时代

One age bequeaths its civilization to the next .

壹个时代将其文明留给下壹个时代。

B%bee:M b P*AiX0 One age bequeaths its civilization to the next.

一个时代将其文明留给下一个时代。

C%m7~y hY%{X#Q1 One age bequeaths its civilization to the next.

一个时代将其文明留给下一个时代。

Like the seventeenth-century Classicism,the eighteenth-century enlightening period blazoned forth the logos, but their essence is quite different: the seventeenth century is the worship time under the logos, while the eighteenth century is the break time between the logos and the faith."The seventeenth century is the century of Louis Fourteenth, while the eighteenth century is the century of Voltaire".

十八世纪启蒙时期与十七世纪古典主义时期同样宣扬理性，但二者理性内核的实质却是相差迥异，十七世纪是理性荫蔽下的膜拜时代，十八世纪是理性与信仰决断的时代，&17世纪是路易十四的世纪，18世纪是伏尔泰的世纪&。

This is utter heresy to any member of the Chantry outside of Tevinter, a return to the days of the magisters, which brought the Blights down upon us.

这对于Tevinter之外的教会来说简直是异教邪说，这简直是又回复到了魔法师的时代，回到了那个带我们天灾的时代。

Once in the high train in Honkon, i saw some people careered in industry and commerce reading the Times focusely, and that gave me a deep impression. in the ages of economic globalization, the voice from Times indeed has close relationship with their job.

在香港的地铁里，我曾看到衣冠楚楚的工商从业员一脸严肃地看《时代》，那种全身心投入阅读的感觉实在给我太深刻的印象——在这种全球经济命脉一体化的年代，《时代》的声音与这些香港工商从业人员的饭碗的确存在某种关联。

Here, conceptual art is the symbols of contemporary culture instead of the simple visual phenomenon. Facing post-industrialization of catabolized time and human spirit and dangerous situation, it is the response in the era of information, network and long-distance telecommunications.

在这儿，观念艺术不是单纯的视觉现象，已沉积为当代文化的符号，它是在信息、网络和远程电讯的时代，在人类面临后工业化的异化时代，面对人的精神与处境危机所作出的反应。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分，它自然是张扬自然理性精神的一个窗口，然而，文学又不同于哲学，文学是对时代精神作艺术化的转达，而不是理性原则的直接的传声筒，十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花，浮士德不断地向上求索，代表着永不息止的&人&的精神，&人&的精神是人对于自我本体的一种释放与驾驭，是挣脱枷锁之后的自由状态，是对人之自然本性的还原；天真汉是未曾受过&文明&浸染的个体，代表人类之原本的自然天性，在&自然&与&文明&两种异质文化的冲突与碰撞中，维系着个体独立自由的精神家园；情感本属自然的，在社会将其制度化的同时，也将其异化了，洛克莎娜在一夫多妻制下，聆听的是个体心底之声，释放人之自然感情，复原自然之人性；&文明&下，个体性被剥夺，&文明&已堕入文明的对立面，拉摩的侄儿在&我&丧失的时代，捍卫了个体自我的在场性与自由性，代表了以独立个体之姿存在的&我&。

Meanwhile, in the respect of modernity of teaching beginners, not absorbed by the era spring tide, adhering to the noumenonism principle of literature, the ones that have surmounted the times are specific with one's own literature strength, it embodies the classicizing meaning of literature and eternal glamour .

同时，在启蒙现代性的方面，不为时代大潮所吸附，坚持文学本体性原则，以自我的文学性力量超越了时代的特定性，体现出文学的经典化意义与永恒性魅力。

The Philistine phase of the digital age is almost over. The aggregators and the plagiarists will soon have to pay a price for the co-opting of our content. But if we do not take advantage of the current movement toward paid-for content, it will be the content creators, the people in this hall, who will pay the ultimate price and the content kleptomaniacs will triumph.

数字时代的无偿化时代即将结束，汇总信息和剽窃者很快将会为掠夺他人的信息而付出代价，但是如果我们不能利用当前数字付费化趋势的话，那些内容创造者，也就是在座各位最终将付出惨重代价，而那些剽窃内容的人将大行其道并且最后获得暴利。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。