时常的

I chose to go by train every time I went to the city only to gain an immediate sight of the Lake upon leaving the train, so pure, so broad and so tranquil… what a sight! Even seen afar, the grand and mistful surface of the lake is enough to rid me of any tiredness of the journey, washing away the dust over my heart! Really enjoy the dear, warm feeling at the sight of the lake, easily got drunk while immersed into the damp, warm air around the lake, it seems that my whole body has been melted away in the green shade and the brilliance of the lake

因此，每次去这座城市，我都坚决要坐火车，只是因为一下车就能看到清亮开阔平静的玄武湖，远远望去，那一大片氤氲浩渺的湖面足可洗却旅途的劳顿，涤清时常蒙尘的心灵；很喜欢看到玄武湖那种亲切温暖而熟悉的感觉，就连下火车时扑面而来的温润潮湿的气息都令我沉醉不已，仿佛整个人都已溶入那湖光绿荫中。。。。。。

That face making me at ease let me focus self attention often appears in the dream , my effort seeks that face in person tide, but, being that some are ugly but dirty face that our saw, I have felt that nauseously from in the heart , that paragraph, the unreal sum has been flourishing , I have seen a pair of the wing dodging to be able to let me fly that nightmare and the flower are being deduced among more than primary feeling at ease in me!

梦中时常出现那张让我安心让我凝神的脸，我努力的在人潮中寻找那张脸，可是，我所看到的都是一些丑陋而肮脏的面孔，我从心里感觉得恶心，梦魇和花不止一次的在我的安心中演绎着那段虚幻和繁华，我看见了一对让可以让我飞翔的翅膀！

One class of contracts, in which the plighted faith of the contracting parties was the only material ingredient, they specifically denominated Contracts juris gentium, and though these contracts were undoubtedly the latest born into the Roman system, the expression employed implies, if a definite meaning be extracted from it, that they were more ancient than certain other forms of engagement treated of in Roman law, in which the neglect of a mere technical formality was as fatal to the obligation as misunderstanding or deceit.

喜爱研究的人们在目前所乐于从事的工作，以及答复我们祖先对社会状态起源所持纯理论的工作，是对现在存在和在我们眼前活动的社会进行分析；但是，由于缺少历史的帮助，这种分析就时常退化而成为一种徒然是好奇心的活动，并且特别容易使研究者不能理解和他所习见的有很大不同的社会状态。

In June rain sometimes shades her band of daylight as with pencil hatchings. The path grows slippery with mud, and umbrellas collide. Sudden jets of water from spouts overhead splash on her startled pavement. In her dismay, she takes it for the jest of an unmannerly scheme of creation.

六月里，阵雨仿佛在用铅笔画出的影线，时常把她的一线天涂成暗色；这小巷变得泥泞滑溜，雨伞互相碰撞；头顶上那水流管的喷口处雨水奔涌而来，溅泼到她的惊愕的路面上，在惊恐之中，她把这一切当作用欢快的戏谑来进行无拘无束的创造。

The expression of performance requires some united systematic variations from the score, so this trend of exactness, evenness has gradually restricted the artistic creation. From the aspect of tradition, most of the performance conventions such as tempo flexibility, independence of melody and accompaniment, tenuto and agogic accent, over-dot, under-dot, notes in gales and unwritten arpeggiation etc. have a long history and they are usually part of the composer ' s expectation.

由于音乐表演的表现力因素必然要求演奏相对于乐谱有一定偏离，因此这种精确化、规整化的趋势从科学角度来看实际上是逐渐限制了艺术创造的基本空间；而从传统角度来看，诸如速度弹性、&旋律自由而伴奏保持严格速度&的声部错位、时值缓急重音、过符点、欠符点、不平均音符、和弦的琶音处理等演奏惯例大都具有久远的历史，时常是创作阶段完整艺术构思的一部分。

The expression of performance requires some united systematic variations from the score, so this trend of exactness, evenness has gradually restricted the artistic creation. From the aspect of tradition, most of the performance conventions such as tempo flexibility, independence of melody and accompaniment, tenuto and agogic accent, over-dot, under-dot, notes inegales and unwritten arpeggiation etc. have a long history and they are usually part of the composers expectation.

由于音乐表演的表现力因素必然要求演奏相对于乐谱有一定偏离，因此这种精确化、规整化的趋势从科学角度来看实际上是逐渐限制了艺术创造的基本空间；而从传统角度来看，诸如速度弹性、&旋律自由而伴奏保持严格速度&的声部错位、时值缓急重音、过符点、欠符点、不平均音符、和弦的琶音处理等演奏惯例大都具有久远的历史，时常是创作阶段完整艺术构思的一部分。

On a purely surface level, his sound seems to be all about his voice, which often reaches a fragile, breathy register, as if his body is so exhausted with emotion that the lyrics must leak out.

在纯粹表象的层面上，他的声音似乎完全是自己的嗓音——那种时常到达脆弱的、带有气声的音域的嗓音。似乎他的身体由于情感的展现变得精疲力竭，以至于歌词必须被泄露出来。

In the series of 'Utopia', the artist himself quite often appears in the great and canonic scenes we are so familiar with, and the buildings and statues around the Tian An Men Square are symbolically represented not for the interest in these things, but for creating an aura, a heroic circumstance.

在《乌托邦》系列作品中，艺术家个人时常出现在我们熟知的&伟大&的、&经典&的画面里，而天安门广场周围的建筑物和雕塑被象征性地写实出来不是出自对这些具体物的什么兴趣，而是刻意强调出一种氛围，一种自我的英雄主义氛围。

For a start, via modified Boyden chamber invasion assay, we found that twenty-six Chinese medicinal herbs can suppress A549 cell invasion. In this twenty-six Chinese medicinal herbs there are six Chinese medicinal herbs without toxicity, including Davallia mariesii Moore, Phyllanthus urinaria, Prunella vulgaris, Selaginella tamariscina, Viola yedoensis and Terminalia catappa. Based on that tumor metastasis are accompanied with proteolytic degradation of the extracellular matrix and changed cell motility.

首先藉由modified Boyden chamber invasion assay，发现有26种中药具有抑制A549侵入的能力，其中有骨碎补、叶下珠、夏枯草、卷柏、紫花地丁、榄仁树的叶等6种中药不具有细胞毒性，而当癌细胞转移时常常会伴随著细胞外基质的分解及细胞移动能力的改变，在gelatin zymography与casein zymography assay中也发现到它们可以抑制A549人类肺癌细胞的MMP-2及u-PA的表现。

The Chinese people are always hoping that the world is at peace and people of all nations will coexist friendlily.

时态有时可以体现一种感情因素，特别是进行时的使用，比如在第一个例子中现在进行时的使用体现出对中华民族的一种褒扬、赞美的口吻，翻译出了这句话的&精、气、神&，最后一个例子中过去进行时时常表示一种&特有的行为&，通常是偏向于negative的口吻，所以我们发现这句话十有八九是美国人自己写的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。