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A brief pause to inquire of these "antis" if all Christians agree as to the meaning of their Teacher's message; all musicians as to the "correct" interpretation of a Brahms symphony; all doctors as to the "right" treatment of infantile paralysis; all parents as to the "perfect" way of raising children.

用一个简短的暂停问一下所有的反星象学者,所有的基督信徒都用同样的方式理解主的信息,所有音乐家都用同样的"正确的"方法去诠释Brahms交响曲,所有的医生都用同样的"正确的"方法治疗小儿麻痹症,所有的父母都用同样的"完美"的方式去养育孩子。

In the spiral pipe heat exchanger exports terminal, the ammonia steam temperature has been heated up 85 ℃--95 ℃, by now, the ammonia steam had the 45kg-55kg/cm2 ammonia steam pressure, sent in the ammonia steam turbine through the constant temperature pipeline, impelled ammonia steam turbine revolving, led the generator electricity generation;After the ammonia steam makes the merit release energy, the temperature drop, the returns ammonia storage tank, passes through again adjusts the press pump to press into the spiral pipe-type heat exchangers to carry on the next circulation;Including the ammonia steam turbine entire ammonia steam road is becomes the independent closed cycle system, is isolates completely with the outside air;The ammonia steam only plays the carryhome and the shift energy role, in the electricity generation process does not consume the actuating medium, the stored energy carrier water also is only gets up the carryhome and the shift energy function,The waterway also is from becomes the independent closed cycle system, in the electricity generation process also the needless water consumption, through the actuating medium ammonia steam and the stored energy carrier water unceasing shuttle service, transforms through the heat interchanger the solar energy as the actuating medium ammonia steam heat energy and the kinetic energy,With the aid of the ammonia steam turbine heat - machine transformation function and the generator machine - electricity transformation function, has realized the solar energy hot - electricity entire conversion process, transforms continuously the solar energy into the electrical energy, power supply for foreign;The low temperature generating system must solve three big technical keys:One, the anticorrosion (has actuating medium has strong corrosiveness), two is Explosion-proof (Some actuating medium Can have the detonation with the air mix when divulging, controls warm malfunction, elevates temperature suddenly also can have detonation), three is guards against the revolution axis divulging

以太阳能低温发电系统为例,低温发电方法这样进行的:以水作为储能载体的太阳能采集器将太阳能采集起来,将水温提升至85℃--98℃;用氨作为工作介质储于氨储罐及氨汽路中;采用螺旋管型热交换器;用调压泵将氨储罐中的氨汽压入螺旋管型热交换器的螺旋管内,用调压泵将携带太阳能的85℃--98℃的储能载体热水压入螺旋管型热交换器的螺旋管外壁空间进行循环式热交换,在热交换器的螺旋管出口端,氨汽温度已被加热到85℃--95℃,这时,氨汽具有45kg—55kg/cm2的氨汽压力,通过恒温管道送入氨汽轮机,推动氨汽轮机旋转,带动发电机发电;氨汽作功释放能量后,温度下降,返回氨储罐,再经调压泵压入螺旋管型热交换器进行下一次循环;包括氨汽轮机在内的整个氨汽汽路自成独立的封闭循环系统,与外界空气完全隔绝的;氨汽只起携带和转移能量的作用,发电过程中并不消耗工作介质,储能载体水也只起携带和转移能量的作用,水路也自成独立的封闭循环系统,发电过程中也不消耗水,通过工作介质氨汽和储能载体水的不断循环运行,通过热交换器将太阳能转化为工作介质氨汽的热能和动能,借助氨汽轮机的热—机转化功能和发电机的机—电转化功能,实现了太阳能的整个热—电转化过程,将太阳能源源不断地转变为电能,对外供电;低温发电系统要解决的三大技术关键:一防腐(有的工作介质具有较强的腐蚀性)、二防爆(有的介质泄漏与空气混合会产生爆炸,控温失灵,急剧升温也会产生爆炸)、三防轴漏(汽轮机动态旋转体,必须解决工作介质的防轴漏问题)。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代,中国小说的性爱叙事一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一正面赋予性欲望以合理性,这种合理性在人性解放和爱情前提下获得的;二在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三解构了性的伦理道德,无论沈从文以自然法则来反对人为的道德设置还新感觉派用消费交换原则替代传统性伦理道德,或施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再作为感情的衍生物而独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上在人道主义语境下的再次启蒙,其主要特征一性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族"血性"的传承方面。

