时代精神

We shoud have a sober understanding, we can not indulge in immediate nihilism, and also can not abandon oneself to it, but acti

我们要对现时代"人"的生存状态和精神生活状况有一个清醒的认识，不能沉迷于当下的虚无，更不能因觉得错生了时代就自暴自弃，而是能够积极地去丰富我们自己的精神生活，去感受生命所赋予我们的意义。

Abstractor:With the world-fomous development of the Ecountry and the dramatically improvement of people's life,people's focus on human living environment has been extent from paying attention to their own houses and perfecting the guality of the surrounding to the environmental constraction of the whole communing even the whole city.

引言 人居环境所涉及的方面不仅是要满足人类对遮风挡雨、生活起居的物质需求，而且还要满足人类对心理、伦理、审美等方面的精神需求。因此人居环境的发展表现了一个时代文化艺术的风貌和水准，凝聚了一个时代的人类文明。

My paper firstly turns on the time of Kaogongji, puts it in axes-age and sums up the characters from our ancient art design which it starts from the analyzing of "Qi" and "Wu".So we can draw our research clue and orientation: manufacture whose core is "Li";And then we will make particularly aesthetic analyse about the text.We will make it clear about the realations between " Li" and "Qi", concept and res, taste and res , and my paper will tell of three part:conceptual design—age idea" s effect on Kaogongji" s taste;human design—human spirit in Kaogongji" s art design;imitate design—accouterment" s taste of Kaogongji. In the text ,I will also tell of the following problems:Li and Kaogongji" s design idea, like-six idea and Kaogongji" s taste ideal, nature-human and Kaogongji s zoology idea.

本论文首先切入《考工记》的时间定位问题，把它放在轴心时代的大背景下，之后从"器"和"物"二字的文字学分析出发，对我国古代艺术设计的总体特征进行了概括，进而以此背景审视《考工记》一书的工艺美学思想，确定本文对该书的研究思路和定位，即以"礼"为核心的器物制造；然后具体进入文本进行细致的美学视角的分析，为廓清"礼"与"器"、观念与器物、审美风尚与器物等关系理顺思路，论文分别从观念化设计——时代观念对《考工记》审美取向的影响、人机化设计——《考工记》艺术设计的人文精神、仿生设计——《考工记》中装饰物的审美追求这三个大方面进行研究，涉及到礼制文化与《考工记》的审美设计理念、"尚六意识"与《考工记》的审美理想、"天人合一"与《考工记》的审美生态观等诸多问题。

Through the comparison between the heroes in both epics, we can detect how Joyce expresses his view that his country lacks intellectual and political heroism, adventurousness, as well as the ability to overcome those various barriers.

通过对史诗《奥德赛》的颠覆，《尤利西斯》表达了都柏林人麻木而窒息的生活，生活毫无活力，缺乏冒险精神，人的精神被严重束缚起来，这再也不是英雄的时代。

And therefore, they prove accomplished, but not of great spirit; and study rather behaviour than virtue; but this holds not always; for Augustus Caesar, Titus Vespasianus, Philip le Belle of France, Edward the Fourth of England, Alcibiades of Athens, Ismael the Sophy of Persia, were all high and great spirits; and yet the most beautiful men of their times.

因此，他们作为产品虽然完成了，但不具有伟大的精神或心灵；在后天，他们注重学习生存的行为而不是做人的美德；不过这也不能一概而论；因为奥古斯都。恺撒、提图斯。威斯帕显努斯、法国王菲利普四世、英国王爱德华四世、雅典的阿尔西比德斯、波斯国王伊斯迈尔都是精神高尚，虽然他们都是自己时代的美男子。

All of them take to religionary belief in the course of taking deeply attention of being of people.All of them are also find the psychic belief in the road of looking for deity."distress- redeem" became their common spirit belief,all of them were the evangelicalism of literatures at the age of collapses of belief,In the face of distress,they strive to establish exceeding practical distress.

他们都是在对人的存在的深层关注中走向宗教信仰的，都是在自己的神性追寻之路上找回精神信仰的作家，"苦难——救赎"成了他们共同的精神信仰，他们都是对信仰坍塌时代的文学的布道和心灵的施洗，面对生存的苦难，都在真诚地为确立超越现实苦难、拷问生之意义的精神信仰而努力。

Combined the background of times, the article re-cognized Dvorak's creation idea, discussed the Slavic element and cosmopolitan one in his work, and believed that there was multicultural include Czech spirit, Slavism and cosmopolitan existed in his music work.

文章结合时代背景，对德沃夏克的创作思想进行了再认识，并对其作品中的斯拉夫因素与世界因素进行了论证，认为德沃夏克作品中存在多元文化因素，其中包括捷克精神、斯拉夫精神以及世界精神。

To have both unconventional spirits connotation of Confucianism concurrently of Tu Fu, it had demonstrated state of mind that era agree with the whole Tang dynasty.

杜甫在狂士精神上对屈原有所继承和发展，杜甫的狂兼具儒道两家的精神内涵，表现出整个盛唐时代相契合的精神状态。

All of them take to religionary belief in the course of taking deeply attention of being of people.All of them are also find the psychic belief in the road of looking for deity."distress- redeem" became their common spirit belief,all of them were the evangelicalism of literatures at the age of collapses of belief,In the face of distress,they strive to establish exceeding practical distress.

他们都是在对人的存在的深层关注中走向宗教信仰的，都是在自己的神性追寻之路上找回精神信仰的作家，&苦难——救赎&成了他们共同的精神信仰，他们都是对信仰坍塌时代的文学的布道和心灵的施洗，面对生存的苦难，都在真诚地为确立超越现实苦难、拷问生之意义的精神信仰而努力。

The author thinks : On thought content, Su Shun has a strong sense of calling and suffering consciousness to admire poems, Embody very strong reality show loving care for spirit, promote Song show loving care for spirit and patriotism spiritual the formings of theme s by poem reality; At the artistic style, Su poem plentiful high and steep gas ambition, have distinct era characteristic and individual character makings, Have opened up the road of main air of the poem of Song.

作者认为：思想内容上，苏舜钦诗具有强烈的使命感和忧患意识，体现了很强的现实关怀精神，促进了宋诗现实关怀精神和爱国主义精神主题的形成；艺术风格上，苏诗志气充盈、气体嵯峨，具有鲜明的时代特色和个性气质，开拓了宋诗主气的道路。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了