明暗

Leng Hong compliments his use of single plane distortion with chiaroscuro, creating depth with plays of light and shadow.

同时冷宏还运用明暗对照法进行了平面扭曲，从而通过光影的变幻创造了作品的景深。

Chiaroscuro is the painter s solution for shaping objects from the darkness, wielding one to conjure the other.

明暗法是画家为了处理物体光影，突出同一物体不同面而采取的一种手法。

But it is clear that he initially painted in a realistic manner and was influenced by the dramatic chiaroscuro of Caravaggio or his followers.

但是很显然拉图尔最初的写实风格和明暗光影造型均受到卡拉瓦乔及其追随者影响。

A detail of a Rembrandt portrait illustrating the technique of chiaroscuro.

一幅林布兰肖像画的局部显示了明暗对照的绘画技术。

To them, the west sought too much to render 'the external appearance and relief of forms', and they rebuked westerners for exaggerated use of light and shade in their continual striving after effect in perspective and chiaroscuro.

对这些画论家来说，西方的艺术太「著重事物的外观和立体表面」。他们批评西方的画家因为受透视法和明暗对照法这两种理论影响，把画面的光度和阴影层次过度夸大。

This new internal environment offers an architectural and sequential chiaroscuro to the external strip-mall type reality and prepares the visitor for practice of inward meditation and contemplation.

这个新的室内环境提供了一种建筑上的连续和对外部典型建筑的明暗搭配，同时为游客准备了实践和沉思冥想的空间。

His transposing of traditional ink painting techniques and composition onto canvas meant the retention of large areas of white, unpainted ground, and a fluid use of the line, without recourse to the classical perspective and chiaroscuro of traditional western academic painting.

他将传统的水墨画作法和创作转换到油画画布上，表现为保留了大片的留白、没有画出的质地和线条的流畅运用，而不借助于西方学院派的经典性透视法和明暗法的绘画技巧。

The studies of still-life objects and the nude human figures use the whole range of Western Renaissance techniques, including linear perspective and chiaroscuro to present the figures in the space defined by the walls of a room.

他的静物及人体写生显然使用文艺复兴时期的绘画技巧，包括以焦点透视和明暗变化来表现处于三度空间的物体。

After the painter set the lines down on the paper, he used watercolor wash techniques to achieve a chiaroscuro effect of light and dark, representing the forces of "yin" and "yang", to express his grasp of the eternal quintessential nature of of his subject.

画师在纸上打好线条以后，就采用水彩画的技巧达到代表阴阳的明暗交织的水墨画效果，表达他对其主题永恒精粹本质的把握。

Neo-classical paintings cultivated sharp colors with Chiaroscuro .

新古典主义绘画培养出了色调鲜明的明暗对照法。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失