Nie: one is prohibited of working hours and days midday drinking, 2 is strictly accept students' parents banquets and gifts, Three is forbidden, imaginary ills, without absenteeism TuoBing leave, a second job, Four is prohibit fraudulent, shuffle disputes over trifles, encouraged and push the unity. Five is prohibited or corporal punishment in disguised forms, the corporal punishment student, 6 it is forbidden to student fees, and its items; apportion 7 it is forbidden to play CARDS, play chess, and time is not work related activities, 8 is prohibited in all kinds of test in violation of stipulations on the management of unity and jobbery, Nine is prohibited in in-service teacher paid tutoring; on-the-job Ten is strictly excessive increase student schoolwork burden.

聂局长:一严禁工作时间和工作日中午饮酒;二严禁接受学生家长宴请和馈赠;三严禁无故旷工、无病呻吟、托病请假、从事第二职业;四严禁弄虚作假、推诿扯皮、揽功推过、闹不团结;五严禁体罚、变相体罚学生;六严禁向学生乱收费、摊派资料及其它物品;七严禁上班时间打牌、下棋及与工作无关的活动;八严禁在各类考试中违反统一管理规定,营私舞弊;九严禁在职在岗教师从事有偿家教;十严禁过度加重学生课业负担。

Pull off my blindfold and you just too cold you show me true friend baby i was so so you might as well call me up physically you know, you got me only into extremes and i can't believe it and don't know what to think sometime around it was so love-sick now it's so sick cause they ain't doubt love your hint is apart and the day between us wasn't enough and i know i feel good time's come i thought they stay, things are done and become word-made angels came but they left you day had you slip away listen now burning empty still this can't be but even now we're not that happy hotel motel it's hot in hell free from myself but now left with no home i want you to know i never would have all figure out that when you came now it could have been forever now it does bring me down the high now the low up and down we go put myself too close got burnt night tones it feels like i'm sinking in the dead sea don't we care the space inside us so empty it's like it's over before be gone this song is over now so was i want

拉动离开我的蒙眼的布和你仅仅也寒气你展示我真实朋友当作婴儿般对待i那样那样你有能力也打电话我沿着按自然规律你知道你得到我仅有变为极端和i不能相信它和做不知道什么向思考某个时候四周它非常害相思病现在它's非常生病原因他们ain't不能肯定爱你的作暗示分开和白天在中间我们还不多和i知道i感觉减免的刑期's来i认为他们留下东西被做和成为作词,天使来,但他们,左边,你,白天富人,你离开偷偷溜走,现在,听燃烧,仍然把这个倒空不能至今,我们并不说愉快饭店,汽车旅馆,它,s热在中地狱免费从我自己但现在离开用它感受到的烧过晚上音调就象我正使死了大海陷进去,我们不对就象它的在上方以前不在了,在我们里面空间那样把它的倒空介意结束现在这歌曲肯定对的,我英语老师,有事找我

Lost Good Things who love my downfall and it's just too cold you show me true friend baby i was so so you might as well call me up physically you know, you got me only into extremes and i can't believe it and don't know what to think sometime around it was so love-sick now it's so sick cause they ain't doubt love your hint is apart and the day between us wasn't enough and i know i feel good time's come i thought they stay, things are done and become word-made angels came but they left you day had you slip away listen now burning empty still this can't be but even now we're not that happy hotel motel it's hot in hell free from myself but now left with no home i want you to know i never would have all figure out that when you came now it could have been forever now it does bring me down the high now the low up and down we go put myself too close got burnt night tones it feels like i'm sinking in the dead sea don't we care the space inside us so empty it's like it's over before be gone

