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The Great War was unfortunate, because it gave Japan temporarily a free hand; the collapse of Tsarist Russia was fortunate, because it put an end to the secret alliance of Russians and Japanese; the Anglo-Japanese Alliance was unfortunate, because it compelled us to abet Japanese aggression even against our own economic interests; the friction between Japan and America was fortunate; but the agreement arrived at by the Washington Conference, though momentarily advantageous as regards Shantung, is likely, in the long run, to prove unfortunate, since it will make America less willing to oppose Japan.

伟大的战争是不幸的,因为它使日本暂时放手,是沙皇俄国崩溃是幸运的,因为它结束了对俄罗斯和日本的秘密联盟年底,在英日同盟是不幸的,因为它迫使我们怂恿日本侵略甚至对我们自己的经济利益;在日本和美国之间的摩擦是幸运的,但该协议达成的华盛顿会议上,虽然一时山东方面的优势,是可能的,从长远来看,证明不幸的,因为它将使美国不愿意反对日本。

In this way it has protected heritage such as Joruri puppet theater and Bizen ware.

通过这种途径,日本的文化遗产比如 Joruri puppet theater (日本说唱,日本木偶剧院), Bizen ware。

So it is rationally to divide them into 1950s and 1960s. This thesis begins at the Anbao political struggle in the 1960s, and analyses the metabolism. Then the thesis analyses the status of Japanese architect now times through the development of economy and the effect of metabolism.A group of architects born in 1950 gestate in the bubble economy of 1980s.

本文以叙述1960年代日本的安保政治斗争为背景,分析了日本现代主义建筑发展中最为重要的新陈代谢运动,并从新陈代谢主义的影响和日本社会经济的发展状况作为切入点,深入分析了当前日本建筑的状况。1980年代日本泡沫经济的虚假繁荣颇为平静地孕育了一批1950年代出生的建筑师。

Japan was second in China in the strategy has been to turn defensive attack by the Chinese side in the stage of Japan if we do not realize that the expansion of the battlefield will be stuck in the mudflats China, the United States has also aware of Japan's ambitions if the United States began positive So instead of preparing for Japan against the United States, which Yamamoto clearly than anyone else in the United States as early as when the military attache of the time he would understand that the U.S.

其二日本当时在中国境内已经处在战略的由攻转守阶段在中国方面日本意识到如果不扩大战场将陷在中国泥滩,同样美国已经察觉到日本的野心如果美国开始积极的备战那么日本不是美国的对手,这一点山本比谁都清楚早在其在美国当武官的时候他就明白了美国的制造业的发达程度,所以日本必须速战速决,山本所以对天皇说他只有六个月的把握。

With the translation of Buddhist scriptures into Japan's gradual understanding of the "China" and began referring to the use of such air and sea in its master of poetry,"Ling-set","China is Taiwan's Yue Man sequence" of the sentence, of course, at that time "Shina language with a copy of the translators Buddhist usage, but is not common reason for this is has always been to China, said the Japanese usually morokoshi, tohn, and so on, these are the Japanese characters for" Don "the pronunciation Generally reflect the Chinese culture, especially culture of the Tang Dynasty of Japan's far-reaching impact on later Song, Yuan, Ming and Qing dynasties change, said Japan can not change China as "Don" habit did not change the Japanese Chinese culture of respect, admiration psychological. In 1713, Whitehead Arai from Edo shogunate orders, inquiries were drifting in Rome to talk too much about the history, a lot of opportunity to understand the world situation, a reference to China's "Kun Maps", Prepared for a title,"Song laid Introduction," in the world geography, history and more from his Department to listen to on the pronunciation of chi-na, to use katakana and that in the lower left-hand corner is attached to "Shina.

