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Aesthetics and daily life inosculate with each other.The freedom,joy and chubbiness of life spread in the real daily life.

审美和日常的社会融合起来,生命的自由,愉悦,丰满,飞扬在现实中的日常生活中。

In 2008,one year before the decennial, we are going to introspect and memorize, to express the culture and life style before and after handover. Invited artists from Hong Kong and Macau are getting between our daily life and think about the changes and affections which handover brings to us, and the development of a city which is often challenging human's culture, so as to show artist's notion of live and city development.

在2008年…澳门回归十周年前的一年,作一个反思和回想,以艺术作品表达艺术家对于回归前后的文化与生活模式的表现;展览邀请香港及本地艺术家以不同的方式介入我们的日常生活,思考回归对我们的生活影响与实质的改变,以及经常挑战着人类文化的城市发展,呈现艺术家对生活与城市发展的想法。

so-called thought political lesson teaching life turn is social activities,especially with student vitally related of life pierce through in thought political each link of the lesson teaching in,set free from lifelessly,the abstraction of the thought political the lesson teaching material the knowledge the student,provide feeling toward the student nature,society of opportunity,make student at rightness can close can the daily life of feeling,in with the reality the world of the exchanges and the dialogue creation to future life of pursue with passion,thus and self-movingly and actively obtain knowledge.

所谓思想政治课教学生活化是指将社会生活,特别是与学生息息相关的生活贯穿于思想政治课教学的每一环节之中,将学生从枯燥、抽象的思想政治课教材知识中解脱出来,向学生提供感受自然、社会的机会,使学生在对可亲可感的日常生活、在与现实世界的交流与对话中产生对未来生活的追求和热爱,从而自发地、主动地去获取知识。

Comparing with artists before, the 60s painting artists enjoy more free development room in painting environment, thus their paintings pour out more feelings and concerns into real life. what they express morely tends to their daily life and their real-life status, while, this not only embodies the artists' sensitivity to the real life, but also reflects the artists' press for spiritual home of modern people.

60年代油画艺术家的创作环境比起之前的艺术家有了较大的自由的发展空间,所以他们的绘画作品比起之前的艺术作品更多的倾注对现实生活的感受和关注,他们所表现的更多倾向他们的日常生活和他们现实生活状态,这既体现了艺术家对现实生活的敏锐性,也反映了艺术家对现代人的精神家园提出追问。

Only by keeping such a sincere state of art in our quotidian life can we have a strong desire of creation in front of the easel. To keep a constant artistic meditating state in life is important but also difficult, so we should pay close attention to the surroundings from various perspectives. This is the process of life for both accumulation and realization.

只有在日常生活中一直保持着这种真诚心态,保持艺术的思维状态,才能有画架前的厚积薄发的创作欲望,在生活中艺术思维状态的保持是极为重要的也是较难连续保持的一种状态,要多方位、多角度、横向地去关注周围生活,这既是对生活的感悟过程也是积累过程。

With so complicated manifestations of the aestheticization of everyday life, it is doomed to have a heated discussion over the issue in present China. Discussion will help clarify the problems and that's why there is such a theoretical analysis on the routinization of aesthetics.

日常生活审美化呈现出如此复杂的样态,在中国语境下,展开激烈的论争也是必然的,论争有助于问题的澄明,而进行"审美日常化"理论话语辨析的初衷也即是如此。

The artists of the "New cartoon generation"(some refer to them as "Comic Generation","Q Generation","X Generation","Virtual Generation") have thoroughly understood cartoon is characterized by "self-being" rather than "self-action".

相比之下,"卡通一代"的艺术家直面社会生活并且用各自不同的生活方式去体验生活,共同去关注与我们日常生活自身相悖论的文化问题、精神问题。

This article shows us a picture of the social-life of the Japanese country during the early years of Showa pe...

文章从日常生活、文化教育及娱乐生活、新式思想观念和生活方式、妇女问题以及家族制度等方面,概述了昭和初年农村社会生活的变化。

The author learn that the curriculum in kindergarten stray away from the real life in the way of a field research by observing in a few kindergartens and by means of analyzing text. There are some examples such as ignoring the educational values of the daily life activities; the curriculum"s divorcing from the children"s life experience and so on. At the same time, the author finds that there are some good examples for the curriculums closely relating to the real life, so we say that it is possible for the curriculum in kindergarten to come back to life.

通过对幼儿园的实地观察以及对文本的分析,笔者认为幼儿园课程存在与生活背离的现象,如忽视日常生活活动的教育价值,课程内容脱离幼儿生活经验等;同时也存在与生活紧密联系的课程范例,所以,幼儿园课程回归生活是可能的。

The artists of the "New cartoon generation"(some refer to them as "Comic Generation","Q Generation","X Generation","Virtual Generation") have thoroughly understood cartoon is characterized by "self-being" rather than "self-action".

相比之下,&卡通一代&的艺术家直面社会生活并且用各自不同的生活方式去体验生活,共同去关注与我们日常生活自身相悖论的文化问题、精神问题。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。