Lost好事 who爱我的倒台 and天气太冷的 you显示我真实的朋友 baby我那么如此 you不妨告诉我完全 you知道,您仅让我进入极端 and我不可能相信它 and不知道怎样认为在它附近的sometime很害相思病的 now它很病 cause他们不疑义爱 your提示单独的 and在我们之间的天不足够我知道的and 来临的i感觉良好的时间的 i认为他们停留,事做并且成为词做的 angels来了,但他们留给您天您滑倒的had 现在listen burning倒空 still这不可能 but现在甚而我们不愉快的那 hotel汽车旅馆天气热的在地狱从我自己解脱 but现在没有家 i要您知道 i不会有所有 figure,当您现在来了 it可能永远 now它带来我击倒高的the低落我们上上下下现在去 put太紧密得到被烧的夜定调子 it感觉象沉没于死海的i'm do不我们关心在我们里面的空间很空 it象前面越过

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分,它自然张扬自然理性精神的一个窗口,然而,文学又不同于哲学,文学对时代精神作艺术化的转达,而不理性原则的直接的传声筒,十八世纪自然理性的思想养料孕育的文学中自由人性的灿烂之花,浮士德不断地向上求索,代表着永不息止的"人"的精神,"人"的精神人对于自我本体的一种释放与驾驭,挣脱枷锁之后的自由状态,对人之自然本性的还原;天真汉未曾受过"文明"浸染的个体,代表人类之原本的自然天性,在"自然"与"文明"两种异质文化的冲突与碰撞中,维系着个体独立自由的精神家园;情感本属自然的,在社会将其制度化的同时,也将其异化了,洛克莎娜在一夫多妻制下,聆听的个体心底之声,释放人之自然感情,复原自然之人性;"文明"下,个体性被剥夺,"文明"已堕入文明的对立面,拉摩的侄儿在"我"丧失的时代,捍卫了个体自我的在场性与自由性,代表了以独立个体之姿存在的"我"。

Snow is falling from the sky in the middle of July The sun was shining in my eyes again last night It all goes off without a sound, the silence is so loud Something isn't right Footsteps echo down the hall, no one's there at all Dial your number but your voice says "I'm not home" Everything is inside out, don't know what it's about It keeps getting Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah Going for a walk outside, to see what I can find No reflections in the window as I pass by It feels hotter in the shade, water running from the drain Something going on Coversations with a mime,(?????????alguem sabe) Imagination must be working overtime The world is upside-down, everything is turned around It keeps getting, Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah By the time I reach your door, I can't take any more I just happened to be in your neighborhood I'm the one who gets surprised, I Don't believe my eyes Your alibi's no good.

从空中向下,在7月中旬阳光明媚,在我的眼睛再次昨晚它一切顺利起飞,没有一个健全,沉默如此响亮东西不正确的脚步声回波下来大厅,没有人的存在,在所有拨打你的电话号码,但你的声音说:"我没有家"一切都里面出,不知道这什么,它的约它总陌生的,一天陌生的,一天它总有陌生人一天陌生的,一天,啊要设立一个走在外面看到有什么我可以了解没有思考,在窗口我擦肩而过它感到热,在阴凉处,水从排水管一些正在进行 coversations与默剧,)想象力必须超时工作世界倒置式的,一切扭转它总,陌生的,由天陌生的,由天它总由陌生人一天 stanger由一天,啊由那时,我到达你的门,我不能采取任何更多我只刚巧在你的周边环境我一个谁得到惊讶,我不相信我的眼睛你的不在犯罪现场的任何好处。

