时代精神

Since then, the official Chinese media has started regurgitating the coarse anti-India rhetoric of the Mao Zedong era, with one commentator this week warning New Delhi not to forget 1962, when China humiliated India in a 32-day, two-front war.

此后，中国官方媒体开始重新宣传毛~泽~东~时代那些粗制滥造的反干涉他国内政的观点，并在这周一位新闻评论员公开警告新德里不要忘记1962年，在那场32天的战争中，中国用一往无前的胜利从肉体到精神上都极大羞辱了印度。

This paper, following the characteristics of time, elaborates layer upon layer, from classical formula of Disney animation to subverting modernity.

在分析文本特征时，本文结合时代特征，从经典的迪斯尼动画文本配方，到后现代精神的显现，层层深入地进行论述。

The fragmentation of businessmarkets, of social mores, of spiritual beliefs, of ethnicity, and oftruth itself into tinier and tinier shards is the hallmark of this era.

商业市场、社会习俗、精神信仰以及种族划分和真理本身的残片分裂为越来越细小的碎片，构成了这个时代的特征。

There were also real herotic comedies and extolled comedies,the sad in the happy,and the happy in the sad,there was aesthetics style in the tragicomedies,it was a group of people with the aid of characters from the plays to give vent to their sad feelings,it was a art shape of dramatists who were at the bottom of the society at that time,those were the impacted sparks of the dassic.

从戏剧美学的角度观照，元杂剧三国戏中有典型的英雄悲剧，也有真正的英雄喜剧与歌颂喜剧，并且能悲中寓喜，喜中有悲，具有悲喜交集的美学风格，这是那个时代士人群体沉郁苦闷的人生悲剧借助历史人物的心理宣泄，是元剧家们在沉入社会下层的人生境遇中所吸取的民间三国故事中孕含的富有理想色彩的乐观主义精神的艺术投影，是经典文化与大众文化相碰撞的火花在元代文化土壤结出的艺术果实，这种美学风格大大扩展了元代三国戏的审美张力，也增加了其文化意蕴与审美价值。

In ancient prose times, it plays positive effect to the development and process of one nation, with instructing the behavior and forming value of people. It still brings into play of standardizing life and unifying education in modern times, and it implies profound pedagogy significance,embodying five facets, that is, helping to the cultivation of ethos, favoring the advance of the moral ambit, bearing the sole teaching means, vailing the medium of diffusing traditional culture, including of educational folk-custom.

不仅在古文明时代，对一个民族的发展和进步起着积极的作用，用以指导人们的行为举止，形成人们的价值观念；即使在现代文明社会仍然发挥着规范人生和统一教化的作用，蕴涵着深刻的教育学意义，体现在五个方面的：有助于民族精神的培养、有利于道德境界的提升、是具有独特教化手段的教育资源、是传统文化传承的媒介、包含丰富的教育民俗。

Our correspondents are moving with the spirit of the times.

我们的通讯记者为这个时代的精神而感动。

He followed the theory of his predecessors while combining it with the spirit of the new era.

他祖述了前人的理论，同时结合了新时代的精神。

As to some particular charges of Leo XIII (1884) challenged by Freemasons, eg, the atheistical character of Freemasonry, it must be remarked, that the pope considers the activity of Masonic and similar societies as a whole, applying to it the term which designates the most of these societies and among the Masonic groups those, which push the so-called "anti-clerical", in reality irreligious and revolutionary, principles of Freemasonry logically to their ultimate consequences and thus, in truth, are, as it were, the advanced outposts and standard-bearers of the whole immense anti-Catholic and anti-papal army in the world-wide spiritual warfare of our age.

至於一些具体的指控利奥十三世（ 1884年）济提出质疑，如无神论性质的共济会，必须指出，即认为教宗活动的共济会和类似的社会作为一个整体，运用它的任期指定大多数这些社会之间以及这些团体共济会，这推动了所谓的&反文书&，但在现实中非宗教和革命性的，原则的逻辑，以济其最终的后果，因此，真理是，因为它是，先进的前哨基地和标准承担整个巨大的反天主教和反教皇的军队在世界各地作战的精神我们这个时代。

In an increasingly prosperous times, YS'B embodies natural beauty and purity of the spiritual world, in the past, memory, and diverse culture.

在日益繁华的时代，YS'B体现的是自然美以及纯洁的精神世界、以往的记忆、多样的文化。

From the angle of the connection between the conciousness of life and primitive rock carvings , this thesis synthesize multi-subject just aims to explore how primitive rock carvings is ever so often influenced by the conciousness.

本文从生命意识与原始岩画艺术关系的角度，运用多学科交叉综合运用的方法探讨和分析中国岩画在原始时代自然崇拜——图腾崇拜——祖先崇拜这数千年历史演进过程中，生命精神的流动对岩画艺术观念和岩画艺术表现的制约作用，及对后世中国画创作的影响。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。