日本民族

Japanese, nationalism constitute a relatively simple, but it is not a single nation-state.

日本人的民族构成比较简单，但决不是单一民族国家。

In September 1981, he was invited by Center of U.S. China Arts Exchange to the United States, where he studied with Prof. Otto Muller of Yale University. In 1982, he successfully conducted at Aspen Festival in the United States. Commissioned by French Music Sound Records Corporation, he made the recording of Beethoven's Symphony No. 1 and No 4. From September 1983 to January 1985, he was involved in the production of the Song Cycle of Chinese Revolutions. Since 1985, he has toured Russia, Japan, Italy, the United States, Britain, Switzerland, South Korea, Democratic People's Republic of Korea, Thailand, Singapore, Australia and Germany, as well as such places as Hong Kong, Macao and Taiwan. In January 1998 and February 1999, Chen Xieyang visited Austria, Germany, and Denmark with Central Nationalities Orchestra of China. He gave concerts on the New Year's Eve of the lunar calendar in the Golden Hall in Vienna, Berlin Philharmonic Hall and so on. In August 2000, with the Central Nationalities Orchestra of China Chen Xieyang participated in the project 'Chinese Culture Touring in the United States', during which they presented concerts in Lincoln Center.

1981年9月，陈燮阳应邀赴美国考察，师从耶鲁大学奥托·缪勒教授进修指挥课并指挥多个美国乐团演出。1982年他在美国阿思本音乐节指挥音乐节乐团获得成功。1983年8月，他应法国"音乐之声"唱片公司之约，指挥中央乐团录制了贝多芬的第一、第四交响曲。1983年9月至1985年1月，陈燮阳参加大型音乐舞蹈史诗《中国革命之歌》的指挥工作。1985年以来，陈燮阳先后赴前苏联、日本、意大利、美国、英国、瑞士、韩国、朝鲜、泰国、新加坡、澳大利亚、德国等国家和港、澳、台地区举办音乐会，均受到欢迎和赞誉。1998年1月和1999年2年，陈燮阳率中央民族乐团赴奥地利、德国、丹麦等地，在世界著名的维也纳金色大厅和柏林爱乐大厅以及其他城市音乐厅举办中国新年音乐会。2000年8月，他又率中央民族乐团赴美国参加"中华文化美国行"的巡回演出，其中包括在纽约著名的林肯艺术中心举办音乐会。

Achieve a special aesthetic culture of Japan in the world, Japanese men have used aesthetic culture to control and judge class or age and social position of Japanese women, KOGAI MAGE and TAKASHIMADA MAGE is used by common women, KATSUYAMA MAGE and TENJIN MAGE is used by geshia women, HYOKO MAGE is used by concubine, RAKAKU MAGE is used by servant, SANRIN MAGE is used by young women, KUMEZO MAGE is used by a middle-aged women, MARU MAGE is used by women of old age.

日本古代发型是最足以代表日本风情的民族发式，翻开日本古代发型的演变史；最早可推到3世纪的古坟时代，历经千年以上之改良创新，而发展出多彩多姿的款式。皇族之笄髷及上流社会之高岛田髷，女医及巫女等特殊职业之片手髷，普通国民流行之桃割髷及银杏髷，艺妓专用之胜山髷及天神髷，女妾专属之兵库髷，女佣之螺角髷；少妇的三轮髷；中年之久米三髷；老年之丸髷，均有各领风骚的发型区别，毛发款式描法依照人体脸型七种样式来美化。

We have no right whatsoever to present ourselves to the Japanese in the guise of creditors: on the contrary, for my part I believe that in some ways we have done them wrong—the influence ofConfucianism, for instance, has done no little harm to the peoples of Japan, Korea and Annam.

我们决无权利去对日本主张债权，据我说来有些地方或者倒反对不起她，如儒教的影响的确于日本朝鲜安南诸民族颇有毒害，但在日本方面看来中国确是有点像希腊罗马，不是毫无关系的路人。

Bunya Koh and Akira Ifukube were among the most important Asian composers. At the beginning of their artistic career, they inspired each other, and learned from each other. Though they both studied in Japan, and dealt with nationalistic source material in a modern way, they were different in their pursuits of Nationalism and in their styles. Their efforts had gradually become part of the cultural tradition of the nation. Akira Ifukube's Nationalism started from the nationwide level, adapting the ancient Ainu hymn originated in his hometown, Hokkaido, Japan. After underwent the contemporary dynamism, he ended up in Japanese classical music, singing for Asian music.

