日常生活

Day-to-day dialogue: every day you have to have situational awareness in daily life and in baby talk, dialogue, language should be brief, clear, formal, not to mention the baby language, want to tell him to read the word accent Repeat several times or more.

4日常对话：每天你都要有意识地在日常生活情境中和孩子说话、对话，语言要简短、明确、正规，不要说娃娃语，想让他说出的字要读重音或多重复几遍。

Resemble all sorts of other cooked food, cooked wheaten food, vegetables and your thinkable every day object waited me a moment not to say, besides the supermarket of daily life, other elephant mobile phone, old electric equipment goes, all sorts of clothing store, brand shop, incomputable restaurant, fastfood, the taxi of full ave waits me a moment to also do not abandon writing.

象其他的各种熟食，面食，菜蔬以及你能想到的日常用品等等我就不说了，除了日常生活的超级市场，其他象手机了，大的电器行，各种服装店，专卖店，数不清的饭店，小吃，满大街的出租车等等我也不废笔墨了。

In nature, Aestheticization consists of double rightabout directions: one is the aestheticization of everyday life, another is aesthetic turning into everyday life.

实际上，&审美泛化&包涵着双重的逆向运动的过程：一方面是&日常生活审美化&，另一方面则是&审美日常生活化&。

The aim of the paper is to examine the issue of globalizing cities in Taiwan via the geographical lens of social reproduction in everyday life. In order to explore the interrelationship between global production and local consumption, the discussion is focused on the structuration dynamics of Taipei's food markets and the associated retail changes.

本文试图跳脱经济台湾与产业台北的生产观点，改由日常生活的再生产观点来理解全球化城市的发展课题，并且从日常食物采买与菜市场发展之间的多重结构化历程来探讨生产与消费、地方与全球之间的复杂关系，以作为重新思考台湾城市发展的基础。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

Cheng Ran's camera lens plays the role of a magnifying glass that amplifies the poetic and comfortable feeling that little things in our everyday life offer, as well as the minimum unit of the determination toward revolution that squirms in our daily lives.

程然的镜头记录下了每天发生的如诗般细小的日常生活，同时对日常中存在的革命意志的最小单位起到放大镜的作用。

As contemporary art blurs the line between various art forms and photography becomes a popular medium of contemporary art, we want to put the "I" that presses the shutter back in focus for a moment, and examine its unique relationship to the "fleeting reality", for no other medium makes as beautiful a statement as photography—that of bearing witness to the wondrous thing that is life.

在当代艺术日益模糊各艺术门类界限的时候，尤其在当代艺术中摄影媒体成为热潮的时候，我们企图强调&我&在按动&照相机&快门的霎那间，与&转瞬即逝的现实&的独特关系。对人生对日常和非日常生活的见证，也许永远是摄影艺术不可替代的语言魅力。

As contemporary art blurs the line between various art forms and photography becomes a popular medium of contemporary art, we want to put the "I" that presses the shutter back in focus for a moment, and examine its unique relationship to the "fleeting reality", for no other medium makes as beautiful a statement as photography—that of bearing witness to the wondrous thing that is life.

对人生对日常和非日常生活的见证，也许永远是摄影艺术不可替代的语言魅力。正是从这种意义上，我们强调&我的照相机&，是想与当代艺术中大量的挪用、摆拍、拼接、篡改的取巧风气保持距离。

In addition also one view is nine people to refine the camphor oil, therefore is equipped with 81 stoves, every nine stoves are called one, altogether has 81 stoves, therefore calls " Nine ".

在大竿林溪附近的山上最早住有九户人家，当时交通非常不方便，出入全靠水运，他们的日常生活必需品都必须从远方运送上来，因此每次都是集体采购所有的日常用品。

By observing some "bagatelles",it is found that religion, to some extent, is all around in daily life .

通过对日常一些&小事&的观察，我们可以发现，宗教对日常生活进行了一定程度的&渗入&。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。