时代精神

Basing on the analysis of the spiritual symptom of the contemporary technological society, this paper maintains that reinterpretation of the contemporary social ideal is an important task as well as the value of philosophy in the era of technology.

通过分析技术时代的社会精神症候，导出社会理想的话题，提出对当代社会理想的重新理解和诠释是哲学在技术时代的一项重要任务和价值所在。

SeeCoo Culture Organization is a mine of information about seeing. We are excavators as to immense image world, disseminators as to pioneer vision nowadays, practitioners as to operating professional books base on professional eyes, executors as to editing wonderful books for readers, subverters as to rubbishy visions in flippancy days, explorers as to cultural spirit of books, idealists as to demonstrating the charm of books when few people maintains reading.Now is a time full of Multiple values, so we are often perplexed by confusion and disorder of the aesthetic world.

视库文化机构是读图时代的"看"的知识宝库，是浩瀚图像世界的发掘者，是当今新锐视觉的传播者，是用专业眼光做专业书籍的实践者，是为了读者需求做好书的执行者，是浮躁年代垃圾视觉的颠覆者，是寻找图书文化精神的探索者，是书籍旁落的时代仍执著于展现书籍魅力的理想者……在赞叹价值多元的同时，往往也会困惑于审美世界的混乱无序。

The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.

本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。

Nowadays, what human being long for in their hearts are those great arts, which can play greater supportive roles in people's lives, which can reflect the confidence and the great psychological behavior and the relatively bright value part of human being. The art in the 20th century simply expressed the schizophrenia, mania, uneasiness and vacuity as well as insignificant depiction of personalization. This kind of art has serious deficiencies and limitations. Should the 20th century be proud of schizophrenia and self-torture? Should the 20th century use a narrow language to cope with art achievements of the past thousand years?

在这个时代，人类内心渴望的，就是这些伟大的艺术，她能够在人们的生活之中起到更大的支撑作用，艺术依然能够反映人类所应有的那种自信、伟大的心灵生活以及人的所有比较光明的价值部分。20世纪的艺术单一地表达人的精神分裂、迷狂、不安和无聊，以及琐碎的个人化的描写，是有很大不足和局限性的。20世纪是不是应该为自己的梦呓、精神分裂、自虐等价值骄傲，以及用狭隘的个人语汇来面对几千年的艺术成果呢？

Taking the simplism spirit connotation as its theoretical basis, it is proved from two aspects that the simple design style is the corollary of design developments and the inevitable demand of the times.

并以其精神内涵为理论依据，从设计发展和时代要求的两个角度，论述了简约风格是设计发展的必然结果和时代的必然要求。

She creates the distinctive language with the color of somniloquy corresponding the above characteristics, for showing the culture atmosphere of the nightmare era and revealing the morbid psychology and the unsociable spiritual state of the people who lived the era.

与此相对应，她在小说中创造了别具一格的梦呓式的语言，以突出表现一个噩梦时代的文化氛围，揭示生活于这个时代人们的病态心理与孤僻的精神状态。

Amillennialists encounter a serious problem when they spiritualize this transitional period into the present age. They must conclude that the judgments of Revelation 6 through 19 are being fulfilled concurrently with the blessings of the kingdom age.

当者将这段「充满苦难的过渡时期」加以抽离、赋予精神上的涵义，转化成为「当今的时代」时，他们面临一个很严重的问题：即他们必需断定〈启示录〉6至19章中的「审判」和天国时代的「祝福」，二者是同时发生的。

I hope to use visualized language to probe the injuries and pains that inflict our bodies and souls, to probe the tininess of the individual and the vastness of the times. We encounter these conundrums and pressures in every era, and it seems that in our historical experience, every time we encounter massive social change and destruction, Chinese culture comes out with a shocking ability to recover, so that our spiritual roots have never totally collapsed but continued on to this day through the impermanent cycles of the millennia. Rebirth and transmutation from destruction seems to be the religion that universally connects us as a people.

我希望是用视觉化的语言来讨论我们的灵与肉的创伤和阵痛，个体的渺小和时代的漫无边际，在任何时代里我们都会遭遇这种相似的困境和压力，似乎在过去的历史经验中我们每遇重大社会变革和灾难中，中国文化总是有一种惊人的自我修复能力，才使我们的精神文脉并没有全面的崩溃，反而是在数千年无常的时间轮回中绵延至今，在幻灭中重生和蜕变似乎是我们这个具有现世宗教的民族的普遍性联系。

It's a 'troublous era' characterized by the collapse of reason and enlightenment.

20世纪是大战与恐怖的时代，人类苦难深重的时代，是"以理性和启蒙精神崩溃为特征的'动乱年代'"。

With the objective camera, the 6th generation film-makers expressed the unexpressive things through the ideas themselves, which showed a kind of post-modern spirit: an ideal time had passed and the new generation advocated the difference, freedom, multi-polarization and tolerance as this wasa world of the commoners in which people had no dreams but the innumerous spiritual debris drifting in the river of time.

第六代电影人的用客观的电影镜头，以表象自身的形式使不可表现之物表现出来，显示出一种后现代主义精神：一个理想主义的时代已经过去，新的一代推崇的是差异、自由、多元、宽容的生命态度，这是一个凡人的世界，凡人的生活没有梦想，只有漂流于时间之河的无数精神碎片。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了