江文也、伊部昭是亚洲重要的作曲家，二人在创作之初互相观摩、激，虽然在日本学习的环境相似，而且以较现代技法及民族素材创作，但「民族主义」的层面及民族性风格在追求方向是有同的，这些追求逐渐成为他们的文化记忆与文化传统的一部份；伊部昭「民族主义」风格转变，由「日本层面」推演至海道爱奴人「古歌咏的旋」风格，再由「现代主义」尝试之后，进而转向日本雅文化、歌咏亚洲的音。

During the 51-year Japanese colonization of Taiwan, the Japanese in Taiwan was subjected to Japanese domestic laws, but Taiwanese was discriminatively subjected to the colonial laws of Taiwan governor palace. However, Taiwanese Aboriginal, without "applicable" legal status, were considered as "mountain resources" and, accordingly, were "managed" by "Barbarian Management Offices."

日本据台51年，在这段期间，在台湾的日本人适用的法律是「日本国内法」，而一般的台湾人适用的法律是「台湾总督府殖民地法」，但是，台湾原住民族却没有适用的法律，而归管理山林资源的「理蕃课」管理。

The dominant research on Chinese Koreans in Japan can be dividedly into: the Ethnic Identity and National Identity perspectives.

现在在日本进行着的对中国朝鲜民族的研究中，主流的研究方式分为：&从民族的角度研究朝鲜民族&的Ethnic Identity的立场和&从国民的角度研究朝鲜民族&的National Identity的立场（权香淑《在中国的'朝鲜族'的研究序说》亚细亚研究VOI.47、NO.3、2001年7月＊我认为，像这样分两个立场来研究朝鲜民族问题，应该是今后的研究课题。

Under this scenario, the "International Seminai on the Culture of Transborder Ethnic Groups in Southwest China and Its Evolution" was co- organized by Ethnic Studies Institute of Yunnan University and Japan National Museum of Ethnology in Yunnan University on Sep.

基于此，云南大学民族研究院暨西南边疆少数民族研究中心和日本国立民族学博物馆联合举办的&中国西南跨境民族文化及其变迁国际研讨会&于2008年9月1~2日在中国云南省昆明市云南大学伍马瑶人类学博物馆举行。

As the premise for the establishment of looting, destruction of the education system in China services, the adoption of colonial education to young people in an attempt to gradually influence the process of cultural knowledge, advocating Japanese spirit and devoid of the consciousness of the Chinese nation and the spirit of national resistance, become willing to listen to Japanese colonial rule and oppression of the "loyal and honest citizens" or dead-set for the Japanese invasion of China in the traitor proxy fanatic followers, the effectiveness of training resources for the exploitation of Chinese labor.

并以此为前提建立为其掠夺，灭亡中国服务的教育制度，企图通过奴化教育使青少年在接受文化知识的过程中逐渐潜移默化、崇尚日本精神、泯灭中华民族意识和民族反抗精神，成为甘愿听从日本殖民统治和压迫之&忠良国民&或死心塌地为日本侵华效力卖命之汉奸走狗，培养为其掠夺中国资源效力的劳动力。

After the eruption of the war of resistance against Japan, in order to backup the War, preserve Chinese modern industry, as well as avoiding Chinese industrial and mining enterprises falling into Japanese invader's hand and strengthening Chinese economy force in the war, Republic of China's government, general industry and commerce public figures and national capitalists initiated and organized a vast scaled movement of economy inland moving. The national government organized the industries along the river and the coast to move to the southwest and some other inlands of our country.

抗日战争爆发后，中华民国政府和广大的爱国工商人士及民族资本家，为了支援抗战，保存中国的近代工业，同时避免民族工矿企业落入日寇手中，增强抵御日本帝国主义侵略战争的经济力量，共同发起组织了一场规模浩大的经济内迁运动，将沿江沿海工业迁往我国西南等内地。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。