时代

Dean Acheson recognized these truths in his day. They have not dimmed with the passage of time.

迪安·艾奇逊在他那个时代就认识到这些真理，它们并没有随着时间的推移而褪色。

Just as Acheson did in his time, we must meet this challenge by acting boldly, wisely, hopefully, and in concert with other nations.

正如艾奇逊在他那个时代所做的那样，我们必须勇敢，明智，充满希望地与其他国家一道迎接这一挑战。

It may not be a return to Acheson, Marshall and the rest, but at least it slows the relentless slide towards drift and dissipation.

这并不意味着我们要回到艾奇逊和马歇尔他们的时代，但至少它可以延缓目前权力所呈现出来的那种漂移和损耗的颓势。

Dean Acheson recognized these truths in his day.

艾奇逊在他那个时代就认识到这些真理，它们并没有随着时间的推移而褪色。

Therefore, we should cooperate its basic value, spirit of the age, modern achievement and Chinese questions.

因此，我们应在马克思哲学基本价值、时代精神、现代成果和中国问题的结合中努力建构马克思主义哲学的当代形态。

Humphrys notes Blair's apparent fear of verbs and mocks inhis speeches, which are pepper ed with verbless phrases like "new challenges, new ideas," or "for our young people, a brighter future" and "the age of achievement, at home and abroad."

汉弗莱斯提到，布莱尔在演说中对动词和嘲讽语言有着明显的畏惧，他的演说充斥着非动词式的词组，比如"新挑战，新想法"，"为了我们的年轻一代，一个光明的未来"，还有"一个充满成就的时代，无论国内还是国外"等。

Humphrys notes Blair's apparent fear of verbs and mocks his speeches, which are peppered with berbless phorases like "new challenges, new ideas", or "for our young people, a brighter future" and "the age of achievement, at home and abroad".

汉佛莱斯指出布莱尔显然惧怕动词，还嘲笑他的演说——其中满是物动词的用语，像什么"新的挑战，新的想法"，或者什么"对我们年轻的一代来说，一个更光明的未来"，还有"成功的时代，无论在国内还是国外"。

Humphrys notes Blair's apparent fear of verbs and mocks inhis speeches, which are peppered with verbless phrases like "new challenges, new ideas," or "for our young people, a brighter future" and "the age of achievement, at home and abroad."

汉弗莱斯提到，布莱尔在演说中对动词和嘲讽语言有着明显的畏惧，他的演说充斥着非动词式的词组，比如"新挑战，新想法"，"为了我们的年轻一代，一个光明的未来"，还有"一个充满成就的时代，无论国内还是国外"等。

Central banks have done more than enough to justify the argument that monetary policy should be run by technicians rather than by elected politicians—an astonishing achievement in a democratic age.

中央银行的表现足以证明，货币政策应该由专家而不是民选政客来制定---在民主时代此点尤为可贵。

To a certain extent. Fang Zhenning is a fetishist. A lot of what he shoots is modern architecture-humanity's greatest achievement since the industrial age. it is no longer simply buildings. but symbols of the modern age. but his lens peels from actual objects all their normal characteristics-weight. bulk. smell. time. continuity and meaning-and through enlargement. intercepting details creates a kind of concrete abstraction. allowing the actual object to exist in another state.

在某种程度上，方振宁是一个拜物教徒，他拍摄的多是现代建筑物——工业时代以来人类最庞大的创造，它们已不是单纯的建筑，而是现代性的象征物，但是他的镜头把实际物体通常的特性——重量、体积、气味、时间、连续性以及意义——剥下，以放大、截取细部的方式造成一种具像的抽象性，让实际物体以另一种状态存在。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。