时间上的

As to the problem of the time needed for an airplane to start from Beijing,fly over arctic pole,and reach Detroit,this article discusses how much time can be saved in the models that established in the article in comparison with the original flight route.

本文对"飞机从北京出发、飞越北极直达底特律的所需时间，可比原航线节省多少时间"的问题进行讨论，并将航线选择归结为寻求曲面上的最短弧。

The last three joints of PБ-211 robot are controlled by symmetric valve controlling asymmetric cylinder system.

由于对称阀控制非对称缸两个运动方向上系统的开环增益及某些参数的不同，使得两个方向上的动态特性不对称，主要表现在超调量、调节时间、振荡次数和稳态误差等几个方面，这种本质上的非线性和非对称性给系统控制带来困难。

The author regards the latest time sub-series as the information collection of the time series. Basing on this point of view, the author proposes a new time-series data mining approach based on its time-series trending structure series.

作者认为最近时间子序列是时间序列的信息聚集器，在此基础上，提出基于时间序列的趋势结构序列的时序数据挖掘方法。

But the Chinese belongs to the multi-direction time custom country, has the very big capriciousness in the time use, generally will not look like the westerner such strictly to carry on according to the plan, the westerner often felt regarding this will not adapt.

而中国人则属于多向时间习惯的国家，在时间的使用上具有很大的随意性，一般不会像西方人那样严格的按照计划进行，西方人对此往往感到不适应。

With her point of view clearcut, Lokhart choses to confine herself to one place, one space in time: the lunch break of the workers, who sit opening their lunch boxes all the way along an interminably long corridor midst the machines, is filmed in a single, slow motion travelling shot.

Lokhart决定将自己现在在同一时间内的一个空间内，就是电影中用一个缓慢的移动镜头所拍摄的场景|：员工们的午餐时间—坐在机器之中长长的走廊上，打开饭盒开始吃饭。

Delta function is a deliberately defined mathematical tool for analysis, which is devoted particularly to illustrating of the physical model of points distribution, and which is widely applied to analyze the high concentration of quality and energy on one point in space or in time in physics.

δ函数是人为定义出来的一种分析工具，正因为它在数学上的简单性，才导致了它在物理上被广泛应用于研究质量、能量在空间或时间上高度集中的各种物理现象。

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第一个帮你包装，您有很多的优点，你的照片上不能反映出来的，您直接给对方讲出的话，不好意思表达出来，由我们的红娘网站对您进行宣传，达到你的愿望，第二个问题，比如说你有一个问题不好问，比如说一个女孩子看上了一个男孩子，这种问题，有自己的主屋，这种问题一开始不好问，通过我们的网站帮您打听，双方约会完了以后，通常不知道对方怎么，主要的服务是电话服务主要是这方面，我们的群体是在25岁至45岁的白领，最主要的是他们的时间非常的宝贵，我们的服务针对两点体现的服务是体现了两个问题，第一个是节省了他们的时间，使得他们不要花大量的时间，花好几个小时参加这些活动，如果你性格如果比较腼腆的话，只有两三个人对你进行打听，我们用红娘网站服务的话，进行一对一的服务，提高你的匹配的效率，我们每天的新增会员有两万新增会员，我们的收入的增长速度非常快，我们是第一个的红娘网站的，现在我们不能讲具体的数字，我们每天的收入是我们三家最大的竞争对手加起来的总和还要高，我们和其他的互联网站一样还没有盈利，我们的收入的增长速度很快，我们会成为中国第一家盈利的互联网站。

This result indicates that WT1 gene plays an important role in differentiation and development of fetal kidney and may be the factor that promotes metanephric blastemal cell to differentiate into epithelial cell.

结果显示小胎龄肾组织中WT1蛋白在胚基细胞和幼稚肾小球细胞核表达而大胎龄组肾组织中WT1在肾小管细胞胞浆表达，阳性率分别为57.1％(8/14)和46.2%(6/13)，提示WT1基因在胚胎肾分化发育的过程中起着重要作用，WT1蛋白可能是促进后肾胚基细胞向上皮细胞分化的调控因子，其表达在时间上和空间上都受到严格的调控，WT1的表达异常可能导致胚基细胞分化停滞。17例肾母细胞瘤WT1蛋白表达阳性率为41.2%(7/17)，阳性部位在胚基型和上皮型肿瘤细胞核，表达部位和阳性率与早期胚胎肾相似，其中间质型肾母细胞瘤均为阴性，胚基型和上皮型肾母细胞瘤阳性率70%(7/10)，两组间阳性率有显著差异。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

We use O(n2) processors in the study. By combining the characteristics of PARES and improving the methods of [14][15], we are able to derive constant-time algorithms for this problem.

关於环弧图上的支配问题，以前尚未有人在常数时间内解决，即使是在理想的PRAM模型上也是如此，在本论文中，我们改良Yu[14][15]中提到的相关演算法，然后再自行发展出一套理论，并且将之推广至可重组态汇流排之处理器阵列模型上。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。