旧时的

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰，卜吕梅街却但是冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在那四道围墙里，使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

It was of no avail that the pavements of Paris were there on every side, the classic splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy rapid insects; to cause to spring forth from the depths of the earth to reappear between those four walls a certain indescribable savage grandeur; for nature, which disconcerts the petty arrangements of man, which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as dddtt.com rude force majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路***织奔驰，卜吕梅街却但是 dddTt 冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个 www.8 ttt8。 com 享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在 dd dtt。 com 那四道围墙里，使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

Lean on me, let our hearts beat in time,Feel strength from the hands that have held you so long. Who cares where we go on this rutted old road , In a world that may say that we're wrong.

紧靠着我，让我们的心一起跳动，紧握你的手，感受你爱的力量，谁在乎在车辙斑驳的旧时路上我们将去何方，在这个斥责我们的爱是错误的世间

Next, I tweaked the contour of her face and hips with the liquify tool, to get a better flowing shape. This step was also mainly tweaking and adding colors, more refinement to the highlights and shadow areas, and smudging it all together to get a more unified result. Slowly adding details of the hair and the face, and trying to keep the balance of dark and light. I decided to keep a very strong outline, to give a more of an old poster art feel.

接着，我使用liquify tool调整了她脸部和臀部的轮廓，来获得更好的流线型曲线效果，这个步骤主要就是调整和添加颜色，对于阴影和高亮区域精益求精，然后把颜色涂抹在一起或者更加统一的结果，慢慢地给脸部和头发添加细节，并试着保持明暗的平衡，我决定保留一个非常强的外轮廓，来赋予这幅作品一种旧时海报艺术的效果。

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰，卜吕梅街却但是冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在那四道围墙里，使自然界？？阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

Money was pretty-Florentine gold or silver, German florins, Bohemian groschens, fancy old coins minted under the rulers of Venice who were called the Doges, exotic coins from the Constantinople of old.

我所指的钱币，是那些漂亮的佛罗伦萨金币和银币、德国金币、波希米亚的格罗申（奥地利货币和硬币名，等于一先令的1/100），以及当时威尼斯被称之为&总督&的统治者的监管下制造出来的精美古币，另外还有来自于旧时君士坦丁堡的外国币种。

In the chimney stood a pair of firedogs of iron, ornamented above with two garlanded vases, and flutings which had formerly been silvered with silver leaf, which was a sort of episcopal luxury; above the chimney-piece hung a crucifix of copper, with the silver worn off, fixed on a background of threadbare velvet in a wooden frame from which the gilding had fallen; near the glass door a large table with an inkstand, loaded with a confusion of papers and with huge volumes; before the table an arm-chair of straw; in front of the bed a prie-Dieu, borrowed from the oratory.

在床里的阴暗处，帷的后面，还摆着梳妆用具，残留着他旧时在繁华社会中做人的那些漂亮习气；两扇门，一扇靠近壁炉，通经堂，一扇靠近书橱，通餐室；那书橱是一个大玻璃橱，装满了书；壁炉的木框，描上了仿大理石的花纹，炉里通常是没有火的；壁炉里有一对铁炉篦，篦的两端装饰着两个瓶，瓶上绕着花串和槽形直条花纹，并贴过银箔，那是主教等级的一种奢侈品；上面，在通常挂镜子的地方，有一个银色已褪的铜十字架，钉在一块破旧的黑线上，装在一个金色暗敝的木框里。

In churches, on porches of hand-hewn cabins, and at festive outdoor gatherings, people join together to sit and listen, dance, and play old time music carried to America on ships harboring poor Scottish and Irish immigrants and the sons and daughters of Africa.

在教堂中，在手－hewn 小屋的门廊上，和在庆祝的户外聚集，人参加一起坐着而且听，跳舞，而且把音乐携带的旧时间播放给在庇护贫穷的苏格兰语和爱尔兰的移民和非洲的儿子和女儿的船上的美国。

In China, at old days, there were many places where had such kind of custom: at dusk in the Chinese New Year's Eve, a senior member of the family would convene all nonages together and led them to go to the outhouse. Then, symbolically, the senior wiped every child's mouth with a rough straw paper so that the whole family would have a peaceful and a happy new year.

旧时，很多地方还有这样的习俗：在大年除夕的傍晚，由一位年高的长者将家族中所有未成年的小孩召集起来领到茅房中，用草纸象征性地在每个人的嘴上擦拭一下，这样一家人才能安安心心地回去过年。

Thus, for example, around 60 manuscripts are extant containing Welsh-language versions of the Historia, the earliest of which were created in the 13th century; the old notion that some of these Welsh versions actually underlie Geoffrey's Historia, advanced by antiquarians such as the 18th-century Lewis Morris, has long since been discounted in academic circles.

现存有约60份手稿是以威尔斯语记录的不列颠历史，其中最早的编写于13世纪；旧时有观点认为杰弗里的《不列颠诸王史》是以部分威尔斯语记录的不列颠史为基础的，这种观点首次于18世纪由古学家路易斯·莫里斯提出，早已被学术界否定。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。