时常的

He often with a pair of glasses, in his eyes full of harsh and my infinite love.

他时常带着一副眼镜，在他的眼里充满了对我的严厉和无限的关爱。

In this sense, to represent pathos is to re-play history.

我们在作品中找到的是一种人的心理，时常也就是一个时代的心理。

His music is full of emotions backed with state-of-the-art technique, often treated with percussive arrangement.

凭借超群的技艺和时常伴以打击元素的安排，他的音乐充满动感。

Because you don't know what's permissible within the relationship and what's not, you're constantly on your toes.

因为你不知道在这样的关系中什么是允许的，什么是不允许的，所以你时常要保持警惕。

He was at ease with his often dogmatic petulance, unburdened by the world's acknowledgment of his luster.

他对自己时常发作的固执的小脾气不加掩饰，对世界对他光芒的赞美浑不在意。

In the ocean there was an abundance of minute and translucent, often phosphorescent, beings

在海洋里有极多微小的半透明的时常发出闪闪磷光的东西。

Or, maybe there are more negative feelings, such as possessiveness, clinginess or jealousy involved?

或者更糟糕的，例如被对方操纵的感觉、粘在对方身上就松不开的感觉，甚至时常吃醋，这些感觉你有经历过么？

So, it did swallow many of the beasts of prey on earth that also harrassed people and their domestic animals from time to time.

因此，它吞下了许多猛兽在时常也扰乱人和他们的家畜的地球上的。

In America, the church, the army, and the upper class are often ridiculed for priggishness stemming from religious faith or consciousness of rank or class.

在美国，教会、军队，还有社会的上层人物，受宗教和等级观念制约，时常犯有假正经的毛病，所以就成为嘲讽的对象。

This often means that a reader does not have a second language and a pure culture of a particular text's ability to understand, is a cognitive system and the lack of relevant content point of view.

这时常意味着一个第二语言读者并不具备以纯正而特定的文化去理解文本的能力，是一种与内容认知体系缺乏相关的观点。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。