时代

No, but I wonder if any man before us ever thought his time a good time for unicorns.

不，但是我怀疑没有哪个时代的人会认为他的时代适合于独角兽。

Comparison of the small village has been preserved intacter shi yi nian Ming Wanli (1593) to Qing Dynasty Xianfeng years built more than 20 various types of compound, the age of 33 Ming and Qing Dynasty courtyard houses, reflecting the Ming and Qing era pattern of the northern villages in rural areas , sub-northern, central and southern three buildings.

丁村至今比较完整地保存着明万历二十一年（1593）至清咸丰年间所建的各式院落20余处，33座明清时代的民房庭院，反映出明、清时代北方农村的村庄格局，分北、中、南三个建筑群。

The king who is fucking is the sun of the king who has fucked.

这是最好的时代，也是最坏的时代

Winner of several coveted Obie Awards, Tintypes is a treasure chest of popular tunes from the time when sheet music was king.

囊括多项奥普奖座的，在古典音乐为主的时代中，集结虽不正统，但在动荡不安的时代中，却多少抚慰人心的民族音乐。

Unlike a utopian novel, in which the writer aims to portray the perfect human society, a novel of negative utopia does the exact opposite: it shows the worst human society imaginable, in an effort to convince readers to avoid any path that might lead toward such societal degradation. In 1949, at the dawn of the nuclear age and before the television had become a fixture in the family home, Orwell's vision of a post-atomic dictatorship in which every individual would be monitored ceaselessly by means of the telescreen seemed terrifyingly possible.

与乌托邦小说(它们的作者们试图描绘一个完美的人类社会)不同，反乌托邦小说恰恰有着相反的目的：它表现所能想象出来的最差的人类社会，以使读者们避免走向任何通往此类社会的道路。1949年，这个原子时代的黎明和电视普及大众家庭的前夕，奥威尔对于每个人都被电屏幕不停监视着的后原子时代极权的预见似乎成为了一个骇人的可能。

SeeCoo Culture Organization is a mine of information about seeing. We are excavators as to immense image world, disseminators as to pioneer vision nowadays, practitioners as to operating professional books base on professional eyes, executors as to editing wonderful books for readers, subverters as to rubbishy visions in flippancy days, explorers as to cultural spirit of books, idealists as to demonstrating the charm of books when few people maintains reading.Now is a time full of Multiple values, so we are often perplexed by confusion and disorder of the aesthetic world.

视库文化机构是读图时代的&看&的知识宝库，是浩瀚图像世界的发掘者，是当今新锐视觉的传播者，是用专业眼光做专业书籍的实践者，是为了读者需求做好书的执行者，是浮躁年代垃圾视觉的颠覆者，是寻找图书文化精神的探索者，是书籍旁落的时代仍执著于展现书籍魅力的理想者……在赞叹价值多元的同时，往往也会困惑于审美世界的混乱无序。

The 21~ century is the age of talent as well as network information,the center of management transfers from object to subject, from matter to human.

21世纪是网络信息时代，也是人才时代，管理的重心由客体变为主体，由物变人。

This is a special meaning: in the new era, and witnesses of the times, and the record of history, and the spreaders of civilization, so the promoters of progress, it will be "Chengdu Daily," the pursuit of the same.

此举别具含义：在新的时代，做时代的见证者，做历史的记录者，做文明的传播者，做进步的推动者，这将是《成都日报》不变的追求。

Reapings and Sowings)（"And every science, when we understand it not as an instrument of power and domination but as an adventure in knowledge pursued by our species across the ages, is nothing but this harmony, more or less vast, more or less rich from one epoch to another, which unfurls over the course of generations and centuries, by the delicate counterpoint of all the themes appearing in turn, as if summoned from the void."

&任何一种科学，如果我们不是把它理解为一种表达力量和控制能力的工具，而只是当作我们人类世代所推进的知识探险，那她不是别的，就只是那个可以名之为和谐的东西。从一个时代到另一个时代，这个和谐或广或窄，或丰或乏，历经一代又一代，一个世纪又一个世纪，依次所显现出来的对于各个主题的精妙映照，仿佛就是琢空而现。&

In an era of consumption and media, various kinds of signifiers of Popular Culture texts bring us a banquet of sense and symbolic features are embodied as well, which dominate the conversion between codes or symbols and realities.

在一个消费的时代、传媒的时代，大众文化文本以纷繁多样的能指构成了一出感官的盛宴，也体现了符号化特征，导引了符号或形象与现实关系的变化。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。