He held the register open while he counted her change I was next in line which meant I was invisible From where I stood I could see that the till was full He didn't look the type to play superhero So I stepped forth and paid for my cigarettes Crept out the stores front door to chase a little breath Fangles in my head, shake the song off Another manic Monday night, its gonna be a long walk A car pulled up, a fixed up cutlass A woman and a child climbed out and left it running They went inside of the deli, placed an order With the extra dollar fifty bottled water cuz the daughters picky When they came out mommy gave me a glance That said man can love an angel but he's got to take the chance Already knew the deal, I lit one up and walk So they got back in the oldsmobile, belted up, and took off Thug love on the corner by the walgreens Lookin at me like I'm just another square saltine As I get closer I notice that they showin each other sketches Out of their notebooks, reminded me of my old roots I walk pass with a nod and a reminisce Swear to god hip hop and comic books was my genesis Respect the life and the fashions of the children It's the only culture I've got, exactly what we've been buildin All of a sudden I'm in front of some man No he's a youngin but he's got a gun in his hand He looks fifteen, he looks frantic, no he looks afraid Immediately apprehensive til I heard him say "Do you want this It's not mine I promise I found it on my block in between a couple garages Didn't wanna leave it for a child to stumble over I don't even know how to hold it."

当他计数了她的变动时,他拿着记数器开放 I意味的下一个我无形的我站立我的From可能看直到充分的 He没有看类型演奏超级英雄 So我跨步并且支付了我的香烟 Crept追逐一点呼吸的商店前门在我的头的Fangles,摆脱歌曲 Another狂躁星期一晚上,它去长的步行 A汽车开了过来,被固定短箭 A妇女和孩子爬和留下它跑 They去在熟食店里面,安置命令 With额外美元五十装瓶了水cuz女儿好挑剔的他们来妈妈的When给了我扫视 That说人能爱天使,但他一定采取机会 Already知道成交,我打开了一和步行他们在oldsmobile拿回,围绕的So,和离开了在角落的Thug爱由walgreens 在我的Lookin,如我另一块方形的撒盐饼干 As我得到更加紧密I通知那他们showin剪影在他们的笔记本外面的,被提醒我我的老根 I与点头和追忆的步行通行证对神Hip Hop和漫画书的Swear我的创世纪 Respect生活和孩子的时尚 It我有的唯一的文化,正确地什么我们buildin 突然我在某些人前面 No他youngin,但他有在他的手的一杆枪 He看十五,他看起来狂热,没有他看起来害怕惶惑的Immediately,我听见他说"您想要它不我的我许诺的此 I发现了它在我的在夫妇车库之间的块 Did不想要留下它孩子的能绊倒 I甚而不会举行它。"

It Might be You》 Sung By "Stephen Bishop" Time I've been passing time watching trains go by All of my life Lying on the sand, watching seabirds fly Wishing there would be Someone waiting home for me Something's telling me it might be you It's telling me it might be you All of my life Looking back as lovers go walking past All of my life Wondering how they met and what makes it last If I found the place Would I recognise the face Something's telling me it might be you Yeah it's telling me it might be you So many quiet walks to take So many dreams to wake And we've so much love to make Oh, I think we've gonna need some time Many be all we need is time And it's telling me it might be you All of my life I've been saving love songs and lullabies And there're so much more No one's ever heard before Something's telling me it might be you Yeah, it's telling me it must be you And I'm feeling it'll just be you All of my life May be it's you May be it's you I've been waiting for all of my life

可能你演唱者:Stephen Bishop 我一直经过时间看火车经过我的全部生活躺在沙子上,看海鸟飞行愿会有某人为我在家等候某事告诉我它可能你它正在告诉我它可能你我的全部生活向后地看如爱人去步行过去我的全部生活觉得奇怪他们如何遇见和什么使它最后如果我发现地方我会承认脸吗某事告诉我它可能的它正在告诉我它可能的,它正在告诉我它一定你而且我正在感觉它将会仅仅你我的全部生活可能你可能你我一直等候我的全部生活

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推荐网络例句

Do you know, i need you to come back

你知道吗,我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书,王祥生,李德昌。安徽省首次发现嗜群血蜱。

Chapter Three: Type classification of DE structure in Sino-Tibetan languages.

第三章汉藏语&的&字结构的类型划分。