时基

But, however serviceable I might be, I found that my services became every day of less importance, as the other hands improved in their business; and, when Keimer paid me a second quarter's wages, he let me know that he felt them too heavy, and thought I should make an abatement. He grew by degrees less civil, put on more the airs of master, frequently found fault, was captious, and seemed ready for an outbreaking.

但是无论我怎样的勤劳，我发觉我的工作日益减轻了，而其它工人的工作却增加；并且当基梅尔把我的第二季工资付给我时，告诉我他觉得工资太高了，认为我应该主动减低点，他对我愈来愈不客气，也逐渐摆出一副老板的神气，常常鸡蛋里挑骨头，强词夺理，好像随时要和我吵架似的。

In general, a frame is"overcomplete"than a basis, which makes it have numerical stability.

一般地，小波标架比小波基具有&更多&的元素，这使得它用于信号分析时具有数值稳定性。

When the aldehyde content of DAC is 50%, the best absorption capacity of oxycellulose for urea can be achieved.

氧化纤维素醛基质量分数为50%时对尿素氮的吸附性能最高。

Taking N205 as surfactant, sulfonic acid as carrier, liquid paraffine as membrane intensifier, kerosene as membrane solvent and hydrochloric acid as well as sodium chloride as aqueous internal phase.

研究了以N205为表面活性剂，磺酸基络合剂为流动载体，液体石蜡为膜增强剂，磺化煤油为膜溶剂，盐酸加氯化钠为内水相的乳状液膜在湿法磷酸体系中捕获镁离子时的稳定性。

The stability of LEM served in magnesium ion extraction under the circumstance of WPA is studied. Taking N205 as surfactant, sulfonic acid as carrier, liquid paraffine as membrane intensifier, kerosene as membrane solvent and hydrochloric acid as well as sodium chloride as aqueous internal phase.

研究了以N205为表面活性剂，磺酸基络合剂为流动载体，液体石蜡为膜增强剂，磺化煤油为膜溶剂，盐酸加氯化钠为内水相的乳状液膜在湿法磷酸体系中捕获镁离子时的稳定性。

Xie Ge is qualitative, elliptic or written complaint pouring egg is chief circle, long 4-8(-12) centimeter, wide 1.8-4.5 centimeter, xian Dun knife base level of ministry wedge margin is provided toothed, two sides is not had slippery without wool; Petiole grows 3-7 millimeter, beautiful sheet is born or 2-4 composition gives birth to cyme white, diametical 2.5-3.5 centimeter, have sweet smell, millimeter of peduncular long 6-10, issue a turn; Sepal 5(6), circle, the constellation when fruit is put; Petaline 7-8(-9), broad look pouring egg or circle; Stamen is most, outside annulus filament is accrete into short canal; Ovarian 3 rooms, outside by wool, style is topmost 3 crack.

叶革质，椭圆形或倒卵状长圆形，长4-8(-12)厘米，宽1.8-4.5厘米，先钝刀基部楔边级具锯齿，两面无滑无毛；叶柄长3-7毫米，花单生或2-4组成生聚伞花序白色，直径2.5-3.5厘米，有香气，花梗长6-10毫米，下弯；萼片5(6)，圆形，果时宿存；花瓣7-8(-9)，宽倒卵形或圆形；雄蕊多数，外轮花丝合生成短管；子房3室，外面被毛，花柱顶端3裂。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

One of these compounds, 2-diethyl- aminoethyl-5--(4-methoxybenzylidene) cyclo- pentanone hydrochloride (T81) possessed sig- nificant antiinflammatory and analgesic ac- tivity when administered orally.

Ⅲ类化合物完全无抗癌活性，对其中一个化合物2-二乙胺乙基-5--（4-甲氧基苯亚甲基）环戊酮盐酸盐（T81）试验结果表明，它经口给药时具有显著的抗炎、镇痛活性。

The ARFGAP3 is a cytosolic protein and concentrated mainly in the perinuclear region when it is overexpressed in mammalian cells.

ARFGAP1分布于细胞质中，当表达量高时在核周聚集成团块状、颗粒状，并聚集在高尔基体上发挥功能。

The experiment makes clear, should wear mine size - 0.074 mm is occupied 95%, ore pulp chroma is 30%, ph value is 7, catch receive a dose (huang yao of fourth ammonium black medicine and butyl presses 1 ∶ 1 make up), activator , dispersive agent 6 slant phosphori

实验表明，当磨矿粒度-0.074 mm占95%、矿浆浓度为30%、ph值为7.0、捕收剂(丁铵黑药和丁基黄药按1∶1配制)、活化剂、分散剂的用量分别为240 g/t、800 g/t、800 g/t时，粗选铜的回收率为64.65%，粗精矿铜的品位达到4.54%。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。