明天

Don't ever drop the curtain on tomorrow.

不要为明天闭幕。

Don't ever drop the curtain on tomorrow!

不要降下明天的窗帘！

I'll drop in on him tomorrow.

我明天去看望他。

I will drop a line to him tomorrow.

我明天会写封信给他。

Today, I drunkenly made out with my 65 year-old married female boss. I'm a 21 year-old male intern. I have a feeling work will be awkward tomorrow. FML

今天我喝醉了，然后把我的65岁已婚女老板干了……我是一个21岁的男实习生……我有预感我明天的工作将会很尴尬…… FML

In that case, I suppose I could ask the dry-cleaner to clean up the spots for the moment, and have it well pressed.

如果那样的话，这样吧，我让干洗员把污点清除掉，再把它熨好，这样您明天就会准时拿到它了。

If I bring in my suit for dry-cleaning, is there any chance of it being ready by tomorrow?

如果我把衣服拿来干洗，明天可以拿得到吗？

I'm feeling better than yesterday, but it is dubious that I can go to school tomorrow.

我感到自己比昨天好多了，但是我是否明天去上学还是不确定的。

I ' m feeling better than yesterday, but it is dubious that I can go to school tomorrow.

我感觉比昨天好的' m，但是它是可疑的我明天能去上学。

Although I'm a duckling today, tomorrow I'm a swan.

虽然今天我是一只小鸭子，明天我会是天鹅。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。