显得自然

In fact, I think you are just beginning to thrush, do not use eyebrow pencil, eyebrow pencil sketching out the obviously more rigid, and you will not necessarily be a good deal with degree of difficulty, you go to the market to buy eyebrow, color can be relatively simply, with the eyebrow brush Depending on your eyebrow to eyebrow painted up, that is simple, and vividly shown by the eyebrows, but also natural.

其实，我觉得你刚刚开始画眉，不要用眉笔，眉笔画出来显得比较死板，你又不一定会很好处理好深浅程度，你去市面上买眉粉，颜色可以相对浅一些，用眉刷根据你的眉型把眉粉刷上去，即简单，表现出来的眉毛又生动、又自然。

I thought that, on balance, I gave the best answers in terms of specifics and arguments, but that Perot did better in presenting himself as folksy and relaxed.

总的来说，我觉得我在说明细节和提出论据方面表现最好，但佩罗显得更和蔼可亲和轻松自然。

Here in the Galapagos, without the nonsense of civilization to muddle up the point, it is just more evident.

在加拉帕戈斯群岛，没有人类自相矛盾的观点在混淆视听，一切都显得那么自然和明显。

In the past she has been very gun-shy about off-court obligations.

过去她曾经在赛后的例行记者会上显得非常害羞和不自然。

This series place brick, forever is the living room ground main tone, enable the room to have one kind of splendid noble and the inelegance; The grain luster also is the good choice, both plain nature, and appears sincere and the rich connotation.

这个系列的地砖，永远是客厅地面的主色调，使居室有一种富丽堂皇的高贵与典雅；石纹色泽也是不错的选择，既古朴自然，又显得厚重而富有内涵。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

It appears to me, indeed, that, while an air of artificiality is lent to a tale of complex and sophisticated people which the novelist causes to be guessed at and interpreted by any mere looker-on is sophisticated, and the people he interprets are simple

我的确觉得，如果故事里的人物是深沉而复杂的，而小说家却让一般的旁观者加以猜测和解说，那末，这个故事的确不免显得"造作而不自然"；可是如果旁观者是见多识广而他所解说的人物是朴素的，那就不至于有这样的缺点。

If some English works seem too difficult, complex and subtle to us, I mustpoint out, it lies in our lack of similar life experiences apart from theobstacles of language itself. Because we're in too lowlife levels with too superficial thoughts, it's natural we fail to understandthe profound meaning of those articles.

有一点必须指出，有些英文作品对我们如果显得太困难、繁杂或者微妙，除了语言本身的障碍之外，更重要的在于我们没有经历过类似的事情，我们的生命层次太低，思想太肤浅，自然无法领悟文章的奥妙。

Maybe even since Steve McQueen, He is, for us, his worthy successor.

他显得十分自然，给人的印象是一个诚实但

The trick is starting the discussion of a subject without appearing to be boastful moralizing or unnatural.

这其中的诀窍是：展开的话题不致使人感到不自然，或显得自夸，以及有道德化倾向。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。