早期文艺复兴式

He believes German sketching has many common points with East Painting, so he has studied early frescos in Italian Renaissance, counterdrawing Giordo, Francesco, Fran Angelico's works, and done a special research over the Vatican frescoes with mural experts from Japan.

他认为德式素描与东方绘画在结构上共性比例很大，并多次在意大利研究文艺复兴早期的壁画，摹写过乔托、佛朗契斯科、佛朗·安其里科、契马菲、马隆桥等人的壁画。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起，包括诗篇对唱式唱法的传统溯源；第二章讨论文艺复兴时期的威尼斯，包括政经情况，及艺术、玻璃工艺、马赛克艺术的简介；第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型，及盛期的主要作曲家，包括：威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利，及巴罗克早期的孟特威尔第…等复合唱作曲家的风格；第四章整合前三章的论述，由实际的复合唱作品，讨论「立体声」的音响效果、合唱团的编制、织度问题，以及诠释及指挥上会遇到的问题。

Must not the only fruitful renaissance be the one that reawakens the impulse of the Cartesian Meditations: not to adopt their content but, in not doing so, to renew with greater intensity the radicalness of their spirit, the radicalness of self-responsibility, to make that radicalness true for the first time by enhancing it to the last degree, to uncover thereby for the first time the genuine sense of the necessary regress to the ego, and consequently to overcome the hidden but already felt naivete of earlier philosophizing?

在近代，对一个完全有活力的哲学的渴望，已经引起了一个又一个文艺复兴，唯一富有成果的文艺复兴难道不就是唤醒笛卡尔式《沉思》的推动力吗？——不是要用那些内容，不这样做，而是以更大的强度去重新实现这些精神的彻底性、自身负责的彻底性，通过提升到最后的程度上去把彻底性第一次真正实现，于是去第一次揭开必须回退入我思『ego cogito』的真正含义，最终去克服早期做哲学的朴素性（——这已经被感到了，但依然隐藏着）。【英p5/3，德p47/2

He believes German sketching has many common points with East Painting, so he has studied early frescos in Italian Renaissance, counterdrawing Giordo, Francesco, Fran Angelico's works, and done a special research over the Vatican frescoes with mural experts from Japan.

他认为德式素描与东方绘画在结构上共性比例很大，并多次在意大利研究文艺复兴早期的壁画，摹写过乔托、佛朗契斯科、佛朗。安其里科、契马菲、马隆桥等人的壁画。曾与日本壁画专家前往与梵蒂冈国立研究所的专家们研修过壁画。

Only its slender finger and the slightly bending posture suggest that was still under the influence of the international Gothic style.

多纳太罗是意大利文艺复兴早期最著名的雕刻家之一，他精通古典艺术，其作品大都雄浑有力、古朴自然，不带额外的装饰，向当时由国际歌特式统辖的艺术界吹进了一股清新之风，为文艺复兴雕刻的发展作出了很大贡献，他的学生吸收了老师风格的精华，这尊雕刻比例准确，朴实无华，只有那细长的手指和微微扭曲的姿势，才表明它并未完全摆脱国际歌特式风格的影响。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失