时代精神

The ready acceptance of relativism might be a symptom of an unhealed spiritual disorder of the age.

仅仅发生于人文领域内部的人文精神讨论，既是道德理想主义的回复，同时也是作为某种生存姿态的相对主义的回潮。对相对主义的直接认同本身就是这一时代缺乏自愈能力的精神症候的典型表现。

History is the memory of a nation, it shined through the hardest times with unwatchable beauty.

历史是一个民族精神的记忆，它们曾经在竭蹶的背景，风雨交加的时代下彰显和平时代所不能目睹的灿烂。

They consciously inherit the spirit of Confucian and comply with the society, their poetry reflects the reality and express their vision. Although affected by the depressible society, their poetry reflects heroism and frankness, which is different from the characteristics of their times. They devoted their lives to politics, but they have many unique understanding and insight in literature.

他们自觉继承儒家积极入世精神，用诗歌反映现实、抒发胸怀抱负；他们的诗歌虽受当时日渐消沉的时代意气影响，但却体现出与时代特色不相一致的豪迈爽朗之气；他们一生热衷于在政治上有所作为，但在诗文创作上又有许多独到的认识和见解。

This article is divided into four parts: The first part is introduction, summarizing the avant-gardeliterature's ideological trend,context backgrounds and the emphatical andenergetic atmosphere. From this we grasp his creations, the specialcharacteristics, combing around his two times in the theme and the stylestyle.This period is "the false form", entering the later period of "thereality ".

本文共分四部分：第一部分引言，着重简述先锋文学思潮的时代背景和精神氛围，由此把握余华小说创作的精神特质，并梳理出他前后两个时期在创作主题和风格上的风貌及其变化，即告别前期&虚伪的形式&，进入后期&现实的生活&。

The natural scenery became revolutionary scenery and was soon formatted. Since the degeneration of modern aesthetic standards, the inundated poetic characteristics piled into a Eutopia of aesthetic.

现代审美精神沦丧以后，诗情泛滥堆砌造成的审美乌托邦真实记录了中国20世纪的诗性浩劫，记录了一个审美感知的无痛时代和无性时代。

The specific time background creates the disposition special characteristic and the energetic illusion, it doesn't make Liu Ren become slowly in the artistic feelings strength, reception and the creativity, opposition, in her work reveals suddenly regarding the new media art fabulosity narrative structure assurance, is testimony which the society and the time entrusts with her profoundly to experience.

特定时代背景造成的性格特质和精神错觉，并没有让刘韧钝于艺术的感触力、接受力和创造力，相反，她的作品中突显的对于新媒体艺术的寓言性叙事结构的把握，是社会和时代赋予她深刻体验的见证。

What is depicted in the novel is the life in the Australian bush at the end of the nineteenth century, but the feministic ideas and the rebellious spirit the author conveys go far beyond her own country and her times.

小说描绘的图景是一百多年前澳大利亚的丛林生活，但它所反映的女权主义思想和叛逆精神远远超越了它的国度和时代。作为澳大利亚女权运动的先驱，迈尔斯弗兰克林远远走在时代的前头。

Nonlocal mind -- mind that is boundless and unlimited - is the hallmark of Era III.

非局限的心／精神－－－心／精神是无限的，是不受限制的－－－是时代3的显著特征。

In North America and Siberia, shamanic traditions dating back to the stone age recognized the special spiritual powers of those men and women drawn to same-sex love, as we still see in the Native American two-spirit tradition, which survives to this day.

在北美洲和西伯利亚，一直可以追溯到石器时代的萨满教传统承认有某种特殊的精神力量吸引着男性和女性发生同性爱情，正如留存至今的美洲土著人两种精神的传统那样。

A generation after that, Immanuel Kant argued that human beings could never know reality as it is in itself but only their own mental representations, but, since these representations had a common source, each person's experiences were coordinated with the mental representations of all the others to produce what he called the phenomenal world.7 In the early Twentieth Century, the founder of phenomenology, Edmund Husserl, was more solipsistic.

有一个时代过去，康德争辩说一个人永远无法靠自我的精神表现知道真实，但是，这些表现都有一个共同的源头，每个人的经验都和其他人产生的精神表现同等，我们叫那知觉世界。7 在12世纪早期，现象学的创始人，埃德蒙特·胡塞尔，更为自我中心。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了