natural on you.

这将显得更加自然的你。

And benefits of caesarean section to avoid the pain of natural childbirth, compared with it complications and sequelae of maternal and child is all the more undesirable and caesarean section can only be limited to maternal and infant pathology factors surgical remedies.

而剖腹产的好处避免了自然分娩过程的疼痛，相对于它给母婴的并发症和后遗症便显得不可取，剖腹产只能限于产妇和婴儿的病理因素的补救手术。

Though compared with the unpredictable and capricious battle of ethics, formalism appears to be much more real and self-disciplined. Nevertheless, the frame of formalism is insufficient to support the present discussion about the vision, for in the end the vision simmers down to the perceived behavior related to our bodies, always drifting among different subjects, thus inevitably tainted with the habits or prejudices of individuals, groups and the society, a point which sensitive artists never fail to catch, along with the relation between the vision and the formalism..

虽然，相较于云谲波诡的道德论战，形式主义自身要显得真实与自律的多，但即使这样，形式主义的框架却依旧难以支撑现在对于视觉的讨论，因为视觉归根结底是与我们身体相关的知觉行为，它始终要在不同的主体间漂移，也不可避免的会沾染上个人、群体与社会的习惯抑或是偏见，而敏感的艺术家从不会放过这一点，其中自然也包括视觉与形式主义存在的&亲缘&关系。

Nevertheless, the frame of formalism is insufficient to support the present discussion about the vision, for in the end the vision simmers down to the perceived behavior related to our bodies, always drifting among different subjects, thus inevitably tainted with the habits or prejudices of individuals, groups and the society, a point which sensitive artists never fail to catch, along with the relation between the vision and the formalism..

虽然，相较于云谲波诡的道德论战，形式主义自身要显得真实与自律的多，但即使这样，形式主义的框架却依旧难以支撑现在对于视觉的讨论，因为视觉归根结底是与我们身体相关的知觉行为，它始终要在不同的主体间漂移，也不可避免的会沾染上个人、群体与社会的习惯抑或是偏见，而敏感的艺术家从不会放过这一点，其中自然也包括视觉与形式主义存在的&亲缘&关系。

Snowflakes that stay on my nose and eyelashes,Silver white winters that melt in to springs,These are a few of my favorite things.When the dog bites,When the bee stings,When I'm feeling sad,and then I don't feel so bad.

其实，最重要的就是把握住&语音调整&中的一些特点，包括元音弱读，连读，同化等等，借此让重读音节、词显得格外突出，让听者自然地把注意力集中在最重要的信息元上。

Secondly, the incisors grow faster, then the beginning of next to no longer permanent, in the "free" environment will, of course, a large growth, but within the next two years to grow permanent incisors on the natural limits; the most important point is that "parents feel that the incisors are the wrong impression", after the permanent teeth will not grow up stereotypes, so on the child's little face, mouth does not match, it appears to "Super", as the children grow up day by day face, bone development, facial development, such as children and adults will face the size of incisors is coordination of the match,"So we say that time will the children from 'ugly duckling' change 'Swan'."

其次，门牙长得快，这时旁边的恒牙都没开始长，在&无拘无束&的环境下当然会生长得大一点，但两年内旁边恒牙长出就自然限制了门牙；最重要的一点是，&觉得门牙大都是家长的错觉&，恒牙定型后不会再长大，所以放在孩子的小脸、小嘴中不匹配，才显得&超级大&，随着孩子脸形一天天长大，骨头发育、面部发展，等孩子成年时门牙就会和脸形大小十分协调、般配了，&所以我们说时间会让孩子由'丑小鸭'变'天鹅'&。

Tallfellow Halflings bear distinct resemblances to their elven neighbors, for good reason. Since halflings are closely related to humans in many respects, this is not surprising.

显而易见，高半身人具有明显的与其近邻精灵的相似之处，自从半身人在许多方面和人类走的很近以来，这就显得很自然了。

The base is quite simple, which is ok, but I think it could look a little more nice if the cork 'rocks' were shapes a little more into a more natural looking formation, and given a little more attention with the paintwork as well.

该基地很简单，这是玉，但我认为这可能显得更漂亮，如果软木'岩石'的形状多一点成一个更自然的形成，并给予更多的关注很少与喷漆的。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Everyone's face seems very natural -- there are a golf cap.

每个人的脸色却显得很不自然——里面是一顶高尔夫帽。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。