随着佛经的译入,日本逐渐了解"支那"所指并开始使用,如海空大师在其诗集《性灵集》中,有"支那台岳曼殊序"之句,当然,那时"支那一语带有模仿佛经译者的用法,但并不普遍,究其原因,主要是一直以来,日本人通常称中国为morokoshi、tohn等,这些都是日本人对汉字"唐"的读音,大体反映了中国文化,特别是唐朝文化对日本的深远影响,以致后来宋、元、明、清历代更迭,都无法更改日本人称中国为"唐"的习惯,也没改变日本人对中国文化崇敬、羡慕的心理。1713年,新井白石奉江户幕府之命,查询罗马的漂流者史多提,趁机了解了不少世界情势,参考了中国的《坤舆图说》,编写了一本题名为《宋览导言》的世界地理书,他把从史多提处听来的关于chi—na的读音,用片假名来表示并在左下角附以"支那字样。

So far, mention bubble economy , Japanese being still in a state of shock; Real estate business , Japanese mentioning Japanese are still heavyhearted.

至今,提到泡沫经济,日本人还心有余悸;提到日本的房地产业,日本人还是忧心忡忡。

The friendly relations between Hunan and Japan can be traced back to over 100 years ago, when China sent around 12,000 students to Japan for cultural exchanges and further study, and among them, one third are Hunanese. And nowadays, Japan is also the country that has granted the most non-reimbursable assistances to Hunan.

中日建交后,湖南与日本各县町关系稳步发展。1983年,湖南省与日本滋贺县因&湖&结缘,缔结了友好省县关系,此后,湖南与日本相继结友好城8对,包括湖南的长沙、湘潭、岳阳、汩罗、醴陵、衡阳、常德、邵阳,日本的鹿儿岛、瑞浪、栗东、沼津等。

Based on the results of previous research, we studied the relationship between the process of Tea Ceremony's spread in Japan and the Zen sect, the background of key experts those who have significant contributions in developing Tea Ceremony and come to the following conclusions: First, the Tea Ceremony stemmed from China; then it was brought to Japan by Bonzes and fully developed there.

在前人成果的基础上,通过对茶文化在日本的传播、普及过程中与禅宗之间的关系;日本茶道形成过程中各关键茶人名家的背景、其对茶道事业的贡献、作用;以及禅与日本茶道的关系这三个方面进行详细研究,得到以下结果:首先、饮茶文化源于中国,后由僧侣传至日本,并得以发展。虽然在日本茶道未正式形成之前,茶与禅宗并未发生本质性的关系,但是茶在日本的传播与普及却基本上有赖于僧侣们的宗教力量。

Has studied the evolvement and development of Japanese images in Chinese students' eyes by unscrambling their works. Regarding the course of the movement as temporal skeleton, considering correlative political, historical, cultural background and basing on the careful reading and analysis, the dissertation connects the snippets of Japanese images, which formerly appeared in dispersive and hidden states in these works to form clear-cut Japanese images.

中国百年留日文学中的日本形象研究》一文就对这些文学作品进行解读,研究留学生眼中日本形象的演进和发展,文章以中国人留学日本的进程为时间脉络,考虑特定时代的相关政治、历史、文化等背景,以留日文学文本的细读为基础,并对之进行解析和梳理,使原先在各作品中以零散、隐性等状态存在的有关日本及日本人的文字片断连贯起来,形成清晰的&日本形象&。

Www.baiaogu.hb.cn 也为您提供了英语的内容,希望对您有帮助:Wu Rujun, an artist in Japan, the current president of Japan's Beijing Opera, Chinese Opera Institute Visiting Professor, Institute of Jinan art special artistic advisor, is currently active in the arena once the only male actors, from performing to writing and swordsmen, has self-compiled, self-guided, self-acted in sensational,"Empress Wu" and "Royal Dongdu" and other opera drama, but he was still living in Japan more than ten years, successfully for hundreds of years has been in a position Jinghu accompaniment of musical instruments and the most fashion mastery of musical elements, original style, distinctive tones of a light music for the opera to the world towards young people, had rendered meritorious service.

吴汝俊,旅日艺术家,现任日本京剧院院长、中国戏曲学院客座教授、济南艺术创作研究院特邀艺术顾问,是目前活跃在舞台上的唯一男旦演员,从表演到创作,样样精通,曾自编、自导、自演过轰动一时的《武则天》及《贵妃东渡》等京剧大戏,而且他还在旅居日本的十余年中,成功将数百年来一直处于伴奏乐器地位的京胡和最时尚流行的音乐元素融会贯通,独创出风格鲜明的京胡轻音乐,为京剧走向世界、走向年轻人,立下汗马功劳。

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