时代

In the novel, both the Lin mother and daughter have fallen in love with the same man, a general manager of an electronic company, Fang. The woven texture is not only about blood ties but also represents sex and love under different cultural settings, bespeaking different values and cultural orientations, and symbolizing the tragedy of in the 21 Century, a time of overlapping cultural.

刘志庆的《幻情》中与某电子公司总经理方小华恋爱的林彩萍和林怡虽然是母女俩，然而她们之间并不是只具有血缘联系那么简单，而是代表着不同的文化时代的性与爱，体现着物质化时代的性与艺术化时代的爱的价值取向和文化指向，象征着性与爱在21世纪之初的文化重叠和交错的悲剧。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的&中国旧式女人&，同时又是受了点&新式教育&影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

On the deathbed he had, on the one hand, the acclaim of contemporaries and of posterity; on the other, that triumph of hooting and of hating which the implacable past bestows on those who have combated it.

他临终时，受到了当代人和他们后代的赞美，但另一方面，像许多同旧时代战斗过的人一样，他也受到了对他恨之入骨的旧时代的高声大骂。他不仅是他一个人，而且是一个时代。

The 21st century is an internationalized era with high-tech, information, intelligence and talent competition.

21世纪是一个国际化的高科技时代、信息时代、智力和人才竞争的时代。

It begins with innocent childhood, followed by awkward adolescence trying awkwardly to adapt itself to mature society, with its young passion and follies, its ideals and ambitions; then it reaches a manhood of intense activities, profiting from experience and learning more about society and human nature; at middle age, there is a slight easing of tension, a mellowing of character like the ripening of fruit or the mellowing of good wine, and the gradual acquiring of a more tolerant, more cynical and at the same time a kindlier view of life; then in the sunset of our life, the endocrine glands decrease their activity, and if we have a true philosophy of old age and have ordered our life pattern according to it, it is for us the age of peace and security and leisure and contentment; finally, life flickers out and one goes into eternal sleep, never to wake up again.

人生始于天真无邪的童年时代，随之而来的是不知所措的少年时代，笨手笨脚地努力适应成熟的社会。在此期间，既有青春的激动和傻气，也有人生的理想和野心。紧接着就到了紧张激烈的成年时期，人们从经验中受益，更多地了解社会和人性。人值中年，可以稍事放松，此时性格趋于成熟，如同成熟的果实和甘醇的美酒；人生态度逐渐变得更加宽容，更加冷峻，同时也更加仁慈。再往后，就到了人生夕阳时代。此时，内分泌腺活动减弱。假如我们真正参透老年哲学，并据此安排我们的生活模式，晚年对我们来说就是平和、安定、闲适、满足的岁月。最后，生命之火熄灭，一个人永远睡去，不再醒来。

The teeming bra in of childhood requires no external world of incident to occupy or amuse it; and the apparently dismal monotony of a school was replete with more intense e xcitement than my riper youth has derived from luxury, or my full manhood from crime.

童年时代幻想丰富，用不着想到外界的人事沧桑，也不必借此自娱；明明是沉闷、单调的学校生活，偏偏热闹非凡，后来在稍为成熟的青年时代，过的虽是奢侈生活，到了发育完全的成年时代，过的虽是罪恶生活，却没有这么热闹呢。

Charles Knight stresses that the age of corruption revealed in Henry Ⅷ is as sad as the age of force described in the other 9 historical rhapsodies, for in an age of corruption,"the one tyrant rides over the obligations of justice, wielding a power more terrible than that of the sword."

奈特强调，《亨利八世》中所显示的腐败时代和其他9部歷史狂想曲中所描述的暴力时代一样坏。因为在腐败的时代中「暴君蹂躪法律的职责，发挥的是一种比刀剑还要可怕的权力。

Mobile phone RF system consists mainly of transceivers, power amplifier and antenna switch. PA might be set in the Front-End-Module or FEM. In 2G, the cost of RF system was only about US $1.5, while In 3G, the cost was increased to between US$6.0 and US$8.0, and the cost will further increased to about US$8.0 to US$10.0 in 4G, obviously, FR system had the highest cost growth during the upgrading of mobile phones.

手机射频系统有三个主要零组件，收发器、功率放大器（Power Amplifier，下简称PA）和天线开关，有时PA包含在前端模块（Front-End-Module，简称FEM）。2G时代的射频系统只占大约1.5美元的成本，3G时代则占大约6-8美元的成本，4G时代则占大约8-10美元的成本，也是手机升级换代成本增加最多的部分。

The influence environment on design of cover designs, the most influential for what has been designed to the creator, the influence of managing in fine arts , design , literature environment and magazine's management and attribute and publisher second place, the influence of politics , economy , fashion and amusement culture takes second place again. Among them close connecting with most in subject matter and era environment of ' the illustration ', it is the important key of facilitating the style form to display , its factor influencing cover design is mostly indirect but not direct , the involvement not painstaking or single either; Cover designs to it influences to be but what short time can be found out to some extent to environment, the environment and interdynamic relation of one of design of cover designs are complicated to symbolize era.

时代环境对封面设计的影响，以设计创作者的影响最大，美术、设计、文学环境与杂志经营、属性与发行人的影响次之，政治、经济、流行及娱乐文化的影响又次之；其中「插图」的题材与时代环境最具关连，是促成风格形式表现的重要关键，其影响封面的因素多是间接而非直接的，也并非刻意或单一的介入；而封面对环境是有所影响但并不是短时间就可看出的，象徵时代环境和封面设计间之互动关系是复杂的。

Right after that, another lot of young artists are facing the decline of agricultural society, the thrive of industrial society and post-industrial as well as the development of internet times; facing the times of fashion-consumed culture, desire expanding and society anomic; facing the attack of globalization from politics, economy, culture and art; facing the messed information interlace and virtual world art structure; facing the highly-developed modem internet information times. They are facing the chances and challenges during the society mode changing, facing the opportunities and challenges during the change from traditional aesthetic into modern aesthetic.

而紧跟其后的一批年青艺术家，在面对中国农业社会的衰退，工业社会、后工业社会的兴旺发达及网络时代的崛起；在中国时尚消费文化、物欲膨胀、社会道德沦丧的时代；在政治、经济、文化、艺术全球化的冲击中；在混乱的信息交错和虚拟的世界艺术结构中；在高速发展的现代网络信息时代；他们正面临一个社会结构转型的机遇和挑战，面临传统美学在现代美学转型过程中的机遇和挑战。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了